Schedule

The Brussels Jazz Club was filled to the brim with both musicians and audience members when the Maynard Ferguson Big Band performed there during their Winter Tour of 1980. From the first notes of the cover of Weather Report’s “Birdland” that opens the performance to the final notes of “Gonna Fly Now” that closes it, Ferguson gives his young sidemen ample time to shine. The mutual admiration shared by the leader and his sidemen makes this performance a delight to watch.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jimmy Witherspoon and Rozaa Wortham, two incredible brilliant jazz musicians. Rozaa Wortham starts off the show with the Jimmy Witherspoon Quartet. Swinging and full of energy she performs ‘It Don’t Mean A Thing’. Jimmy Witherspoon, known for the song “Ain’t Nobody’s Business” ends the show with some astounding lean-back blues.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, French pianist Amaury Faye performed with his trio at Jazz à Vienne. With Louis Navarro on bass and Théo Lanau on drums – the same line-up that appeared on his award-winning debut ‘Clearway’ – Faye demonstrates why he is considered a rising star.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. The Morgenland Chamber Orchestra has been an integral part of the Morgenland Festival since 2009. This ensemble of musicians from Germany and various guest countries performs as part of the festival's opening concert. This episode includes performances sometimes energetic, sometimes soft and soothing.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, the acclaimed jazz fusion group Mahavishnu Orchestra led by guitarist John McLaughlin took the stage at the North Sea Jazz Festival in The Hague. This third incarnation of the group featured an outstanding lineup, with Jim Beard on keyboards, Jonas Hellborg on bass, Danny Gottlieb on drums, and Bill Evans on saxophone.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

Teus Nobel is a Dutch trumpet and flugelhorn player. As a little boy, he was inspired by ‘power’ trumpeters such as Maynard Ferguson and Bill Chase. While studying at the conservatory, he played both as jazz player and as a commercial session musician at musicals. After his time at the conservatory, he started playing in the Royal Netherlands Air Force Orchestra, playing march music influenced by pop and jazz. Today’s broadcast was recorded at the Amsterdam BIMhuis. Teus dedicates his compositions to his all-time heroes Jarmo Hoogendijk, Woody Shaw, Christian Scott, Roy Hargrove and Eric Vloeimans. This performance is based on his second album ‘Legacy’.

Charles Mingus showcases an exceptional concert performed in April 1965 featuring his most celebrated lineup: Jaki Byard (piano), Dannie Richmond (drums), Johnny Coles (trumpet), Clifford Jordan (tenor sax) and the great Eric Dolphy (alto sax, flute and bass clarinet). Recorded within an eight-day span, less than three months before Dolphy's death, the three concerts showcase Mingus's visionary leadership and the band's incredible depth and diversity with unique performances and arrangements of classics including ‘So Long Eric’ and the groundbreaking ‘Meditations On Integration’.

There’s no question about it: with a Grammy for Best Latin Jazz Album for her recording ‘Made In Brazil’, seven previous Grammy nominations, four ‘Gold Disc Awards’, and three ‘Best Vocal Album Awards’ in Japan, Eliane Elias has taken her place in the pantheon of music giants. In her projects, Elias wears many hats: she serves as producer, composer, lyricist, arranger, pianist, and vocalist. In this concert broadcast, recorded live at the Philharmonie in Munich, Elias shows her distinctive and immediately recognizable musical style, which blends her Brazilian samba roots and her sensuous, alluring voice with her impressive instrumental bebop, jazz, classical, and compositional skills. She is an artist beyond category, and in this concert she performs with Jay Randall Anderson (bass) and Adam Nussbaum (drums).

For 20 years, Sly Johnson, author, composer and performer of the Saïan Supa Crew, has been touring the French music scene with his soul, hip-hop and beat-box vocals. He leaves his machines in the studio for a tribute concert to one of the leading voices of the famous Motown label, Marvin Gaye. The singer was killed by his father, a pastor, the day before his 45th birthday. In 1971, Marvin Gaye released a major record in the history of soul music "What's Going On". Sly Johnson, accompanied by Nicholas Vella's keyboard, makes the hot music of this album groove, a monument of soul and rhythm'n'blues. A true message of love delivered by MarvinGaye, through the story of a Vietnam war veteran who returns home and sees only injustice, suffering and hatred. The abrasive groove of Sly Johnson and Nicholas Vella is a rich music at the crossroads of hip-hop, funk and jazz. Sly Johnson, a great regular of the stage, embarks with extreme generosity the audience in his musical universe, an irresistible performance.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1985, jazz quartet Phalanx appeared at the festival. The quartet featured guitarist James 'Blood' Ulmer, drummer Rashied Ali, tenor saxophonist George Adams, and bassist Sirone. This short-lived group, which was described as "an ad-hoc supergroup that thrived and disappeared", produced three albums in the period 1986-1988.

Five promising musicians get together in Rotterdam jazz club BIRD’s artists-in-residence project “The Nest”. Over the course of seven sessions, these talents exchange ideas, work on their projects, and play music together. Following this period, during which record producer Jameszoo and music manager Jochem Tromp offer their coaching experience, BIRD and North Sea Jazz Festival’s fringe festival DownTown organize a tryout performance. In this short documentary, the artists share their impressions from the project. They introduce themselves, reveal why they joined The Nest and formulate what they hope to learn from the experience. Naturally, we get a glimpse of the songs they wrote during the sessions, as performed during the tryout show. Featuring Lisette Ma Neza (slam poet), Peter Somuah (trumpet), Michelle Samba (drums), Huy Le (bass), and Brenn Luiten (piano).

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is the 'Oumuamua Orchestra, a 19-piece German ensemble founded by composer Eugenij Zelikman. More than a concert, their performance is a party-like exploration intended to make the world a more exciting and colourful place. The orchestra features Paul Scheugenpflug (alto and soprano saxophone), Valentin Scheffzek (alto and tenor saxophone), Sebastian Wagner (tenor saxophone and flute), Nico Siebeck (tenor saxophone, flute, and contrabass clarinet), Carolin Heuser (baritone saxophone and clarinet), Valentina Oefele (baritone saxophone and clarinet), and Lars Groeneveld (bass clarinet); Michael Geiger, Lars Töpperwien, Max Diller, and Shogo Seifert (trumpet); Jona Heckmann, Samuel Restle, Denis Cuní Rodriguez, and Dario Moehrke (trombone); Jonas Sorgenfrei (drums); Lorenz Huber (double bass); Max Heimler (electric guitar); and Eugenij Zelikman (keytar).

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. Back in 1979, legendary American blues guitarist B.B. King gave an unforgettable performance for the audience in The Hague. Born in 1925 in a small town in Mississippi, 'Lucille' (as he nicknamed his guitar) helped him escape a miserable existence picking cotton. He arrived in Memphis in the late 1940s, where his cousin Bukka White taught him the tricks of the blues. Soon he developed his own style. King’s virtuoso, narrative solos with lots of vibrato, have been an inspiration for most (rock) guitarists after him.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. This concert of Freddie Hubbard and the Satchmo Legacy in 1987, highlights the bebop legend's classic style and silky tone. Hubbard is an American jazz trumpeter whose unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. He was also a well-known part of Art Blakey and the Jazz Messengers and is primarily known for playing bebop, hard bop, and post-bop styles from the early '60s onwards.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Astor Klezmer Trio, which sprung from a meeting of minds between violin player and singer Joëlle Strauss, flutist Marc Grauwels, accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these three musicians founded the Astor Klezmer Trio. The trio offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers such as Astor Piazzolla.

A two-part documentary, moderated by Dee Dee Bridgewater. Part 1: From Blues to Bossa On the search for the roots and origins of Jazz, we journey into the European and African music traditions and discover the cultural heritages of Jazz from Rio to New Orleans.

Raul Midón appeared at 2017’s Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón’s performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind’ was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!

The Flying Pickets are a British vocal group that was formed in 1982, transferring the art of a cappella to the pop music scene. These five gentlemen scored a number one hit in 1983 in the UK Singles Chart with their version of 'Only You'. Performing live in Stuttgart, vocalists Hereward Kaye, Gary Howard, Michael Henry, Nick Godfrey and Ricky Payne have many surprises in store for their appreciative audience.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world, and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the singer Lucia Cadotsch has received praise from Downbeat and The Guardian. Accompanied by saxophonist Otis Sansjö and bassist Petter Eldh, the trio performs with everything from acoustic instruments to electric synthesizers and drum machines

Recorded in 1971 in Paris, France, Brazilian, classically trained bossa nova guitarist Baden Powell and his quartet play Pai, Lotus (written by Baden Powell), Tristeza (by Haroldo Lobo/Niltinho), Round Midnight (by Thelonious Monk), Nega do cabelo duro (by David Nasser/Rubens Soares), and Aos pes da cruz (by Zé da Zilda/Marino Pinto). Powell is joined by Ernesto Ribeiro-Gonçalves on double bass, Helio Schiavo on drums, and Alfredo Bessa on percussion.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.