Schedule

Guitarist, composer and director Marnix Busstra loves crossing borders. He travels the world with his jazz bands, plays guitar and bouzouki, writes jazz and theatre-songs, and co-creates and directs the exuberant theatre shows of his wife, the Dutch diva Karin Bloemen. Busstra is a constant wheel of invention, with technique expanded by his creative urge to find something new, an evolving state that adds immeasurably to his art. Marnix Busstra and bassist Norbert Sollewijn Gelpke, who have a long history together, founded Marnix Busstra’s Old School Band. The two met in kindergarten, no less than forty-five years ago. They attended the same elementary and secondary school, where they started their first band, Topaz. The ‘Old School Band’ features drummer Mark Stoop and keyboardist Eric van de Bovenkamp.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

This live recording is celebrating 50 years of West Coast Jazz. The West Coast Jazz movement had its origins about 50 years ago in Los Angeles. It was essentially a "cool" form of jazz played mostly by studio musicians as a break from their studio work. The West Coast All Stars are specially brought together for this West Coast Night. The performance shows some of the most important early pioneers of this style of jazz - including legends such as Conte Candoli, Carl Fontana and Teddy Edwards. Jazz writer and critic Alun Morgan about this concert: “Altogether a very impressive experience. These guys are all real jazz pros who can turn in a masterly performance at the drop of a hat. Who said West Coast Jazz was cold and sterile? These guys can churn up enough excitement to bring any audience to its feet."

The Dutch Hammond organ player Rob Mostert develops, in cooperation with DJAZZ, the programme ‘Mostert Meets’. In this series, the Hammond B3 organ takes centre stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert joins forces with the Australian Hammond organ player Lachy Doley and his regular band. Doley is considered one of the best blues, soul and rock organ players, nicknamed “the Jimi Hendrix of the Hammond organ”.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The composer, trumpeter and bugle player Franco Ambrosetti performs with his quintet in his native Lugano as part of the Estival.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic registration of the after party of the North Sea Jazz Festival: Boogieball. This mega jam session is a great coming together of, amongst others, bassist Bootsy Collins, guitarist Flávio Silva, and drummer/vocalist Sheila E.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1981, American singer and Grammy Award winner Al Jarreau gave an unforgettable performance for the audience of the North Sea Jazz Festival in The Hague, the Netherlands.

The legendary hard-bop group Art Blakey's Jazz Messengers performed in Olympia Hall in Paris, France on March 16, 1963. Led by drummer Art Blakey, the Jazz Messengers consisted of Wayne Shorter on tenor saxophone, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Reggie Workman on double bass, and Cedar Walton on piano. Each of these players became jazz legends in their own right. The group performed Cedar Walton's arrangement of That Old Feeling (written by Sammy Fain), Wayne Shorter's arrangement of I Didn't Know What Time It Was (written by Richard Rodgers), and Caravan (written by Juan Tizol and Duke Ellington).

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is Badi Assad, a Brazilian virtuoso guitarist, singer, vocal juggler and songwriter who has emerged as one of the most versatile artists of her generation. She has appeared in concerts in over 40 countries. Of her 18 album releases, her 2006 CD 'Wonderland' was selected among the top 100 by BBC London.

One vocalist from Paris and the other from Bern, and two contrasting personalities. Brought together by a chance encounter in 2014, the two singers were surprised to discover how much they had in common: they both do more than just sing well. Leïla Martial and Andreas Schaerer intend to explore and experiment, stretching their vocal boundaries. From the deepest abyss to the most exquisite tones the human voice can produce, they leave no stone unturned in their quest to express themselves, each in their own individual way and always with a generous dose of humour and zest.

Elvin Jones is the archetypical modern jazz musician playing on instinct, not intellect. This is the kind of music he has played to perfection since his days with John Coltrane. There are some heavy-duty sidemen in his present "Jazz Machine": Sonny Fortune and Ravi John Coltrane, the son of the most influential tenor sax player ever.

Cannonball Adderley: Live in '63 boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet), and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass), and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones’ "Jessica’s Day" leaps from the gate with a huge big band sound that is extraordinary for only six musicians. This recording is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz. He was a bluesy jazzman who could play anything in superb fashion.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2018, French pianist Gauthier Toux performed with his trio of bassist Kenneth Dahl Knudsen and drummer Maxence Sibille at Jazz à Vienne. Having just released his third album Whatever The Colours You See, Toux amazes with his contemporary take on jazz.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

‘Jazzgipfel’ was Stuttgart’s leading jazz festival for five years, since 1988. In 1994 it became ‘Jazz Open Stuttgart’. To this day it is one of the leading jazz in Germany, with an always rich lineup of musicians from different musical genres, whether it is jazz, blues or world music. The festival’s reputation grew since the early days and the 1993 edition, which ran under the old name ‘Jazzgipfel’ for the last time, is a great example of it. By incorporating names such as Chick Corea, Moondog, or Modern Jazz Quartet in its lineup, the festival paved the way for its leading status among European jazz festivals.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. In 2019, one of these artists is the legendary bluesman Lucky Peterson, master of the blues guitar and Hammond organ, who celebrates 50 years on stage. Peterson is accompanied by his band The Organization, augmented by the talented vocalist Tamara Tramell. In a singular performance, she offers a fascinating mix of southern soul and modern R&B, exploring the limits of blues and funk.

This portrait of Marcus Miller was recorded during his 2009 ‘Tutu Revisited’ tour. Miller looks back on his relationship with Miles Davis. Miller tells us about writing his composition 'Tutu', and shares countless stories of the recording process of the album 'Tutu'. This documentary was filmed in 2009 at the 'We Want Miles' exhibition in Cité de la Musique in Paris.

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.