Schedule

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Maria Ana Bobone (Portugal) is one of the best fado singers of her generation. She started singing fado when she was 16. Her debut album is called ‘Alma Nova’ and marked the beginning of her amazing career. For the recordings of her next two albums, ‘Luz Destino’ and ‘Senhora da Lapa’ Maria Ana welcomed instruments that are usually not present in fado music: the harpsichord and saxophone. After that, she continued her career with the release of ‘Nome de Mar’, which received many positive reviews. At the moment, Maria Ana is performing at all Portugal’s major venues, as well as many festivals and concert halls throughout the world, with the aim to present fado music and Portuguese culture to other cultures. Bobone’s latest album, ‘Fado & Piano’, shows her diversity as an artist, composer and arranger. By including the piano she re-innovates the tradition of the early 20th century. This portrait shows Maria Ana’s performances and interviews in which she explains her passion for fado music and culture.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. In 2019, one of these artists is the legendary bluesman Lucky Peterson, master of the blues guitar and Hammond organ, who celebrates 50 years on stage. Peterson is accompanied by his band The Organization, augmented by the talented vocalist Tamara Tramell. In a singular performance, she offers a fascinating mix of southern soul and modern R&B, exploring the limits of blues and funk.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned bands. In 2019, one of them is the Amsterdam-based Dutch instrumental collective Jungle by Night. The band plays a mix of various styles, inspired by funk, jazz, dub, rock, and others. The ensemble made its debut in 2010 and has played at numerous festivals. Their December 2010 performance with former backing musicians of Afrobeat founder Fela Kuti in Paris saw them hailed as "the future of Afrobeat".

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Tokyo serves as a backdrop for sets by Kyoto Jazz Massive, Sleep Walker, and Quasimode.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, the acclaimed jazz fusion group Mahavishnu Orchestra led by guitarist John McLaughlin took the stage at the North Sea Jazz Festival in The Hague. This third incarnation of the group featured an outstanding lineup, with Jim Beard on keyboards, Jonas Hellborg on bass, Danny Gottlieb on drums, and Bill Evans on saxophone.

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves’ outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington’s career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

Pianist Peter Beets and the Henk Meutgeert New Jazz Orchestra performed at the Concertgebouw in Amsterdam on April 22, 2019. French singer Camille Bertault made a special guest appearance. In 2018, the New Jazz Orchestra was founded by two veterans of Dutch jazz: pianist Peter Beets and arranger Henk Meutgeert. This new big band consists of top tier young jazz talents from the Netherlands. French jazz vocalist Camille Bertault came into the public eye after she penned French lyrics to saxophonist John Coltrane’s famous song Giant Steps, and, most impressively, sang Coltrane’s solo by heart in a YouTube video. A feat of extraordinary technical ability and serious improvisational skill!

The line-up of the Julie Campiche Quartet is unconventional to say the least: Julie Campiche on harp, Leo Fumagalli on saxophone, Manu Hagmann on bass, and Clemens Kuratle on drums and percussion, with Kuratle deftly incorporating electronics into their individual sound. To say that the quartet takes its listeners on a musical journey is not an overstatement. During two performances (Campiche’s “Onkalo” and Kuratle’s “To The Holy Land”) from the Schaffhauser Jazz Festival on May 24, 2018, the Quartet slowly develops hypnotic grooves that features all the jazz sensibilities fans could wish for while still pushing the boundaries of what constitutes jazz.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the Free Desmyter Quartet. Desmyter is an obstinate improviser with a very original and recognisable sound. His compositions are never contrived, nor revolutionary, for that matter, yet they are contemporary and innovative.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

Since 2005, the Morgenland Festival, held in Osnabrueck, has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Jivan Gasparyan Jr has always been inspired by the folk melodies of his native Armenia. His grandfather, also a musician, taught him the art of duduk, an instrument of Armenian origin.

George Shearing, blind since birth, is one of the world's greatest jazz pianists. Filmed on both sides of the Atlantic, this tribute to Shearing showcases the music which took the jazz world by storm. Specially-shot performances and archive clips feature music spanning the six decades of his remarkable career and classics such as ‘September in the Rain’, ‘Lullaby of Birdland’, ‘Greensleeves’, ‘Donna Lee’ and ‘Freedom Jazz Dance’ are included, as well as many other recent compositions.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the legendary drummer Buddy Rich.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Arguably the greatest lady vocalists of all time are featured in this superb compilation. These historic recordings from the 1950s and 1960s offer a unique overview of different approaches to jazz singing that helped define the genre. Watch Billie Holiday’s performance of “God Bless The Child” closely and learn what made her such an influential jazz and pop singer. Enjoy Anita O’Day’s matchless rhythmic sense in a performance of “Honeysuckle Rose” recorded at the Arenateatern in Stockholm, Sweden on November 1, 1963. Marvel at Nina Simone’s December 1968 performance of “Ain't Got No, I Got Life” from London. Let Sarah Vaughan’s rendition of “Tenderly” sweep you off your feet – ‘Sassy’, or ‘The Divine One’, recorded this romantic evergreen in a television studio in Sweden on July 9, 1958. Last but not least, revel at the ‘First Lady of Song’: Ella Fitzgerald swung “Mack The Knife” in a December 4, 1960 appearance at The Embers in suburban Melbourne, Australia. Get to know the greatest lady vocalists in jazz history with this unique compilation of historic recordings!