00:00
Vishten - WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. The 2018 edition of WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Vishten, has been animating audiences for 15 years with its fiery blend of traditional French songs and original instrumentals fusing Celtic, Acadian and contemporary folk influences with energetic virtuosity. The trio comprises multi-instrumentalists Emmanuelle and Pastelle LeBlanc from Prince Edward Island and Pascal Miousse from the Magdalen Islands.
00:46
WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Lucibela, comes from the island of São Nicolau. Her assured, warm voice is shaped by years of assimilation to the sounds of morna and coladeira.
01:36
Episode 4: Stan Getz - Jazz Greats
American jazz tenor saxophonist Stan Getz (1927-1991) was nicknamed "The Sound" for his warm, lyrical tone. Performing in bebop and cool jazz groups, he popularized bossa nova in America with the hit 'The Girl from Ipanema'. In the summer of 1983, Getz brought his working quartet to the Robert Mondavi Winery, Napa Valley, California, for a set that included Over The Edge, Answer Without Question, Sippin' At Bells, Tempus Fugit, and a bossa nova medley of Desafinado and The Girl From Ipanema. Getz (tenor saxophone) is joined by bassist Marc Johnson, drummer Victor Lewis, and pianist Jim McNeely.
02:47
Katché & Origlio Quartet feat. Walter Ricci
Four exceptional musicians team up to perform classic pop and soul songs made famous by the likes of Gregory Porter, Stevie Wonder, U2, Seal, and many more. Pianist Alfio Origlio signed up to do the arrangements. Walter Ricci, an accomplished jazz vocalist from Naples, eases us into his musical universe with his stunning sensitivity. He is accompanied by an exceptional rhythm section composed of Manu Katché on drums, Jérôme Regard on bass, and Alfio Origlio on piano. This concert was recorded at Festival Jazz au Sommet 2020 in France.
03:24
Episode 3: Miles Davis - Jazz Greats
American trumpeter Miles Davis (1926-1991) was a pioneering jazz musician from the late 1940s to the late 1980s. His influence on 20th century music is hard to overstate, as he trailblazed bebop, cool jazz, hardbop, modal jazz, and electronic music. On October 11, 1964, Miles Davis performed at Teatro Dell’Arte in Milan. With tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, Davis performed Autumn Leaves, My Funny Valentine, All Blues, All of You, and Joshua.
04:26
The Blue Note Masters
Ron Carter, Bobby Hutcherson and Joe Chambers are legends of Blue Note Records. They have established themselves as forward-thinking and inventive band leaders, composers and studio musicians, astonishing audiences around the world with their creativity and technical versatility.
05:19
Seine Sessions: Funk & Afro
The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Funk & Afro", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Cool Jam, Bibi Tanga, Kingsy Ray, and many others.
05:57
The Morgenland Festival: VIVA!
Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. “Viva” is a perfect mixture of various instruments and musicians from all over the world. Vocalists Aynur and Dima Oshno perform with the All Star Band. Aynur sings about the life and sufferings of Kurdish people, in particular Kurdish women. Musically, she tries to blend Kurdish and Western music, creating her own style and interpreting the traditional repertoire in a modern and fresh way.
07:00
Georgie Fame & the Blue Flames
Georgie Fame, known for "Yeh, Yeh" and "The Ballad of Bonnie and Clyde" makes a triumphant comeback with The Blue Flames. Georgie Fame and the Blue Flames was a popular band in the UK in the '60s, celebrated for its R&B, soul, jazz, ska, and pop sounds. The training was largely inspired by ska, a popular musical style in Jamaican cafes in London at the time. It was the song "Green Onions" from the Booker T & The MG that inspired Georgie to incorporate the Hammond organ into her compositions. This performance by Georgie Fame and the Blue Flames is brimming with blues and soulful sounds that will delight the group's old and new fans.
08:02
George Shearing Duo feat. Neil Swainson
British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.