Schedule

You can’t help but be carried away by the powerful voice Marion Williams, who, with backing from Tommy Brown (piano), Joe Washington (organ), Billy Tuliver (drums), and singers Barbara White and Ann Bolden, sings gospel songs and spirituals as if she has lived them a thousand times over. The repertoire includes such familiar tunes as “Peace in the Valley,” “We Shall Overcome,” and “Michael, Row the Boat Ashore.”

This selection of unforgettable performances by some of the most iconic and influential jazz guitarists in history showcases these legends’ unique essence. Revel in Wes Montgomery’s virtuosity as he performs the captivating “Nica's Dream” in Holland in 1965, and delight in the expressive beauty of his rendition of “Here's That Rainy Day”, recorded in London in that same year. Experience the timeless appeal of Joe Pass's “You Stepped Out of a Dream” and “You Turned The Tables on Me”, recorded live in Hanover in 1975. The interplay between Jim Hall and Atilla Zoller borders on the impossible as they perform “Extensions” in Hanover in 1973. Enjoy Jim Hall's lyrical solo performance of “I'm Getting Sentimental Over You” from 1964. Witness Sonny Sharrock’s avant-garde fusion of jazz and rock in an exhilarating performance of “Peanut", recorded live in France in 1970. Sharrock is joined by flutist Herbie Mann in a soulful performance of “Memphis Underground” from 1969. Immerse yourself in the magic of jazz guitar!

The series Da Pá Virada sessions presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is the duo of Hamilton and Laginha. Grammy-nominated Hamilton de Holanda, who reintroduced the 10-string mandolin in Brazil, teams up with pianist Mário Laginha for stimulating performances of Brazil's musical treasures.

Manu Dibango, one of Africa’s biggest musical stars and top saxophonists, is an indispensable artist. He was one of the first African musicians to score a worldwide hit with his 1972 release “Soul Makossa”, paving the way for many other artists. The very concept of world music owes much to him. A superb stage performer with great communicative humour, Dibango is above all one of the founding fathers of a modern African musical style that is open to jazz, R&B, salsa, gospel, funk, and reggae. This concert showcases all these genres, and features an excellent line-up of musicians from the four corners of the planet.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In 1968, the Newport Jazz Festival in Rotterdam welcomed three talented Americans: pianist Horace Silver, guitarist Muddy Waters, and trumpeter Dizzy Gillespie, alongside their bands.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1986, jazz-fusion band “Weather Update” was one of the bands appearing here. This short-lived band was formed by Austrian keyboardist Joe Zawinul in 1986, following the breakup of his famous “Weather Report” band. Again led by Zawinul, Weather Update consisted of Victor Bailey on bass, Peter Erskine and Robert Thomas Jr. on percussion instruments, and Steve Khan on guitar.

Five promising musicians get together in Rotterdam jazz club BIRD’s artists-in-residence project “The Nest”. Over the course of seven sessions, these talents exchange ideas, work on their projects, and play music together. Following this period, during which record producer Jameszoo and music manager Jochem Tromp offer their coaching experience, BIRD and North Sea Jazz Festival’s fringe festival DownTown organize a tryout performance. In this short documentary, the artists share their impressions from the project. They introduce themselves, reveal why they joined The Nest and formulate what they hope to learn from the experience. Naturally, we get a glimpse of the songs they wrote during the sessions, as performed during the tryout show. Featuring Lisette Ma Neza (slam poet), Peter Somuah (trumpet), Michelle Samba (drums), Huy Le (bass), and Brenn Luiten (piano).

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2019, French guitarist Paul Jarret performed with renowned New York drummer Jim Black at Jazz à Vienne. Together they present ‘Ghost Songs’, a hybrid of rock and jazz. They are joined by saxophonist Julien Pontvianne and pianist Jozef Dumoulin.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, American trumpeter and composer Wynton Marsalis performed at the North Sea Jazz Festival in The Hague. The lauded musician and member of the Marsalis jazz dynasty puts on an amazing show supported by pianist Marcus Roberts, bassist Bob Hurst and drummer Jeff Watts.

Antonio Faraò features prominently in the rich group of talented Italian pianists. He is the winner of the 1998 prestigious Concours Martial Solal, awarded by Herbie Hancock, and he has made his mark as a player of elegance and lyricism. This has allowed him to collaborate with the best European and American musicians. In his album ‘Evan’, recorded in the USA, he leads an all-star band, notably starring Joe Lovano on tenor. In this particular recording at Jazz à Ramatuelle, he appears at the Theatre de Verdure in the company of another sax legend - Dave Liebman, a musician of unfailing generosity and himself the repository of more than 40 years of modern jazz history. With refined ballads and feline groove, this meeting sparkles, perhaps even lighting up some new stars in the night above Ramatuelle.

On July 20, 2018, double bassist Christian McBride presented his band ‘New Jawn’ at the Malta Jazz Festival. A five-time Grammy winner, McBride is one of the most requested, most recorded, and most respected figures in the music world today. Hailing from Philadelphia, this music luminary combines jazz, R&B, pop/rock, hip hop/neo-soul, and classical. Gracing the Malta Jazz stage with him are Nasheet Waits (drums), Marcus Strickland (tenor sax), and Josh Evans (trumpet).

The vibrant island of Malta was in for a night of light and cheerful music when Brazilian music legend João Bosco took the stage on July 21, 2018. The self-taught guitarist made his music debut in the 1970s alongside Elis Regina and Aldir Blanc. In 2018, with guitarist Ricardo Silveira, bassist João Baptista and drummer Kiko Freitas, Bosco introduces us to his trademark melting pot of bossa nova, samba and MPB, sparingly influenced by contemporary jazz. Following his phenomenal successes in his native Brazil, the enthusiasm of the Maltese crowd underlines that João Bosco is now gradually achieving his long-overdue recognition elsewhere.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

‘Harmolodics’, the musical philosophy of jazz saxophonist Ornette Coleman, is associated primarily with avant-garde jazz and the free jazz movement, although its implications extend beyond these limits. Coleman defined ‘harmolodics’ as “the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group”. Applied to the particulars of music, this means that harmony, melody, speed, rhythm, time and phrases all have equal position in the results that come from the placing and spacing of ideas - as evidenced in this broadcast of a performance by the Ornette Coleman Sextet.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

American trumpeter Miles Davis (1926-1991) was a pioneering jazz musician from the late 1940s to the late 1980s. His influence on 20th century music is hard to overstate, as he trailblazed bebop, cool jazz, hardbop, modal jazz, and electronic music. On October 11, 1964, Miles Davis performed at Teatro Dell’Arte in Milan. With tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, Davis performed Autumn Leaves, My Funny Valentine, All Blues, All of You, and Joshua.

“God Bless The Child”, “Foolin’ Myself”, and “I Loves You, Porgy”: timeless songs that were made classics by the inimitable Billie Holiday. ‘Lady Day’, as her loyal friend and musical partner Lester Young nicknamed her, was a highly original jazz and pop singer. In a career that spanned most of the 1930s, 1940s and 1950s, she displayed an uncanny ability to convey emotion through her voice. Her vocals, which were strongly inspired by instrumental jazz, are admired for their deeply personal and intimate sound. This compilation features recordings from the 1950s of Billie Holiday singing a string of her greatest successes. Enjoy this unique footage of one of jazz’s all-time greats!