Schedule

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Malagasy power trio Toko Telo, combines dazzling musicianship with sparkling compositions inspired by their shared southern Madagascar roots, featuring the soulful voice of Monika Njava and dexterously interweaving guitar wizardry from D’Gary and Joël Rabesolo.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the bands presenting themselves at jazzahead! 2024 is the German foursome ‘Masaa’, which translates to “evening” in Arabic. Masaa comprises four musicians who share a deep connection with this time of day: for them, evenings are for reflection and exchange. This concept permeates their music, embodying their belief in music’s transformative power. At the emotional core of Masaa is Lebanese poet and composer Rabih Lahoud (vocals), with Demian Kappenstein (drums), Marcus Rust (trumpet, flugelhorn), and Reentko Dirks (guitar, doubleneck guitar).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is Kaisa’s Maschine. This quintet around New York City-based, Finnish-born bassist, composer, and bandleader Kaisa Mäensivu tells stories, characterized by sonic depth and unexpected twists. Downbeat’s Brian Morton noted, “The bass, instead of being a routine component of the rhythm section, has become the main compositional voice of the group.” Kaisa’s Maschine consists of Kaisa Mäensivu (bass), Max Zenger (saxophone), Mikko Antila (vibraphone), Eden Ladin (piano), and Joe Peri (drums).

The mythical duo Arsenik is a rap group from France, made up of two brothers, Lino and Calbo. The team performs at Olympia Paris to celebrate their 20 years since their first album, Quelques gouttes suffisent… It’s a unique concert: Arsenik plays the entire album with numerous special guests for the first time. The album has sold over 300,000 copies in France. Today it’s being considered a classic, and it continues to be cited in the top five of the best French rap albums of all generations. Enjoy Arsenik’s live show in Olympia Paris!

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world, and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the singer Lucia Cadotsch has received praise from Downbeat and The Guardian. Accompanied by saxophonist Otis Sansjö and bassist Petter Eldh, the trio performs with everything from acoustic instruments to electric synthesizers and drum machines

Aleph is the stage name of Lebanese pianist Fady Abi Saad. To celebrate the release of his debut album, Aleph took to Paris Olympia to perform an evening’s worth of music before an appreciative crowd. Aleph brought with him a host of guest musicians, adding all kinds of musical colours to the evening’s proceedings, including flamenco guitar, the spooky musical saw, and the Middle-Eastern qanun. The music may be classified as ‘world music,’ but ‘otherworldly music’ is just as fitting.

The Dutch Hammond organ player Rob Mostert develops, in cooperation with DJAZZ, the programme ‘Mostert Meets’. In this series, the Hammond B3 organ takes centre stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert joins forces with the Australian Hammond organ player Lachy Doley and his regular band. Doley is considered one of the best blues, soul and rock organ players, nicknamed “the Jimi Hendrix of the Hammond organ”.

Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

30 minutes of... Orquestra Jazz de Matosinhos and Orquestra Sinfónica do Porto Casa da Música conducted by Dirk Brossé. Casa da Música is a performance hall located in Porto, in northern Portugal. Brossé, born in Ghent, Belgium in 1960, is a versatile composer and a respected conductor on the international music scene. Pianist Jason Moran and cellist J.A. Pereira de Sousa accompany both sets.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. The talented American singer Michelle David performs pop and gospel music that feeds the heart and soothes the soul. Having grown up with the church, she started singing at the age of four. A year later she joined her first band, The Mission of Love. In 1980 she enrolled at Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City, known from the film 'Fame'. During this time, she appeared as an extra in the legendary comedy film 'Ghostbusters'. Musicals and tours with the bands of Diana Ross and Michael Bolton followed.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! This episode is reserved for ‘De Deeldeliers’, featuring poet and so-called ‘Night Mayor of Rotterdam’ Jules Deelder (*1944). His poems cover Rotterdam city life, drug use, and jazz. In De Deeldeliers, he is accompanied by Hammond organist Bas van Lier, tenor saxophonist Boris van der Lek, and drummer Erik Kooger.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, vocalese maestro Jon Hendricks brought his wife Judith Hendricks, daughter Michelle Hendricks and mouth trumpeter Bob Gurland to perform at the North Sea Jazz Festival in The Hague. Accompanying them are pianist Michael Weiss, bassist Murray Wall and drummer Marvin Smith as they cover classics by Duke Ellington and Count Basie.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.

This selection of unforgettable performances by some of the most iconic and influential male jazz and pop vocalists in history showcases these legends’ unique essence. Delight in the expressive beauty and emotional depth of Chet Baker's rendition of “Time After Time” and “You Don't Know What Love Is", recorded live in Brussels, Belgium in 1964 and in Rome, Italy in 1956 respectively. Revel in Frank Sinatra's iconic version of “I've Got You Under My Skin". Immerse yourself in Dizzy Gillespie's dynamic performance of “Let Me Outta Here”, recorded live in Denmark in 1970. Enjoy Tony Bennett's unforgettable performance of “It Don't Mean A Thing (If It Ain't Got That Swing)” at London’s majestic Royal Albert Hall in 1974. Let the haunting beauty of Nat King Cole's 1957 performance of “Autumn Leaves” and Louis Armstrong's performance of “Basin Street Blues” from 1959 delight you. Dean Martin’s smooth vocal stylings will enthrall you as he performs the jazz standard “Wrap Your Troubles In Dreams". Witness the electrifying energy of Sammy Davis Jr.'s performance of “Too Close For Comfort”. Join us for this unforgettable musical experience that you'll surely cherish!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is the 'Oumuamua Orchestra, a 19-piece German ensemble founded by composer Eugenij Zelikman. More than a concert, their performance is a party-like exploration intended to make the world a more exciting and colourful place. The orchestra features Paul Scheugenpflug (alto and soprano saxophone), Valentin Scheffzek (alto and tenor saxophone), Sebastian Wagner (tenor saxophone and flute), Nico Siebeck (tenor saxophone, flute, and contrabass clarinet), Carolin Heuser (baritone saxophone and clarinet), Valentina Oefele (baritone saxophone and clarinet), and Lars Groeneveld (bass clarinet); Michael Geiger, Lars Töpperwien, Max Diller, and Shogo Seifert (trumpet); Jona Heckmann, Samuel Restle, Denis Cuní Rodriguez, and Dario Moehrke (trombone); Jonas Sorgenfrei (drums); Lorenz Huber (double bass); Max Heimler (electric guitar); and Eugenij Zelikman (keytar).

This documentary shows a song cycle by the Danish singer-songwriter Trinelise Væring and pianist Jonas Berg, featuring the Scandinavian Barokksolistene ensemble headed by solo violinist and artistic director Bjarte Eike. Væring’s songs possess a timeless quality with their gracefully swung melodies, while they are truly modern at the same time with their ‘in your-face’ approach to catchy hook lines and the largely groove-based arrangements. The music balances intelligently between being clever and being emotional. It is executed brilliantly by some Europe’s finest baroque musicians of the Barokksolistene ensemble. Væring is a remarkable vocalist who masters both the intensely fragile and the more powerful nuances. She is complemented by a pianist whose exquisitely tasteful playing builds on the great Scandinavian piano tradition, adding a pinch of Swedish folklore, pop music and free jazz. In combination with Trinelises unvarnished voice, the unique timbre of the baroque instruments, the vibrato-less sounds, and the ‘on the beat’ approach to groove, the music is far removed from the usual romantic setting of sweet pop songs. This music has edge, and is performed with engrossing vitality.