Schedule

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. The 2018 edition of WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Mario Batkovic, aims to explore the sonic possibilities of the accordion, without effects or loops, rather through a mutualist symbiotic relationship between man and instrument. Challenging, hypnotic, and grandiose, Batkovic’s single-handed symphonic vision is certainly unique.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.

A jazz festival named after the inventor of the instrument most associated with the genre, Adolphe Sax, would be incomplete without the man who laid the groundwork for how the instrument is played today. This must have been the reasoning of the organizers of the Festival International de Jazz Adolphe Sax in Dinant, Belgium, when they invited tenor saxophone giant Coleman Hawkins to perform there in June 1962. Appearing with a group that includes the French pianist George Arvanitas, one-time Duke Ellington bassist Jimmy Woode, and expat drummer Kansas Fields, the musician also known as ‘Bean’ and ‘Hawk’ serves up an hour-long set of familiar standards bookended by Hank Jones’ “Chant” and J. J. Johnson’s “Wee Dot”.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch jazz singer Fay Claassen

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1994, legendary swing band leader and vibraphonist Lionel Hampton performed his own arrangements of jazz standards with Junior Mance on piano, Jimmy Woode on bass and Bobby Durham on drums. They were joined by the St. Petersburg State Orchestra conducted by Alexander Tschernuschenko, to create an exciting big band sound on rousing performances of ‘In the Mood’ and ‘Air Mail Special’. The program ends with Hampton singing Louis Armstrong's latter-day hit ‘What a Wonderful World’.

To call Omar Sosa an Afro-Cuban jazz pianist would only capture part of his true style. Because while he has always kept one foot firmly within the traditions of his native isle, this citizen of the world also shows an insatiable curiosity, tirelessly exploring music from around the world: from the Caribbean to India and from West Africa to the Arab World. Nothing seems to escape his thirst for discovery. This breadth of experience and sense of openness is clearly reflected in the music the quartet plays. A celebration of rhythm in all its forms - he began his musical life as a percussionist - an Omar Sosa concert always gives the audience an intense, some would say mystical, experience.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Funk & Afro", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Cool Jam, Bibi Tanga, Kingsy Ray, and many others.

Since 2005, the Morgenland Festival, held in Osnabrueck, has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Jivan Gasparyan Jr has always been inspired by the folk melodies of his native Armenia. His grandfather, also a musician, taught him the art of duduk, an instrument of Armenian origin.

Louis Armstrong: Live in '59 is one of the only known complete Armstrong concerts from the 1950s to be captured on film. This 55-minute set, filmed in Belgium in 1959, features many of Satchmo’s greatest songs including ‘Mack The Knife’, ‘When It’s Sleepy Time Down South’ and ‘Stompin’ At The Savoy,’ backed by his stellar band the All-Stars, featuring Trummy Young, Peanuts Hucko, Billy Kyle, Danny Barcelona and Mort Herbert.

The November Music festival in ‘s-Hertogenbosch, the Netherlands is the ultimate event for experiencing a broad range of music. It features a wonderful variety of contemporary and experimental pop, sound art, non-Western music, jazz and free improvisation. The closing concert for the 2016 edition offers a great example of this musical wealth - Dutch composer and pianist Rembrandt Frerichs’ fantastic trio play a wonderful set with Cello8ctet Amsterdam and renowned Iranian tar player Hossein Alizâdeh. Rembrandt Frerichs studied in New York and lived in Cairo for several years. His music has the drive of American jazz, the lyricism of Middle-Eastern music, and the sensitivity of the chamber music of Claude Debussy and Maurice Ravel. The combination of Frerichs’ trio with Cello8ctet and Alizâdeh is unique. Their music is a miracle of organic creativity, and a shining fusion of old and new world music.

Pioneering folk/pop quartet The Brothers Four was formed in 1957 by University of Washington fraternity brothers Bob Flick (upright bass, vocals), Mike Kirkland (guitar, banjo, vocals), John Paine (guitar, vocals) and Richard Foley (guitar, vocals). Their consistently smooth, warm, and lush harmonies set The Brothers Four apart from others. They turned professional as a result of a practical joke. A member of a competing fraternity arranged for a woman to telephone the band members, identifying herself as the secretary to the manager of Seattle's Colony Club and inviting the quartet down for an audition. As soon as The Brothers Four got there, they found that there was no invitation or any audition scheduled – but since they were there anyway, the club manager asked them to play a few songs and ended up hiring them. A few years later, The Brothers Four appeared at a short-lived Belgian jazz festival in Comblain-la-Tour, where they sang the entire book of American Folk Songs.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Panorama de Coro. This ensemble combines jazz and traditional Brazilian music. The resulting music has a festive, almost street-like atmosphere. Panorama de Coro consists of Roberta Valente (pandeiro and percussion), Alexandre Ribeiro (clarinet), Gian Correa (7-string guitar), Henrique Araujo (cavaquinho), João Poleto (flute and tenor saxophone) and Yves Finzetto (pandeiro and percussion).

The Australian-born singer-songwriter Sia Kate Isobelle Furler, simply known as Sia, is one of the most unique artists in today's popular music scene. However, her path to stardom has been nothing but rocky. Only after numerous musical experimentations, where the singer tried to establish herself in her home country as well as United Kingdom, Sia finally blossomed in United States around the second decade of the 21st century. The very beginnings of her mainstream recognition was captured on 25 March 2009, where the artist performed live at Metro Theatre in Sydney, Australia.

Pianist Grégory Privat's 2020 work "Soley" inhabits a hybrid universe in which voice, piano and synthesizer, Caribbean and electronic music, and the classical and jazz trio traditions coexist and mingle. Aided by Chris Jennings on double bass and Tilo Bertholo on drums, Privat makes his debut as a singer, adding a vocal dimension to the instrumental and narrative levels of "Soley", which lends his music an emotional force that is more powerful than ever before.

Award-winning saxophonist Michael Blicher, Hammond wizard Dan Hemmer and legendary drummer Steve Gadd joined forces in 2014 to celebrate their shared love for Hammond-organ soul jazz. The band, which tours extensively throughout the world, has released several albums. Their third album, which was released in November 2019, features U.K. vocalist Paul Carrack on the soulful ballad 'The First One To Know'.

Legendary jazz pianist Horace Silver's groundbreaking fusion of hard bop, blues, soulful grooves and Cape Verdean influences have left an indelible mark on the world of jazz. At the renowned Umbria Jazz Festival in the picturesque region of Umbria, Italy, Silver is accompanied by a great band of future all-stars: Bob Berg on tenor sax, Tom Harrell on trumpet, Steve Beskrone on bass and Eddie Gladden on drums. During this performance from July 20, 1976, Silver’s quintet stretches out on four Silver originals: “Adjustment”, “Barbara”, “In Pursuit of the 27th Man”, and “Song For My Father”. Tune in and let Horace Silver’s irresistible music mesmerize you!

Explore the music of one of the most influential and innovative saxophonists in jazz history: John Coltrane! Immerse yourself in this collection of remarkable performances from the early 1960s that showcase Coltrane's unparalleled artistry and unique sound during a transformative period in the artist’s career. Recorded in various European cities, Coltrane is seen playing the songs “Autumn Leaves”, “Hackensack”, “My Favorite Things”, “I Want To Talk About You”, “Vigil”, and “Naima”. Tune in and experience why the music of John Coltrane has touched the lives of so many!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the artists presenting themselves at jazzahead! 2023 is German saxophonist and bandleader Daniel Erdmann. With his German-French sextet Thérapie de Couple, he embarks on a free-improv journey filled with dissonances, odd time signatures, and jazz rock passages. Because, in his own words: "Every now and then, the engine of Europe has a marital crisis." In this European ménage à six, Daniel Erdmann (tenor saxophone) is joined by Théo Ceccaldi (violin), Hélène Duret (clarinet), Vincent Courtois (cello), Robert Lucaciu (bass), and Eva Klesse (drums).

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. In 2019, one of these artists is the legendary bluesman Lucky Peterson, master of the blues guitar and Hammond organ, who celebrates 50 years on stage. Peterson is accompanied by his band The Organization, augmented by the talented vocalist Tamara Tramell. In a singular performance, she offers a fascinating mix of southern soul and modern R&B, exploring the limits of blues and funk.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. The 2018 edition of WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Vishten, has been animating audiences for 15 years with its fiery blend of traditional French songs and original instrumentals fusing Celtic, Acadian and contemporary folk influences with energetic virtuosity. The trio comprises multi-instrumentalists Emmanuelle and Pastelle LeBlanc from Prince Edward Island and Pascal Miousse from the Magdalen Islands.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Astor Klezmer Trio, which sprung from a meeting of minds between violin player and singer Joëlle Strauss, flutist Marc Grauwels, accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these three musicians founded the Astor Klezmer Trio. The trio offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers such as Astor Piazzolla.

This film portrays Michel Petrucciani 's very unique outlook on life, his vitality, boisterous humor and marked comedian talent which triumphes over all physical restrictions. It also shows Michel Petrucciani performing, composing, selecting his very own piano, at a recording session with Stephane Grapelli, Roy Haynes and Georges Mraz, .... and much more.

They called her “the most exciting woman in the world”, and this Afro-American voice lived up to this expectation with international flair. Eartha Kitt was one of the reigning queens of blues and jazz. She epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centered on her slinky stage presence and throaty purr. As much as she enjoyed vamping it up, Kitt also projected the image of an exotic international sophisticate, singing in several languages.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is the duo of Giana Viscardi and Gustavo Marques. After starting their career together, Giana Viscardi and Gustavo Marques released music in many places around the world. After returning to Brazil, they worked together on Giana's album "ORUM", performing in Africa, Europe, and Brazil. In this New Year's Eve special, presented by Da Pá Virada Sessions and Stingray, Giana Viscardi and Gustavo Marques perform conductor and arranger Letieres Leite's arrangements of their work with Orchestra Rumpilezz. Enjoy their fantastic Afro-Brazilian jazz, which combines the best of various continents.