Schedule

Guitarist Mike Stern and violin player Didier Lockwood sharing a stage: that promises a good show! After playing for years with Blood, Sweat & Tears, Mike Stern landed a gig with drummer Billy Cobham and then broke through with Miles Davis’ comeback band in the 1980s. Didier Lockwood played in jazz fusion band Magma during the 1970s and is known for his use of electric amplification and experimentation. Together they perform a unique duo concert at the beautiful antique theatre in Vienne, France.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1988, acclaimed Brazilian singer and pianist Tania Maria performed with bassist Leonard Traversa and drummer Kim Plainfield at the North Sea Jazz Festival in The Hague. Maria is known for her energetic personality and unique style of singing that draws from a variety of jazz, Latin and pop traditions.

A jazz festival named after the inventor of the instrument most associated with the genre, Adolphe Sax, would be incomplete without the man who laid the groundwork for how the instrument is played today. This must have been the reasoning of the organizers of the Festival International de Jazz Adolphe Sax in Dinant, Belgium, when they invited tenor saxophone giant Coleman Hawkins to perform there in June 1962. Appearing with a group that includes the French pianist George Arvanitas, one-time Duke Ellington bassist Jimmy Woode, and expat drummer Kansas Fields, the musician also known as ‘Bean’ and ‘Hawk’ serves up an hour-long set of familiar standards bookended by Hank Jones’ “Chant” and J. J. Johnson’s “Wee Dot”.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

The Brussels Jazz Club was filled to the brim with both musicians and audience members when the Maynard Ferguson Big Band performed there during their Winter Tour of 1980. From the first notes of the cover of Weather Report’s “Birdland” that opens the performance to the final notes of “Gonna Fly Now” that closes it, Ferguson gives his young sidemen ample time to shine. The mutual admiration shared by the leader and his sidemen makes this performance a delight to watch.

Recorded in 1971 in Paris, France, Brazilian, classically trained bossa nova guitarist Baden Powell and his quartet play Pai, Lotus (written by Baden Powell), Tristeza (by Haroldo Lobo/Niltinho), Round Midnight (by Thelonious Monk), Nega do cabelo duro (by David Nasser/Rubens Soares), and Aos pes da cruz (by Zé da Zilda/Marino Pinto). Powell is joined by Ernesto Ribeiro-Gonçalves on double bass, Helio Schiavo on drums, and Alfredo Bessa on percussion.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. One of them is Dutch singer, pianist, composer and bandleader Ruben Hein. Widely praised for his warm and characteristic voice and his offbeat piano playing, Ruben Hein is the artistic director and conductor of the National Youth Jazz Orchestra (NJJO). At Jazz in Duketown he performs a jazzy set, accompanied by his 18 finest proteges.

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

Teus Nobel is a Dutch trumpet and flugelhorn player. As a little boy, he was inspired by ‘power’ trumpeters such as Maynard Ferguson and Bill Chase. While studying at the conservatory, he played both as jazz player and as a commercial session musician at musicals. After his time at the conservatory, he started playing in the Royal Netherlands Air Force Orchestra, playing march music influenced by pop and jazz. Today’s broadcast was recorded at the Amsterdam BIMhuis. Teus dedicates his compositions to his all-time heroes Jarmo Hoogendijk, Woody Shaw, Christian Scott, Roy Hargrove and Eric Vloeimans. This performance is based on his second album ‘Legacy’.

As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, multi-talented American guitarist John Scofield and his band performed an electrifying concert at the North Sea Jazz Festival in The Hague. First known for playing with Miles Davis, Scofield shows here that he earned that pedigree.

In 2019, the vibrant city of Sofia, Bulgaria, hosted the International A to JazZ Festival. Among the featured acts was the trailblazing jazz trumpeter Christian Scott aTunde Adjuah. This genre-defying artist captivated the audience with his eclectic “stretch music”; an approach that incorporates hip-hop and reaches back through the American canon into African percussion and its rich melodic content. Trumpeter Christian Scott aTunde Adjuah’s quintet, which includes drummer Corey Fonville, percussionist Weedie Braimah, pianist Lawrence Fields, and bass guitarist Max Mucha, delivered a performance that defied boundaries and expectations.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

Bill Evans is considered one of the greatest jazz pianists all time and is known for interpreting the jazz repertoire using impressionistic harmonies. In 1958, Evans first played in Miles Davis’s sextet recording the modal jazz album “Kind of Blue”, which is now considered one of the best jazz albums of all time. After leaving the ensemble, Evans formed several trios. In this concert, recorded at Maison de la Radio in Paris in 1972, Evans performs with his longest standing trio, featuring Eddie Gomez on double bass and Marty Morell on drums. The program features some of Evans's own compositions, including the jazz waltz “Very Early” and the modal jazz piece “Time Remembered”, as well as jazz standard “Autumn Leaves”.

Art Blakey: Live in '65 features a very impressive lineup from jazz history: Art Blakey (drums), Jaki Byard (piano), Reggie Workman (bass), Nathan Davis (sax), and the legendary trumpet player, Freddie Hubbard. For a fall tour of Europe, Blakey assembled The New Jazzmen, a short-lived quintet that performed this legendary concert at La Mutualité in Paris on November 3, 1965.

In May 2014, the Conservatory of Amsterdam hosted a unique conference about one of the greatest jazz composers of the 20th century: Duke Ellington. Musicologists and musicians with a special bond with Ellington and his music spoke about his life and music. Among them were David Schiff, author of ‘The Ellington Century’, and Harvey Cohen, author of ‘Duke Ellington’s America’. Moreover, concerts were played by jazz pianist Matt Cooper, the Calefax Reed Quintet, and the Concert Big Band of the Conservatory of Amsterdam conducted by David Berger. The winner of the Boy Edgar Prize 2013, viola player Oene van Geel, performed his ‘All Ellington Project’.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed and curated in São Paulo by director and presenter Dani Gurgel and producer and engineer Thiago Rabello, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. Drawing from her Brazilian roots, upcoming vocalist Fran Nóbrega is poring today’s underground scene to bring us the latest trends in forró and popular Brazilian music. Her album “A flor e o Tempo” has won her a strong cult following, and her performances exude positive energy: get ready to dance to Nóbrega’s exciting set!

Rotterdam’s BIRD is a club, café, and restaurant with a live music program that's deeply rooted in jazz, soul, funk, hip-hop, and electronic. Its name BIRD refers to the nickname of legendary New York jazz saxophonist, bebop co-founder Charlie Parker. BIRD serves Neapolitan pizzas, fine wines, no-nonsense beers, and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programs: BIRD.tv, allowing you to experience the best BIRD concerts and interviews as from a first-row seat! Discover an irresistible live act; STUFF is full of unflagging energy. The Belgian band was founded in 2012 when drummer Lander Gyselinck was asked to play live music between DJ sets at a local bar. He gathered a bunch of friends, who also were musicians. The band could be considered an avant-garde jazz band who play a mix of funk, hip-hop, and electro. Andrew Claes (saxophone), Dries Laheye (bass guitar), Lander Gyselinck (drums), Mixmonster Menno (samples), and Joris Caluwaerts (keyboards) share an exceptional connection in music. They take over every stage and melt the hearts of music lovers.

The Flying Pickets are a British vocal group that was formed in 1982, transferring the art of a cappella to the pop music scene. These five gentlemen scored a number one hit in 1983 in the UK Singles Chart with their version of 'Only You'. Performing live in Stuttgart, vocalists Hereward Kaye, Gary Howard, Michael Henry, Nick Godfrey and Ricky Payne have many surprises in store for their appreciative audience.

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.