00:00
Selah Sue @ Festival Culturebox
Belgian singer-songwriter Selah Sue performed at La Cigale in Paris as part of the digital Culturebox Festival 2020. The singer released her million-selling debut album 'Selah Sue' in March 2011, featuring her popular single 'Raggamuffin' and her duet 'Please' with American hip-hop artist Cee Lo Green. Months after its release, Selah was presented with a European Border Breakers Award (EBBA), for her cross-border success. At La Cigale in 2020, Selah Sue is accompanied by Joachim Saerens on keyboard and Simon Lenski on cello, opening her concert with a jazzed-up 'So This Is Love', a romantic ballad from Walt Disney’s film 'Cinderella'.
00:53
Kurhaus Scheveningen: Beets & Rosenwinkel
The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.
02:13
Charles Mingus And Eric Dolphy live in Liège
Charles Mingus showcases an exceptional concert performed in April 1965 featuring his most celebrated lineup: Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including ‘So Long Eric’ and the groundbreaking ‘Meditations On Integration’.
02:48
Wynton Marsalis: In This House, on This Morning
The final concert of the Münchner Klaviersommer 1992 was by Wynton Marsalis and his septet. The 31-years-young star trumpeter performed one of his own jazz suites to the sold-out Philharmonie, under the title of ‘In This House, On This Morning’. The concert covers every jazz style, in composition and improvisation, and in both small and grand forms. Marsalis’s Septet was made up of Wess Anderson (alto saxophone), Wycliffe Gordon (trombone), Reginald Veal (bass), Herlin Riley (drums), Todd Williams (tenor saxophone), and Eric Reed (piano).
04:55
The Crusaders: Estival Lugano 1987
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.
06:07
Alcazar de Sevilla
This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.
06:16
Affirmation
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, prominent guitarist George Benson brought his band to kick off day three of the North Sea Jazz Festival in The Hague. Joining him to play songs from their joint album "Collaborations" was Grammy award–winning acoustic guitarist Earl Klugh.
06:26
Qui nem gilo
Brazilian artist Gilberto Gil returns to Jazz à Vienne in France with a new round of singing that is inspired by his latest album ‘Fé na Festa’: a mixture of celebration, tradition and even some rock now and then. Gilberto Gil, worldwide known for as musician and the Brazilian minister of Culture, was one of the pioneers of the cultural movement ‘tropicalismo’. This movement, with a strong character of social protest, combines elements of traditional Brazilian culture with modern art forms. Gilberto Gil's new sound clearly has its roots in Brazilian culture, yet it is always inspired by jazz.