Schedule

Spirograph Studies have leapt onto the Australian music scene with their detailed, textural approach to playing improvised music. Post-rock, post-jazz and post-minimalism, they shamelessly steal sonic palettes from all areas to build their cinematic sound. This collaborative group features Luke Howard (piano), Fran Swinn (guitar) and James McLean (drums). This strong collection of music-makers each bring their unique voice to the stage as part a united front led by bassist Tamara Murphy.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, American saxophonist Gerry Mulligan gave an unforgettable performance at the North Sea Jazz Festival in The Hague. Mulligan was one of the leading arrangers of the cool jazz era, who worked with Miles Davis, Stan Kenton and Claude Thornhill in the 1950s and 1960s. Mulligan’s early pianoless 1950s quartet with trumpeter Chet Baker is still regarded as one of the finest groups in cool jazz. Born in New York in 1927, Mulligan spent his life composing, arranging and playing jazz until his death on January 20, 1996.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is the sextet of South African bassist Benjamin Jephta. Their performance, titled 'Born Coloured, Not Born-Free,' explores the rich tapestry of African music. The compositions blend traditional rhythms with contemporary jazz, funk, and hip-hop, creating a sound that is both rooted and forward-looking. The sextet features Sphelelo Mazibuko (drums), Gontse Makhene (percussion), Zibusiso Makhathini (piano), Keenan Ahrends (guitar), Michael Nkuna (trumpet), and Benjamin Jephta (double bass).

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is pianist Amilton Godoy. He is not only a well-known soloist in his homeland Brazil, but he is also considered one of the world's greatest pianists today, regularly guesting with international top orchestras and conductors. Godoy frequently teaches workshops throughout Brazil and abroad.

On June 18, 1962, American pianist and composer Erroll Garner performed at the Singer Concertzaal in Laren. The vibrant and joyous concert was played with drummer Kelly Martin and bassist Eddie Calhoun, each long-standing collaborators from Garner's trio. The Singer Concertzaal in Laren, the Netherlands is a concert hall and museum dedicated to the preservation of the art collection of American William Henry Singer. It features a variety of artists, both visual and aural.

Rising star of the jazz guitar Scott DuBois leads his quartet, consisting of Gebhard Ullmann (reeds), Thomas Morgan (bass), and Kresten Osgood (drums), in an intimate and atmospheric performance at Munich’s Jazz Club Unterfahrt in March 2016. The group’s telepathy is such that they are able to go from deathly quiet to fiercely avant-garde at the drop of a hat. For this occasion, DuBois and his group gave a full performance of his "Winter Light" album, released a few months earlier, plus his 'Lake Shore Suite'.

Bassist Kyle Eastwood (1968) is an explorer, equally at ease with jazz melodies as with pop songs. In the late 1970s, his father Clint took him to see his first jazz concert - a Count Basie performance. Eastwood Jr. was in awe of the drummer and wanted to play an instrument himself. It so happened he wasn’t so much interested in jazz, preferring rhythm and blues, Motown and Stax records, funk groups, and North African and Indian music. Eastwood became a brilliant bassist and the composer of highly original soundtracks. His 2015 album "Time Pieces" is a collaboration with brilliant British musicians, such as trumpeter Quentin Collins and saxophonist Brandon Allen. In this broadcast, Eastwood and his fellow musicians revisit the hard bop legacy of Blue Note Records. Eastwood and his band perform original music, as well as songs made famous by Horace Silver and Herbie Hancock. Their contemporary take on Charles Mingus’ “Boogie Stop Shuffle” is not to be missed!

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Tilburg based Bertus Borgers and his Young Retro's!

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.

Since 1985, the Dutch city of Nijmegen has been welcoming the International Music Meeting Festival every Pentecost. Ranging from jazz and improvisational music to traditional music and unique crossovers, this adventurous festival is all about musical encounters and international collaborations. In 2019, the band Nubiyan Twist performs at the International Music Meeting Festival. This London-based group operates on the intersection of soul and jazz.