Schedule

Five promising musicians get together in Rotterdam jazz club BIRD’s artists-in-residence project “The Nest”. Over the course of seven sessions, these talents exchange ideas, work on their projects, and play music together. Following this period, during which record producer Jameszoo and music manager Jochem Tromp offer their coaching experience, BIRD and North Sea Jazz Festival’s fringe festival DownTown organize a tryout performance. In this short documentary, the artists share their impressions from the project. They introduce themselves, reveal why they joined The Nest and formulate what they hope to learn from the experience. Naturally, we get a glimpse of the songs they wrote during the sessions, as performed during the tryout show. Featuring Lisette Ma Neza (slam poet), Peter Somuah (trumpet), Michelle Samba (drums), Huy Le (bass), and Brenn Luiten (piano).

Art Blakey, Dexter Gordon, Ron Carter, Herbie Hancock, Thelonious Monk... these names are synonymous with the great Jazz Age. But how many people know Alfred Lion and Francis Wolff, to whom we owe the recorded memory of our Jazz legends? Two German Jews who emigrated from Nazi Germany to New York "discovered" an American art form which at the time received little serious attention from mainstream America: Jazz Music. Without money or connections and speaking little English, the two men began to record practically unknown musicians, following their own taste and judgment. Today this list of artists reads like the Who-is-Who of Jazz. "Blue Note - A Story of Modern Jazz" tells the story of Alfred Lion and Francis Wolff and their record label. It is the story of the rise of Modern Jazz, of a friendship in exile and of uncompromising artistic excellence. Told by the musicians, by friends and associates and by fans of the Blue Note recordings from all walks of life, the film Blue Note recreates an era of American cultural history.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the bassist Mats Eilerstsen is accompanied by pianist Harmen Fraanje and percussionist Thomas Strønen. With help from additional vocals, the trio presents Medieval poems of Norwegian writer Tor Ulven. The result blends jazz, chamber music, and Norwegian folk.

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves’ outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington’s career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, the Newport Jazz Festival in Rotterdam welcomed the Giants of Jazz, an all-star band featuring drummer Art Blakey, trumpeter Dizzy Gillespie, bassist Al McKibbon, pianist Thelonious Monk, saxophonist Sonny Stitt and trombonist Kai Winding. Part 2.

‘Ella Fitzgerald: Live in '57’ features ‘The First Lady Of Song’ in a distinct performance. It's the earliest known complete concert of Ella to be captured on film. Shot in Belgium, this 1957 concert sees her performing with jazz greats Ray Brown, Herb Ellis, Jo Jones and the legendary Oscar Peterson on classics such as ‘Lullaby Of Birdland’ and ‘It Don’t Mean A Thing (If It Ain’t Got That Swing)’. Although she wanted to be a dancer at first, Ella Fitzgerald already listened to recordings of Louis Armstrong, Bing Crosby and The Boswell Sisters at an early age. After her debut at an amateur talent show in 1934, Ella joined Chick Webb’s Orchestra with which she recorded several hits; after Webb died, she became the leader of the orchestra. In the late 1940s, Ella Fitzgerald became known as the ‘First Lady of Song’, with her wide vocal range of three octaves. The American jazz singer was particularly appreciated for her pure tone, intonation and phrasing, and unparalleled improvisational abilities. In a career that spanned close to 60 years, Fitzgerald sold 40 million albums and won 13 Grammy Awards, mainly for her definitive interpretations of the Great American Songbook.

In the midst of the blossoming of the free-jazz scene, pianist Cecil Taylor (1929) probably represented the non-jazz aspect of the movement better than anyone else. Many of the innovations of the 1960s were pioneered by his records. His fusion of exuberance and atonality was particularly influential. Like saxophonist Ornette Coleman, who initially overshadowed him, Taylor was one of the first musicians to release jazz improvisation from fixed harmonic structures. Influenced by both classical music and jazz, Taylor became a virtuoso pianist with a unique range of dynamics, attacks, and harmonic resources, including many tone clusters played for percussive, not harmonic, effect. During this 1984 Müncher Klaviersommer concert, he shows his mastery of improvised jazz.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, prominent guitarist George Benson brought his band to kick off day three of the North Sea Jazz Festival in The Hague. Joining him to play songs from their joint album "Collaborations" was Grammy award–winning acoustic guitarist Earl Klugh.

The mere mention of the name John Coltrane evokes a deeply emotional, often spiritual response from even the most casual jazz fan. Dexter Gordon was a fantastic saxophonist. Miles Davis was a genius. Coltrane stood above - he was a visionary, a saint-like figure. By the standards of most jazz musicians, his life was uneventful. Sure, he had a heroin habit for a while, and Miles Davis punched him, but once he'd experienced the “spiritual awakening” described in the liner notes of his 1965 album A Love Supreme, he dedicated himself to his music with extreme single-mindedness. This broadcast of Coltrane's 1965 performance at the short-lived Belgian jazz festival in Comblain-la-Tour features Trane's classic quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano).

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

The Dutch Hammond organ player Rob Mostert develops, in cooperation with Stingray DJAZZ, the program Mostert Meets. In this series, the Hammond B3 organ takes center stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tone wheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert teams up with the Dallas-born vocalist Dede Priest. She’s renowned for her raw sound. She knows how to sing blues and gospel like no other!

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In 1968, the Newport Jazz Festival in Rotterdam welcomed three talented Americans: pianist Horace Silver, guitarist Muddy Waters, and trumpeter Dizzy Gillespie, alongside their bands.

As a 25-year-old saxophonist, Maceo Parker played in the band of James Brown, but he is also known for his collaborations with George Clinton's Parliament-Funkadelic and Bootsy Collins' Rubber Band. Maceo has proven his star quality by creating a special chemistry between all the different styles of American black music. As a pioneer in the ‘groove’, he blends funky jazz with roots and blues with gospel. The result? Overheated concert halls, with enthusiastic audiences that completely surrender themselves to the music's boundless energy.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Oslo serves as a backdrop for sets by pianists Tord Gustavsen and Bugge Wesseltoft, as well as Jaga Jazzist collective.