Schedule

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, the Newport Jazz Festival in Rotterdam welcomed the Giants of Jazz, an all-star band featuring drummer Art Blakey, trumpeter Dizzy Gillespie, bassist Al McKibbon, pianist Thelonious Monk, saxophonist Sonny Stitt and trombonist Kai Winding. Part 2.

They are three siblings, born in Israel, passed through New York, each leading brilliant careers. The youngest, Avishai, has established himself as one of the most original trumpet players of the moment, author of highly acclaimed albums on the ECM label. The second youngest, Anat, saxophonist and clarinetist, in love with Brazilian music and Benny Goodman, is one of the great "jazzwomen" of today. Less visible, but no less active, the elder Yuval, who plays soprano sax, is one of the most respected musicians in Israeli jazz. Under the name "Three Cohens", they periodically get together for the pleasure of swinging together, as they did as teenagers.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

The Cuban pianist, composer and bandleader Gonzalo Rubalcaba is a star name on today's international jazz scene. Technically dazzling and brilliantly creative, Rubalcaba generates infectious excitement with his music. He says he uses jazz as a reference, but takes in the Cuban and African background which was itself an important influence on jazz musicians in the US. This live recording was made during the Munich Klaviersommer at the Bayerischer Hof Night Club, and includes well-known standards played Rubalcaba-style, as well as the pianist's own compositions. He plays with Jeff Chambers (double bass) and Ignacio Berroa (drums).

Formed in 1952 from the rhythm section of Dizzy Gillespie's big band, the Modern Jazz Quartet took its inspiration from classical chamber music as well as jazz's blues roots. The group enjoyed a decades-long career with multiple critically acclaimed albums, cementing their place in the history of the genre. Following concerts in Rotterdam and Amsterdam the days before, the Modern Jazz Quartet performed at Singer Concertzaal in Laren for Dutch TV on March 31, 1969. Composed of Milt Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums, the foursome plays with elegance and style.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The composer, trumpeter and bugle player Franco Ambrosetti performs with his quintet in his native Lugano as part of the Estival.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. Israeli-American double bassist Omer Avital plays radiantly energetic, resounding jazz with oriental influences. At Jazz in Duketown 2019, Avital forms a quintet with saxophonists Asaf Yuria and Alexander Levin, drummer Ofri Nehemya, and pianist Eden Ladin. They present singular repertoire from Avital's album 'Qantar'.

American trumpet player and occasional singer Chet Baker (1929-1988) was one of the most popular exponents of bebop and cool jazz. At the age of 10, Baker was introduced to music in a school orchestra, after which he discovered bebop in the army in 1946. After serving six months in prison in 1953 for drug possession, Baker formed his own quartet with West Coast jazz great, pianist Russ Freeman. His lifelong drug addiction forced him to concertize and record incessantly. Always popular in Europe, Chet Baker (trumpet, vocals) joined Jacques Pelzer (alto saxophone, flute), Luigi Trussardi (bass), Franco Manzecchi (drums), and René Urtreger (piano) for a set in Brussels, Belgium, on May 2, 1964. They performed Bye Bye Blackbird, Isn't It Romantic, Airegin, Time After Time and So What. On September 3, 1979, Baker appeared at the Kongsberg Jazz Festival in Norway. He was joined by Wolfgang Lackerschmid (vibraphone), Michel Graillier (piano), and Jean Louis Rassenfosse (bass) for performances of Blue Train, Softly, As In A Morning Sunrise, Five Years Ago, and Love For Sale.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.