Schedule

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed and curated in São Paulo by director and presenter Dani Gurgel and producer and engineer Thiago Rabello, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. Zé Pitoco, a multi-instrumentalist from the Northeastern state of Pernambuco, is an all-encompassing figure in the modern Brazilian scene. He has collaborated with scene artists of name, including Dominguinhos, Hermeto Pascoal, Sivuca, Paulo Moura, Mônica Salmaso, Paula Santoro, and Banda Mantiqueira. Watch him lead his Forró do Zé Pitoco on Da Pá Virada Sessions in a tightly-knit, spirit-lifting set in which the music of Brazil’s Northeast meets jazz!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing bands is Nau Trio, which consists of three young musicians from Chile (Jean Cammas, double bass), Brazil (Henrique Gomide, piano), and The Netherlands (percussionist Antoine Duijkers). In constant pursuit of their own unique sound, the band members propose a musical journey through different countries and cultures. Friendship and mutual interest in their respective cultures is what unites this trio, providing them the ideal environment to play authentically and decisively. Although the openness and melancholy of European jazz play an important role in the trio’s music, it is the African and South American folkloric elements that lend this trio its unique sound.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the artists presenting themselves at jazzahead! 2023 is Havana-born virtuoso cellist, vocalist and composer Ana Carla Maza. A compelling live performer, Maza draws from son, samba, bossa nova, tango, jazz, and chanson. Invariably, her audiences join in the singing and can sense the unmistakable pure passion of “A tomar café” – a song which Maza dedicates to Miriam Valdés.

The Netherlands Chamber Orchestra commissioned violinist Tim Kliphuis, internationally known for his genre-crossing approach to music, to write a new version of Antonio Vivaldi's ‘Four Seasons’. Kliphuis choose to take improvisation as his starting point; at the same time, he intended to leave the best-known Vivaldi themes and chords in, as they give the piece its wonderful energy. The result is a fresh and exciting interpretation that never loses sight of the original. Each season has a different character: the freshness of spring is reflected by the use of Irish and Norwegian traditional music; the summer heat can be heard in the American jazz and funk rhythms; the autumn includes a galloping safari hunt in South-Africa and the ice-cold winter warms up with the energy of Russian gypsy music. For each movement, Kliphuis has a metropole in mind which he visited on his previous concert tours. You’re about to witness a truly genre-crossing spectacle!

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.

Visions of Music - World Jazz invites the viewer on a journey to the roots of music, introducing the enormous impact that traditional music from around the world has had on contemporary jazz. This program features legendary musicians such as BB King, Dino Saluzzi, Tito Puente, Carlos Santana, Zawinul Joe, Manu Dibango, Abdullah Ibrahim, as well as new generation representatives such as Nicholas Payton, Cyro Baptista, and Don Byron. This episode of the Visions of Music series presents the musette, a French musical genre that was first introduced by musicians from the south of France. It is to Django Reindhardt, the "virtuoso with three fingers" that we owe the introduction of the swing to the musette.

1977 saw the recording of an audiovisual project that was hitherto unparalleled in Dutch jazz and television history: the ‘Zeeland Suite’. Pianist Leo Cuypers composed this suite, parts of which were recorded for television on different locations in the Dutch province of Zeeland. A 7-piece band, featuring Willem Breuker and members of his Kollektief, performed Cuypers’ music. The combination of live music and epic footage, some of which was filmed from a helicopter, was the basis for a 50-minute television broadcast. Jeroen van Vliet’s ‘Zeeland Suite Revisited’ is an updated version of this remarkable project. Pianist Jeroen van Vliet, 2014’s Boy Edgar Prize winner, composed new music. Using a new band – and new technology: drones – this new project once again shows the beauty of Zeeland. Today’s band features many big names from the contemporary Dutch jazz scene, gathered to pay tribute to Zeeland’s characteristic landscape.

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1979, legendary big band leader and pianist Count Basie brought his famous big band to the North Sea Jazz Festival in The Hague to perform two sets. Basie, whose minimalist pianism and blues-oriented swing style had cemented his popularity as early as the 1930s, was in the midst of a European tour and had recorded his live album On the Road the previous night in Montreux, Switzerland. Here is the first of two sets recorded at the festival in 1979.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, the Newport Jazz Festival in Rotterdam welcomed the Giants of Jazz, an all-star band featuring drummer Art Blakey, trumpeter Dizzy Gillespie, bassist Al McKibbon, pianist Thelonious Monk, saxophonist Sonny Stitt and trombonist Kai Winding. Part 2.

“God Bless The Child”, “Foolin’ Myself”, and “I Loves You, Porgy”: timeless songs that were made classics by the inimitable Billie Holiday. ‘Lady Day’, as her loyal friend and musical partner Lester Young nicknamed her, was a highly original jazz and pop singer. In a career that spanned most of the 1930s, 1940s and 1950s, she displayed an uncanny ability to convey emotion through her voice. Her vocals, which were strongly inspired by instrumental jazz, are admired for their deeply personal and intimate sound. This compilation features recordings from the 1950s of Billie Holiday singing a string of her greatest successes. Enjoy this unique footage of one of jazz’s all-time greats!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is the band of Kenyan master percussionist and vocalist Kasiva Mutua. Their performance blends traditional African music with modern styles like jazz, afro-pop, and reggae. The music celebrates the spirit of her community, tells the stories of her people, and empowers African women. The band features Jackline Kasiva (vocals, guitar, and percussion) and Michelle Adhiambo (percussion and vocals); Bonface Odera Ong'ang'a (keys and vocals); Michael Munene (bass and vocals); Johnson Makau (guitar); and Victor Kioko (drums).

Well-known for his exuberant style and intimate familiarity with a vast range of jazz and Latin idioms, Michel Camilo has always had a sixth sense for musical adventure. Camilo was one of the most stimulating jazz pianists to emerge in the mid- to late '80s. His powerful two-handed attack (full of impressive technical skills), his knowledge of both jazz and Afro-Cuban music, and his willingness to constantly take chances turn each of his solos into an adventure. This broadcast was taped during the 1999 Münchner Klaviersommer, when Camilo made one of his rare solo appearances. Improvising on a Steinway D grand piano, he drew an astonishing palette of musical colours from his instrument: rich orchestral sounds as well as and a tender lyricism.

Erroll Garner: Live in '63 & '64 presents two beautifully filmed concerts featuring his classic trio of bassist Eddie Calhoun and drummer Kelly Martin. Erroll Garner was one of jazz’s true original players and this showcases his improvisational brilliance on a parade of his most classic numbers, such as “Fly Me To The Moon” and “I Get A Kick Out Of You”, as well as originals “Erroll’s Theme,” “Mambo Erroll”, and his best-known composition, “Misty”.

This might come unexpected, but the Brussels Jazz Orchestra (BJO) is not the kind of jazz orchestra that sticks to standards. They prefer to achieve the highest level by composing original music, creating unique arrangements, and playing inventively as well as passionately. In fact, it really is jazz with a dynamic orchestral sound, with a classic strength in which each musician is also a brilliant soloist. Call it an ‘orchestrated passion for jazz’ that incites BJO to create world-class music. Founded in 1993 by Frank Vaganée, Serge Plume and Marc Godfroid, the Brussels Jazz Orchestra is recognised and has been subsidised by the Flemish Government since. Brussels Jazz Orchestra is orchestra in residence at Flagey in Brussels. During this project the BJO performs with David Linx. The Belgian jazz singer will resort to any idiom, any language, any time signature. Occasionally he seems to dispense with bar lines altogether, or he will go beyond lyrics, as he abandons his own words for some free-wheeling scat.

Lugano Estival Jazz is an annual open-air music festival that takes place over five days at the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. On July 3, 1986, American pianist and composer Keith Jarrett is joined by bassist Gary Peacock and drummer Jack DeJohnette at Estival Jazz Lugano. Known as the Standards Trio, they put on an enthralling performance that shows these master musicians at their best.

SHYRE is the creative collaboration launched by Montreal-born vocalist and pianist Sarah Rossy. This five-member group mixes instrumental textures with ethereal ambience, taking the listener on a journey through passages of prose with unique aesthetics. SHYRE fuses pop-folk and jazz with symphonic timbres, and psychedelic ambience, employing lush strings, dynamic rhythms, and angelic harmonies. The resulting soundscape is innocent, yet fascinating. Sail away on the aural wings of music from their debut album New Year (2013).

Legendary free jazz pianist Burton Greene rose to fame in New York City's free jazz scene of the 1960s. Exploring various spontaneous improvisational styles, Greene performs live at Cafe OTO in London, UK.

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.

Pedro Viáfora and Celso Viáfora are a father-and-son duo that brings together different generations of Brazilian music. Celso is a renowned composer with an extensive discography, while Pedro began his career with the group 5 a Seco before developing his solo work. Together, they reinterpret the tradition of MPB (Brazilian Popular Music) with sharp social commentary, using irony and everyday language to address Brazil’s structural challenges while celebrating moments of beauty and poetry. How do contemporary artists reinterpret tradition and create new forms of expression within MPB? Da Pá Virada Sessions' MPB Series investigates this question. Hosted by Dani Gurgel, this episode features a live performance and thought-provoking conversation with Pedro and Celso Viáfora, exploring their unique fusion of styles and inviting audiences to discover the richness of modern Brazilian music. Continue your journey into the rich world of contemporary Brazilian popular music with Stingray DJAZZ.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, London serves as a backdrop for sets by trumpeter Matthew Halsall, saxophonist Soweto Kinch, and pianist Neil Cowley.