Schedule

Maria Ana Bobone (Portugal) is one of the best fado singers of her generation. She started singing fado when she was 16. Her debut album is called ‘Alma Nova’ and marked the beginning of her amazing career. For the recordings of her next two albums, ‘Luz Destino’ and ‘Senhora da Lapa’ Maria Ana welcomed instruments that are usually not present in fado music: the harpsichord and saxophone. After that, she continued her career with the release of ‘Nome de Mar’, which received many positive reviews. At the moment, Maria Ana is performing at all Portugal’s major venues, as well as many festivals and concert halls throughout the world, with the aim to present fado music and Portuguese culture to other cultures. Bobone’s latest album, ‘Fado & Piano’, shows her diversity as an artist, composer and arranger. By including the piano she re-innovates the tradition of the early 20th century. This portrait shows Maria Ana’s performances and interviews in which she explains her passion for fado music and culture.

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, Armstrong's manager Joe Glaser dissolved the Armstrong big band on August 13, 1947 and established a six-piece small group. This group was called the All Stars, and in 1964 Louis Armstrong recorded his biggest-selling record, Hello, Dolly! He made assorted television appearances, especially in the 1950s and 1960s – the recorded film was a TV Show in Australia when Armstrong was at the peak of his career. Armstrong kept up his busy tour schedule until a few years before his death in 1971. He also toured Africa, Europe, and Asia under sponsorship of the US State Department with great success, earning the nickname ‘Ambassador Satch’.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The 29th Street Saxophone Quartet is an American quartet founded in 1982 by alto saxophonists Bobby Watson and Ed Jackson, tenor saxophonist Rich Rothenberg and baritone saxophonist Jim Hartog. The band has an eclectic repertoire ranging from jazz to show, funk, rap, and experimental music.

If any two musicians share a special bond when they perform, it’s pianist Carla Bley and bassist Steve Swallow. The two have performed in the same bands since the 1960s and have been romantic partners for more than two decades. Watching them perform is the definition of musical telepathy. A glance or a smile seems to change the feel of the music. In 1988, Swallow and Bley began performing duet concerts in Europe, United States, South America and Japan. This performance of Duets, their album of songs arranged for piano and bass, was released that same year. The performance showcases their approach to traditional jazz, folk and classical music, as well as their poignant musical story.

Veteran American blues and jazz singer Carrie Smith (1925-2012) was often compared to the legendary Bessie Smith, an artist she greatly admired. She was best known in Europe for her powerful, resonant voice, impeccable timing, and the emotional depth she brought to her songs. Born in Georgia, Carrie Smith began her career singing gospel music and later gained international acclaim as a star of the hit Broadway musical revue “Black and Blue”. In this concert recording from the Ascona New Orleans Jazz Festival, held in late June and early July 1998 at picturesque Lake Maggiore in Ascona, Switzerland, Smith delivers a captivating performance. Backed by a trio led by pianist Bross Townsend, Smith performs jazz standards by Harold Arlen and George and Ira Gershwin, alongside a string of blues classics including "I'm Tore-Down", "Down Home Blues", "Rock Me Baby", and "Back Water Blues".

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1994, Dominican Republic pianist Michel Camilo was one of the artists appearing here. Camilo performed with Michael Bowie on bass and Cliff Almond on drums. Their music incorporates influences that range from Art Tatum and Keith Jarrett's jazz to the twentieth-century classical music of Debussy and Ravel.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

To call Omar Sosa an Afro-Cuban jazz pianist would only capture part of his true style. Because while he has always kept one foot firmly within the traditions of his native isle, this citizen of the world also shows an insatiable curiosity, tirelessly exploring music from around the world: from the Caribbean to India and from West Africa to the Arab World. Nothing seems to escape his thirst for discovery. This breadth of experience and sense of openness is clearly reflected in the music the quartet plays. A celebration of rhythm in all its forms - he began his musical life as a percussionist - an Omar Sosa concert always gives the audience an intense, some would say mystical, experience.

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, and Jeff "Tain" Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen and drummer Jason "JT" Thomas. Their group sound draws from various musical paths of its members, whether it’s Jason’s swampy grooves and shuffles, Chris’ singular sonic approach to guitar, Henry’s zeal for unique keyboard sounds and twisted ear candy, or Michael’s driving world-influenced grooves. The band pushes further down the sonic rabbit hole with their stunning music. This concert was filmed during Mondriaan Jazz Festival 2017, The Hague.

Rotterdam’s BIRD is a club, café, and restaurant with a live music program that's deeply rooted in jazz, soul, funk, hip-hop, and electronic. Its name BIRD refers to the nickname of legendary New York jazz saxophonist, bebop co-founder Charlie Parker. BIRD serves Neapolitan pizzas, fine wines, no-nonsense beers, and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programs: BIRD.tv, allowing you to experience the best BIRD concerts and interviews as from a first-row seat! This episode is dedicated to seven brothers from the south side of Chicago: The Hypnotic Brass Ensemble AKA Bad Boys of Jazz, Tha Bros, and Yo Favorite Band! The band freely adds generous doses of hip-hop, soul, and funk to the brass band tradition, creating an intoxicating and boisterous blend: perfect for another episode of BIRD.tv!

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Swedish pianist Jacob Karlzon is joined by Danish bassist Morten Ramsbøl and Swedish drummer Rasmus Kihlberg at the Steinway piano factory in Hamburg to present their album ‘Open Waters’. Karlzon, a classically trained pianist who shared a stage with Kenny Wheeler, Norma Winstone, and Billy Cobham keeps the rich tradition of Swedish jazz eclecticism alive. Back in 2012, Karlzon explored the world of heavy metal, after that allowing electronic elements to set the pulse.

Jimmy Smith: Live in '69 boasts an incredible 90-minute concert from 1969 filmed in Paris. Working in his classic trio format with longtime guitarist Eddie McFadden and drummer Charlie Crosby, Jimmy shows why he is still the uncontested king of the jazz organ. Highlights include blues jams “Got My Mojo Working” and “Sonnymoon For Two”, the classic ballads “Alfie” and “Satin Doll”, as well as a 23-minute version of his showcase number “The Sermon”.

“God Bless The Child”, “Foolin’ Myself”, and “I Loves You, Porgy”: timeless songs that were made classics by the inimitable Billie Holiday. ‘Lady Day’, as her loyal friend and musical partner Lester Young nicknamed her, was a highly original jazz and pop singer. In a career that spanned most of the 1930s, 1940s and 1950s, she displayed an uncanny ability to convey emotion through her voice. Her vocals, which were strongly inspired by instrumental jazz, are admired for their deeply personal and intimate sound. This compilation features recordings from the 1950s of Billie Holiday singing a string of her greatest successes. Enjoy this unique footage of one of jazz’s all-time greats!