Schedule

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. McCoy Tyner’s first main exposure came with Benny Golson, being the first pianist in Golson’s and Art Farmer’s Jazztet. He’s also known for his work with the John Coltrane Quartet. Tyner’s style is easily comparable to Coltrane’s maximalist style of saxophone. Though a member of Coltrane’s group, he was never overshadowed by the saxophonist, but complemented and even inspired Coltrane’s open-minded approach. McCoy Tyner is considered one of the most influential jazz pianists of the 20th century, an honour he earned both with Coltrane and in his years of performing following Coltrane’s death.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

This live recording is celebrating 50 years of West Coast Jazz. The West Coast Jazz movement had its origins about 50 years ago in Los Angeles. It was essentially a "cool" form of jazz played mostly by studio musicians as a break from their studio work. The West Coast All Stars are specially brought together for this West Coast Night. The performance shows some of the most important early pioneers of this style of jazz - including legends such as Conte Candoli, Carl Fontana and Teddy Edwards. Jazz writer and critic Alun Morgan about this concert: “Altogether a very impressive experience. These guys are all real jazz pros who can turn in a masterly performance at the drop of a hat. Who said West Coast Jazz was cold and sterile? These guys can churn up enough excitement to bring any audience to its feet."

Since 1960, the legendary saxophonist Charles Lloyd has lent his adventurous, lyrical sound to collaborations with likes of Cannonball Adderley, Keith Jarrett and The Beach Boys. His early and highly successful experiments blending jazz and rock music charted a path that led to the electric fusion of Miles Davis and The Headhunters, while his exploration of spirituality and transcendental meditation added a new depth to his sound. Lloyd moves from hard swing to subtle ballads, blending gorgeous textures and Eastern influences. This 1966 recording features Lloyd’s quartet, accompanied by Keith Jarrett (piano), Cecil McBee (double bass) and Jack DeJohnette (drums), playing some of Lloyd’s own compositions.

On June 18, 1962, American pianist and composer Erroll Garner performed at the Singer Concertzaal in Laren. The vibrant and joyous concert was played with drummer Kelly Martin and bassist Eddie Calhoun, each long-standing collaborators from Garner's trio. The Singer Concertzaal in Laren, the Netherlands is a concert hall and museum dedicated to the preservation of the art collection of American William Henry Singer. It features a variety of artists, both visual and aural.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1985, American jazz bassist and composer Charlie Haden performed a mesmerizing concert at the North Sea Jazz Festival in The Hague. Known for his collaborations with free-jazz pioneer Ornette Coleman, Haden brought his own New Liberation Orchestra to the festival.

Charles Mingus showcases an exceptional concert performed in April 1965 featuring his most celebrated lineup: Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including ‘So Long Eric’ and the groundbreaking ‘Meditations On Integration’.

By the time this set was recorded at Brussels Jazz Club in the summer of 1980, trumpeter Freddie Hubbard had already built an impressive resume. During the 1960s he became a leading voice in the hard bop movement while not shying away from avant-garde sessions with the likes of John Coltrane and Eric Dolphy. In the 1970s, Hubbard expanded his palette by recording in more diverse settings that included electric instruments and orchestral arrangements. On this club date, Hubbard showcases all of the experience he had accumulated up to this point. The working group consists includes David Schnitter on tenor saxophone, Billy Childs on keyboards, Larry Klein on bass, and Sinclair Lott on drums. Watch as the quintet deftly switches between acoustic and electric instruments and Hubbard entertains the crowd with his onstage antics.

This documentary shows a song cycle by the Danish singer-songwriter Trinelise Væring and pianist Jonas Berg, featuring the Scandinavian Barokksolistene ensemble headed by solo violinist and artistic director Bjarte Eike. Væring’s songs possess a timeless quality with their gracefully swung melodies, while they are truly modern at the same time with their ‘in your-face’ approach to catchy hook lines and the largely groove-based arrangements. The music balances intelligently between being clever and being emotional. It is executed brilliantly by some Europe’s finest baroque musicians of the Barokksolistene ensemble. Væring is a remarkable vocalist who masters both the intensely fragile and the more powerful nuances. She is complemented by a pianist whose exquisitely tasteful playing builds on the great Scandinavian piano tradition, adding a pinch of Swedish folklore, pop music and free jazz. In combination with Trinelises unvarnished voice, the unique timbre of the baroque instruments, the vibrato-less sounds, and the ‘on the beat’ approach to groove, the music is far removed from the usual romantic setting of sweet pop songs. This music has edge, and is performed with engrossing vitality.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2013 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them were Chucho Valdes and his Afro-Cuban Messengers, the prime example of Latin-inspired jazz music. Together with vocalists Concha Buika and Dreiser Durruthy Bombale, Rodney Barreto on drums, Gaston Joya on double bass, Yaroldy Abreu Robles on congas, and Reinaldo Melian Alvarez on trumpet, the legendary pianist brings the streets of Havana to the festival’s stage.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, London serves as a backdrop for sets by trumpeter Matthew Halsall, saxophonist Soweto Kinch, and pianist Neil Cowley.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1988, acclaimed Brazilian singer and pianist Tania Maria performed with bassist Leonard Traversa and drummer Kim Plainfield at the North Sea Jazz Festival in The Hague. Maria is known for her energetic personality and unique style of singing that draws from a variety of jazz, Latin and pop traditions.

Vocalist Jazzmeia Horn’s 2019 Malta Jazz Festival appearance was a celebration of jazz’s future, infused with the soul of its past. Featuring Keith Brown (piano), Rashaan Carter (bass), Irwin Hall (flute and saxophone), and Anwar Marshall (drums), the young singer’s performance was a reminder of jazz’s enduring power to speak to the heart. Situated at the Valletta waterfront outside Our Lady of Liesse Church, Horn’s concert was a truly spellbinding experience.

On July 20, 2018, double bassist Christian McBride presented his band ‘New Jawn’ at the Malta Jazz Festival. A five-time Grammy winner, McBride is one of the most requested, most recorded, and most respected figures in the music world today. Hailing from Philadelphia, this music luminary combines jazz, R&B, pop/rock, hip hop/neo-soul, and classical. Gracing the Malta Jazz stage with him are Nasheet Waits (drums), Marcus Strickland (tenor sax), and Josh Evans (trumpet).

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.

The American jazz trio Moonchild consists of multi-instrumentalists Amber Navran (vocals, saxophone, clarinet), Max Bryk (saxophone, flute, clarinet, keyboard), and Andris Mattson (trumpet, flugelhorn, keyboard). The three musicians met during their study at the University of Southern California in Los Angeles. A year after their formation in 2011, they released their first album “Be Free” (2012). Their music has been described as neo-soul, alternative R&B, and jazz. This trio-on-the-rise has toured with several renowned artists, including Kamasi Washington and The Internet. In this 2017 concert from Jazz Club Moods in Zurich, Switzerland, Moonlight teams up with drummer Efajemue Etoroma.

‘Harmolodics’, the musical philosophy of jazz saxophonist Ornette Coleman, is associated primarily with avant-garde jazz and the free jazz movement, although its implications extend beyond these limits. Coleman defined ‘harmolodics’ as “the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group”. Applied to the particulars of music, this means that harmony, melody, speed, rhythm, time and phrases all have equal position in the results that come from the placing and spacing of ideas - as evidenced in this broadcast of a performance by the Ornette Coleman Sextet.

30 minutes of... Orquestra Jazz de Matosinhos and Orquestra Sinfónica do Porto Casa da Música conducted by Dirk Brossé. Casa da Música is a performance hall located in Porto, in northern Portugal. Brossé, born in Ghent, Belgium in 1960, is a versatile composer and a respected conductor on the international music scene. Pianist Jason Moran and cellist J.A. Pereira de Sousa accompany both sets.