Schedule

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2012 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them was vocalist Gregory Porter transcends the jazz bubble. His magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.

Legendary free jazz pianist Burton Greene rose to fame in New York City's free jazz scene of the 1960s. Exploring various spontaneous improvisational styles, Greene performs live at Cafe OTO in London, UK.

The final concert of the Münchner Klaviersommer 1992 was by Wynton Marsalis and his septet. The 31-years-young star trumpeter performed one of his own jazz suites to the sold-out Philharmonie, under the title of ‘In This House, On This Morning’. The concert covers every jazz style, in composition and improvisation, and in both small and grand forms. Marsalis’s Septet was made up of Wess Anderson (alto saxophone), Wycliffe Gordon (trombone), Reginald Veal (bass), Herlin Riley (drums), Todd Williams (tenor saxophone), and Eric Reed (piano).

Since 2005, the Morgenland Festival, held in Osnabrueck, has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Jivan Gasparyan Jr has always been inspired by the folk melodies of his native Armenia. His grandfather, also a musician, taught him the art of duduk, an instrument of Armenian origin.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

Recorded at the Amsterdam Arena during the Amsterdam South East Jazz Festival, Michiel Borstlap tickles the ivories of his Steinway in performances of all his favourite songs on his solo albums ‘Blue’, ‘Reflective’, and ‘Frames’. An unprecedented event: a solo piano concert at the home base of football club Ajax Amsterdam! During the concert, the sound of a seagull or an aeroplane might mingle with the gentle touch of the Dutch master pianist. A must-see concert for all fans of piano music, with a wonderful encore: a performance of Thelonious Monk’s famous standard ‘Round Midnight’.

Short Documentary about Jazz in The City: London.

A veteran bluesman that can hold his head high next to our neighbors to the south, Martin Goyette made his bones with an undeniable and incredible voice. Powerful, whisky-throated and raw, it drives home the sound, twinned with his super-watt harmonica playing. The Montreal artist arrives with songs from a new album released in 2013, Sweet Warm Jelly, a sonic jam of blues, jazz and gospel guaranteed to warm the heart. In 2002, he won Le Prix de la Relève at Festiblues International de Montréal leading the formation Riverside Blues. Then he toured France as an opening act for Mr. Bob Walsh. More recently, Martin played the Montreal International Jazz Festival, Sherblues Festival, au Tremblant International Blues Festival, Trois-Rivières en Blues, Joliette’s October Blues or as an opening act for the prince of soul and funk, Lee Fields.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, legendary American singer-pianist Ray Charles gave an unforgettable performance at the North Sea Jazz Festival in The Hague. This mercurial artist pioneered soul music in the 1950s, and helped integrate country, rhythm and blues, and pop.

In just a few years, young trumpet player Christian Scott has become synonymous with a new jazz generation. He shakes up the conventions of jazz by taking the genre to new horizons and reaching a wider audience. No doubt, at 33 years old, Christian Scott is already forging his own path. After each record release, he seems even more determined to challenge the rules of jazz with his own avant-garde style. At his 2018 show at La Coopérative de Mai, Christian Scott celebrates 100 years of jazz with the program “The Centennial Trilogy.” Expect a unique performance in an intimate theatre setting, shot in native 4K!

Recorded in 1971 in Paris, France, Brazilian, classically trained bossa nova guitarist Baden Powell and his quartet play Pai, Lotus (written by Baden Powell), Tristeza (by Haroldo Lobo/Niltinho), Round Midnight (by Thelonious Monk), Nega do cabelo duro (by David Nasser/Rubens Soares), and Aos pes da cruz (by Zé da Zilda/Marino Pinto). Powell is joined by Ernesto Ribeiro-Gonçalves on double bass, Helio Schiavo on drums, and Alfredo Bessa on percussion.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands representing France in the festival's RE:CONNECT showcase is the Teranga Band, led by Senegalese-French guitarist and vocalist Hervé Samb. Their performance features "Jazz Sabar," a unique style that views traditional Senegalese rhythms through the prism of contemporary jazz, born from a rediscovery of his roots. The band features Cheikh Diallo Ouza (keys and vocals), Ndiaw Macodou (drums), Mor Junior Ndiaye (Sabar percussion), Samba Laobe Ndiaye (bass), and Hervé Samb (guitar and vocals).

GIIPUJA has been bringing modern jazz with a distinct ethnic flavor to Croatian audiences since 2013. The unusual line-up of double bass, drums, bass clarinet, violin, and various folkloristic instruments from the Istria region, makes for a strikingly original and unique sound. At times, GIIPUJA embraces harsh dissonance, fueled by the interplay of narrow intervals characteristic for the Istrian scale, whilst at other times it uses those same compositional and improvisational principles to create a jubilant atmosphere. This beautiful performance of their project ‘Forest GIIPUJA’ was recorded at Croatia’s Učka Nature Park in 2016. GIIPUJA consists of Damjan Grbac (double bass), Marko First (violin, sopela, mih), Aldo Foško (bass clarinet), and Tonči Grabušić (drums).

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1979, legendary jazz trumpeter and flugelhorn player Clark Terry brought his own Big Bad Band to the North Sea Jazz Festival in The Hague. The virtuoso musician was himself a veteran of both Duke Ellington's and Count Basie's celebrated ensembles.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is contemporary Mexican jazz trio Antiánima. Antiánima was founded in 2019 and has since become known for its adventurous blend of musical styles, incorporating elements from contemporary jazz, punk, free jazz, progressive rock, electronic, and hip hop. Antiánima explores an audio-visual concept that integrates MIDI-controlled visuals with their performances. The lineup includes Ángel Herrera Rivera (bass), Samuel de Jesús Sánchez Alvarado (drums), and Luis Ángel Orduña Gutiérrez (guitar).

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Habanera Duo, which sprung from a meeting of minds between flutist Marc Grauwels and accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these two musicians founded the Habanera Duo. The duo offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers ranging from Piazzolla to Gioacchino Rossini.

Although its music might sound like the soundtrack of any 1970s American car chase movie, the band Sven Hammond Soul is from the Netherlands. This steaming soul machine is headed by Sven Figee, who prefers to attack rather than play his Hammond organ. In April 2012, the band was augmented with vocalist Jenny Lane. Today’s recordings were made at a steaming live performance at Utrecht’s Tivoli in 2012.

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. "The Art of Duo" presents an unprecedented duo featuring pianist Salman Gambarov and sheng player, a Chinese mouth-organ, Wu Wei.

The legendary hard-bop group Art Blakey's Jazz Messengers performed in Olympia Hall in Paris, France on March 16, 1963. Led by drummer Art Blakey, the Jazz Messengers consisted of Wayne Shorter on tenor saxophone, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Reggie Workman on double bass, and Cedar Walton on piano. Each of these players became jazz legends in their own right. The group performed Cedar Walton's arrangement of That Old Feeling (written by Sammy Fain), Wayne Shorter's arrangement of I Didn't Know What Time It Was (written by Richard Rodgers), and Caravan (written by Juan Tizol and Duke Ellington).

One vocalist from Paris and the other from Bern, and two contrasting personalities. Brought together by a chance encounter in 2014, the two singers were surprised to discover how much they had in common: they both do more than just sing well. Leïla Martial and Andreas Schaerer intend to explore and experiment, stretching their vocal boundaries. From the deepest abyss to the most exquisite tones the human voice can produce, they leave no stone unturned in their quest to express themselves, each in their own individual way and always with a generous dose of humour and zest.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned bands. In 2019, one of them is the Amsterdam-based Dutch instrumental collective Jungle by Night. The band plays a mix of various styles, inspired by funk, jazz, dub, rock, and others. The ensemble made its debut in 2010 and has played at numerous festivals. Their December 2010 performance with former backing musicians of Afrobeat founder Fela Kuti in Paris saw them hailed as "the future of Afrobeat".

In this 1970 performance at Maison de la Radio in Paris, France, American blues legend John Lee Hooker (voice and guitar) is joined by the masterful Carey Bell (harmonica), Joe Harper (bass), Lester Dorsie (drums), and Jimmy Dawkins (electric guitar). From the first to the very last minute of the concert, Hooker illustrates why he, 45 years later, was to be ranked 35th on Rolling Stone’s 2015 list of 100 Greatest Guitarists: this bluesman is truly in a class of his own.