00:00
Travellin’ Blues: Big Daddy Wilson
‘Jazz en Baie’, a whining guitar sound, and the baritone voice of Big Daddy Wilson are the perfect recipe for an emotional and melancholy blues concert. As a young man, Big Daddy Wilson never saw a real blues concert before he walked into a Bremen club as a young soldier. This revelation drove the expatriate to throw himself head over heals into music. A few decades and a couple of studio albums later, he’s well-known as one of the greatest contemporary bluesmen: his baritone voice, of a rare emotional power, recounts the nostalgic stories of his native land. His album ‘I'm Your Man’ brought him his first international success. Always respectful of the blues roots he inherited, the charismatic singer adds soul, funk, country and gospel to his musical range; the memories of his American youth.
01:21
Gregory Porter and Metronomy - Paris
In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American baritone Gregory Porter as he collaborates with the British electro-pop band Metronomy. The former American football player, who later dedicated himself entirely to music, gives an interview at Hérouville and performs songs including ‘Don't Loose Your Steam’, ‘In Fashion’, and ‘Sunny’. The British band Metronomy contributes songs such as ‘The Look’, ‘Night Owl’, and ‘Mick Slow’. Metronomy consists of Joseph Mount (drums), Oscar Cash (saxophone, keys), and Michael Lovett (keys). Gregory Porter’s own band consists of Lakecia Benjamin (saxophone), Chip Crawford (piano), Jahmal Nichols (bass guitar), and Emanuel Harrold (drums).
02:34
Count Basie and his Orchestra live in Charleroi
Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.
03:26
Mont Saint-Michel: Steve Grossman & Peter King
Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.
05:04
Tony Bennett
Relive the magic of one of the most beloved crooners in music history in his prime: Tony Bennett! Recorded live in London’s Royal Albert Hall on March 2, 1974, this enchanting performance showcases Bennett's remarkable vocal prowess and charisma to full effect. Bennett is accompanied by his musical director Torrie Zito and an orchestra of British musicians that includes Kenny Clare (drums), Don Lusher (trombone), and Kenny Baker (trumpet). Tune in for Bennett’s captivating take on songs “The Good Things in Life”, “My Favorite Things”, “My Love”, “I’ve Got Five Dollars”, “It Don’t Mean a Thing”, and “Maybe This Time” in this magical concert recording.
05:59
Rumble
'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.
06:11
Come Twogether ft. Benjamin Herman
Instead of children’s songs, the sound of jazz standards was always present. They practiced intricate drum rhythms instead of Bach etudes: Simon Oslender and Jérôme Cardynaals have jazz running through their veins! Under the name ‘Twogether’ both youngsters celebrate a very unique and soulful style of funky blues-jazz. They create a sound that leaves even renowned jazz artists speechless. The two, exceptionally talented boys met in a youth big band, and before long they became a musical team. Immediately after that, they won the first prize in the Prinses Christina Jazz Concours in Amsterdam, which got the whole thing started. In this concert, they perform with wonderful artists such as the Dutch saxophonist Benjamin Herman and the American vocalist Madeline Bell.
06:45
Lonely Lady
Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).
07:00
Anita Oday Live in Sweden 1963
Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.
07:54
Sarah Vaughan Live in '58 & 64: The Divine One
Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.
09:01
Smooth Series at NSJ: George Benson & Kenny G
The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents a compilation with music of George Benson & Kenny G.
09:33
Teddy Wilson - Théâtre de l’Atelier
Decades after the 1930s swing era came to an end, one of its giants, pianist Teddy Wilson (1912–1986), kept the flame of this music alive during countless international concert tours. During a hectic spring tour of Europe, the acclaimed pianist appeared at Geneva’s Théâtre de l’Atelier on March 21, 1969. Before Wilson’s concert, Swiss actor Jean Landier recorded an episode of Radio Télévision Suisse’s program ‘Variétés: Jasons Jazz’ with him. After a brief but insightful interview, Teddy Wilson performed ‘After You've Gone’ and ‘Body and Soul’, both with the local rhythm tandem of drummer Peter Giger and double bassist Isla Eckinger. This broadcast is a priceless document of masterful jazz piano in the best of taste.
09:58
Dilemma
Formed in 1952 from the rhythm section of Dizzy Gillespie's big band, the Modern Jazz Quartet took its inspiration from classical chamber music as well as jazz's blues roots. The group enjoyed a decades-long career with multiple critically acclaimed albums, cementing their place in the history of the genre. Following concerts in Rotterdam and Amsterdam the days before, the Modern Jazz Quartet performed at Singer Concertzaal in Laren for Dutch TV on March 31, 1969. Composed of Milt Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums, the foursome plays with elegance and style.
10:04
Scott DuBois Quartet Live In Munich
Rising star of the jazz guitar Scott DuBois leads his quartet, consisting of Gebhard Ullmann (reeds), Thomas Morgan (bass), and Kresten Osgood (drums), in an intimate and atmospheric performance at Munich’s Jazz Club Unterfahrt in March 2016. The group’s telepathy is such that they are able to go from deathly quiet to fiercely avant-garde at the drop of a hat. For this occasion, DuBois and his group gave a full performance of his "Winter Light" album, released a few months earlier, plus his 'Lake Shore Suite'.
11:36
Face au Public: Odetta
Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.
12:06
China Moses: 'Whatever' at Jazz à Ramatuelle
In 1988, Dee Dee Bridgewater was one of the first great jazz singers to perform at the Jazz Festival in Ramatuelle. In 2016, the story seems to repeat itself as her daughter China Moses took the stage at Ramatuelle. Over the years, China Moses has become a mature performer with a unique style: rocky voice, sharp sense of swing, and intense/energetic stage presence. After signing compilations dedicated to Dinah Washington and blues, Moses released in 2016 an album of his own compositions, entitled "Whatever". Get ready for a most entertaining performance combining jazz, soul, and hip-hop.
14:04
Buddy Rich and his Big Band at North Sea Jazz
Buddy Rich: Live in '78 highlights the relentless power and unparalleled artistry of the man who was known as ‘The World’s Greatest Drummer.’ This concert, taped in Holland in 1978, showcases one of the tightest big bands in history, featuring acclaimed saxophonist Steve Marcus and other members of Buddy’s ‘Killer Force,’ the group he would later call ‘the best band I ever had.’ Standout performances include ‘Grand Concourse,’ ‘Big Swing Face,’ and ‘Channel One Suite,’ which climaxes in Buddy’s signature drum solo.
15:20
Miriam Makeba Live at Estival Lugano 1985
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.
