Schedule

In 2019, the vibrant city of Sofia, Bulgaria, hosted the International A to JazZ Festival. Among the featured acts was the trailblazing jazz trumpeter Christian Scott aTunde Adjuah. This genre-defying artist captivated the audience with his eclectic “stretch music”; an approach that incorporates hip-hop and reaches back through the American canon into African percussion and its rich melodic content. Trumpeter Christian Scott aTunde Adjuah’s quintet, which includes drummer Corey Fonville, percussionist Weedie Braimah, pianist Lawrence Fields, and bass guitarist Max Mucha, delivered a performance that defied boundaries and expectations.

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

On October 19, 2021, John Patitucci (bass), Marco Pignataro (sax and musical director), and Joe Lovano (sax) showcased inspirational new originals at GBH's Fraser Performance Studio in Boston, MA, accompanied by Terri Lyne Carrington (drums), Nadia Washington (vocals), Chico Pinheiro (guitar), and Anastassiya Petrova (piano). This recording, titled 'Tällberg’s Jazz for the Planet', was made in support of the Tällberg Foundation’s message and aims to inspire positive climate action. Since 1981, the Tällberg Foundation has been trying to nurture new thinking, in part by looking at societal challenges through the lenses of artists.

As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.

You can’t help but be carried away by the powerful voice Marion Williams, who, with backing from Tommy Brown (piano), Joe Washington (organ), Billy Tuliver (drums), and singers Barbara White and Ann Bolden, sings gospel songs and spirituals as if she has lived them a thousand times over. The repertoire includes such familiar tunes as “Peace in the Valley,” “We Shall Overcome,” and “Michael, Row the Boat Ashore.”

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. One of the ensembles appearing at jazzahead! 2022 is Cologne-based drummer-composer Jo Beyer’s band ‘JO’. Award-winning drummer Beyer is accompanied by Felix Elsner (piano), Sven Decker (tenor saxophone), and Andreas Wahl (guitars and e-bow), playing his snappy compositions with undeniable improvisational flair. JO, which was founded in 2015, lives up to the band’s motto: “fun without compromise”!

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

Guitarist, composer and director Marnix Busstra loves crossing borders. He travels the world with his jazz bands, plays guitar and bouzouki, writes jazz and theatre-songs, and co-creates and directs the exuberant theatre shows of his wife, the Dutch diva Karin Bloemen. Busstra is a constant wheel of invention, with technique expanded by his creative urge to find something new, an evolving state that adds immeasurably to his art. The Marnix Busstra Band was founded in 2011 by its namesake. Joined by piano talent Rembrandt Frerichs, the ever creative double bassist Arnold Dooyeweerd and the inspirational force of drummer Pieter Bast, Busstra introduces a unique band that will definitely help broaden the jazz horizon. Marnix’ compositions are the starting point of the band. Musically, this band is a continuation of a development started by the quartet that Marnix co-leads with the renowned vibraphonist, Mike Mainieri. The result can best be described as lyrical, multifaceted jazz that centres around the profound interplay of the four musicians.

To call Omar Sosa an Afro-Cuban jazz pianist would only capture part of his true style. Because while he has always kept one foot firmly within the traditions of his native isle, this citizen of the world also shows an insatiable curiosity, tirelessly exploring music from around the world: from the Caribbean to India and from West Africa to the Arab World. Nothing seems to escape his thirst for discovery. This breadth of experience and sense of openness is clearly reflected in the music the quartet plays. A celebration of rhythm in all its forms - he began his musical life as a percussionist - an Omar Sosa concert always gives the audience an intense, some would say mystical, experience.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! This episode shows you the four-piece jazz/hip hop ensemble BADBADNOTGOOD, whose collaborators include the likes of rapper ‘Tyler, The Creator’, the Haitian-Canadian electronic musician Kaytranada, the vocalist Kali Uchis, and the rapper Ghostface Killah. BADBADNOTGOOD is endlessly inventive: its four members have ultimately crafted their own, lasting mark on hip-hop and electronic beats.

The term "jam-session" was coined in the 1920s when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Titled "Legendary Jazz", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Steve McCraven, Oona Guino, Rodolphe Lauretta, and many others.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.

From the polyglot border region of Ticino in Switzerland – well-known for its beautiful Lake Maggiore and the International Film Festival in Locarno – comes ‘Final Step’, guitarist Matteo Finali’s seven-piece band. 'Live @ Il Magazzino' is the band’s third album since its formation in 2003. The diverse musical backgrounds of the various band members shine through on the album: it is a fusion of jazz, rock, funk, blues and ethnic music. The rousing electric guitar solos by band frontman Matteo Finali are perfectly placed highlights in an excellent ensemble full of natural showmanship, for which he leaves plenty of room for creativity. The result is an intense piece of jazz, with influences just as diverse, original and surprising as Ticino.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1989, Dutch big band and radio orchestra The Skymasters took flight at the North Sea Jazz Festival in the Hague. Joining them is jazz legend Clark Terry on trumpet, flugelhorn and vocals in this exciting collaboration.

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this episode is Grammy-award nominated accordionist Toninho Ferragutti. Today he is one of Brazil's leading jazz-inspired accordionists, whose music is often categorized as música popular brasileira (MPB). Together with Fabio Leal (acoustic guitar), Cleber Almeida (drums), Cassio Ferreira (saxophone), and Thiago Alves (bass), Toninho performs Brazil's beautiful melodies with his trademark virtuosity.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Enjoy the musical wealth of the All Star Band in this episode of Morgenland Festival. Featuring graduate of the Boston Conservatory and vocalist Dima Oshno, both songs “Dream” and “Mugam” are played by the All Star Band and express a range of moods that vary from peaceful quietude to outbursts of energy.

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.