Schedule

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, legendary American singer-pianist Ray Charles gave an unforgettable performance at the North Sea Jazz Festival in The Hague. This mercurial artist pioneered soul music in the 1950s, and helped integrate country, rhythm and blues, and pop.

They called her “the most exciting woman in the world”, and this Afro-American voice lived up to this expectation with international flair. Eartha Kitt was one of the reigning queens of blues and jazz. She epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centered on her slinky stage presence and throaty purr. As much as she enjoyed vamping it up, Kitt also projected the image of an exotic international sophisticate, singing in several languages.

Saxophonist Frank Paavo has been active on the jazz scene of Amsterdam and the Netherlands since the early 1980s. His music is inspired by the hard-bop sounds of the late 1950s and early 1960s, full of positive energy, rhythmic intensity, and good old-fashioned swing. Among Paavo’s major influences are Wayne Shorter and Charles Mingus. The Dutch jazzman grew up with their music and deserves credit for his effort to revive it by doing what all great jazz musicians of this era did: by playing their very own music. In this October 2020 concert from Amersfoort's Café Miles, Frank Paavo performs with Kurt Weiss (trumpet), Dirk Balthaus (piano), Joris Teepe (bass), and Bart van Helsdingen (drums).

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jack DeJohnette, an important figure in jazz fusion, was inducted into the Modern Drummer Hall of Fame in 2007. His style combines elements of jazz, free jazz, world music and R & B, and his versatility makes him a regarded and in-demand drummer. Discover his unique style as part of this breathtaking performance delivered at Estival.

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, and Jeff "Tain" Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen and drummer Jason "JT" Thomas. Their group sound draws from various musical paths of its members, whether it’s Jason’s swampy grooves and shuffles, Chris’ singular sonic approach to guitar, Henry’s zeal for unique keyboard sounds and twisted ear candy, or Michael’s driving world-influenced grooves. The band pushes further down the sonic rabbit hole with their stunning music. This concert was filmed during Mondriaan Jazz Festival 2017, The Hague.

A sound support with provocative combinations, a modern music laboratory, a vehicle of inspiration whose importance has been proven by many high-profile collaborations. Music lovers who appreciate jazz for its ability to provoke and continuously question the status quo certainly do not expect that such a standard set in its configuration finds itself completely detached from tradition. But sometimes, the more the DNA of a set is anchored in tradition, the higher the margin to give way to novelty. Innovation is at the heart of the approach of VEIN, a bold Swiss ensemble composed of brothers Michael and Florian Arbenz, and bassist Thomas Lähns, for whom the term "piano trio" has long been too restrictive.

Vocalist Jazzmeia Horn’s 2019 Malta Jazz Festival appearance was a celebration of jazz’s future, infused with the soul of its past. Featuring Keith Brown (piano), Rashaan Carter (bass), Irwin Hall (flute and saxophone), and Anwar Marshall (drums), the young singer’s performance was a reminder of jazz’s enduring power to speak to the heart. Situated at the Valletta waterfront outside Our Lady of Liesse Church, Horn’s concert was a truly spellbinding experience.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

Estival Jazz Lugano is an annual, open-air music festival that takes place over five days in the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. In July 1996, renowned American saxophonist Wayne Shorter and his quintet performed at Estival Jazz Lugano. Together with pianist Jim Beard, guitarist David Gilmore, bassist Alphonso Johnson, and drummer Rodney van Holmes, Shorter shows he is still at his best.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

This portrait of Marcus Miller was recorded during his 2009 ‘Tutu Revisited’ tour. Miller looks back on his relationship with Miles Davis. Miller tells us about writing his composition 'Tutu', and shares countless stories of the recording process of the album 'Tutu'. This documentary was filmed in 2009 at the 'We Want Miles' exhibition in Cité de la Musique in Paris.

This vintage program, ‘Jazz Marmalade’, shows expatriate American musicians plying their trade in two Parisian jazz clubs in 1962. First, American stride pianist Joe Turner (often confused with blues shouter ‘Big’ Joe Turner) opens this atmospheric broadcast with a swinging piano-bass duet recorded at the Mars Club. Joe Turner (1907–1990) would remain in Paris for the rest of his life. From the American-owned Mars Club just off the Champs-Élysées, a hangout for showbiz people and expatriate Americans in Paris, the program cuts to the Blue Note. There, a Paris-based American quartet that includes drummer Kenny Clarke, organ player Lou Bennett, and tenor saxophonist Don Byas performs ‘Salut Les Copines’. Returning to the Mars Club, the American jazz trio of house pianist Art Simmons (1926–2018) performs a jaunty take on ‘C-Jam Blues’. Rounding off the program at the Blue Note, the quartet of drummer Kenny Clarke, organist Lou Bennett, and tenor saxophonist Don Byas returns for a swinging ‘April in Paris’. These recordings offer an invaluable glimpse into expatriate American jazz-making in Paris in the early 1960s.

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

In 1968 traden het orkest van de Belgische pianist Francy Boland, de band van de Nederlandse trompettist Boy Edgar en de Amerikaanse band van trompettist Thad Jones en drummer Mel Lewis op tijdens het Newport Jazz Festival in Rotterdam.

They are three siblings, born in Israel, passed through New York, each leading brilliant careers. The youngest, Avishai, has established himself as one of the most original trumpet players of the moment, author of highly acclaimed albums on the ECM label. The second youngest, Anat, saxophonist and clarinetist, in love with Brazilian music and Benny Goodman, is one of the great "jazzwomen" of today. Less visible, but no less active, the elder Yuval, who plays soprano sax, is one of the most respected musicians in Israeli jazz. Under the name "Three Cohens", they periodically get together for the pleasure of swinging together, as they did as teenagers.

Piano and saxophone - this is an individualistic jazz duo combination. But the melodiousness and maturity of Charlie Mariano's saxophone and the freshness and feistiness of Wolfgang Dauner's piano turn the meeting of these two jazz greats into a thrilling interplay.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

World-renowned American blues singer and guitarist Magic Slim performed an electrifying set at the French festival Jazz à Vienne 2012. With bandmates John McDonald (guitar & vocals), Andre Howard (bass), and Brian Jones (drums), the blues giant played a string of classic Chicago blues hits. Ever energetic, the veritable blues veteran put on a dynamic show for an enthusiastic audience in the atmospheric ancient Roman theatre of Vienne.

Pedro Viáfora and Celso Viáfora are a father-and-son duo that brings together different generations of Brazilian music. Celso is a renowned composer with an extensive discography, while Pedro began his career with the group 5 a Seco before developing his solo work. Together, they reinterpret the tradition of MPB (Brazilian Popular Music) with sharp social commentary, using irony and everyday language to address Brazil’s structural challenges while celebrating moments of beauty and poetry. How do contemporary artists reinterpret tradition and create new forms of expression within MPB? Da Pá Virada Sessions' MPB Series investigates this question. Hosted by Dani Gurgel, this episode features a live performance and thought-provoking conversation with Pedro and Celso Viáfora, exploring their unique fusion of styles and inviting audiences to discover the richness of modern Brazilian music. Continue your journey into the rich world of contemporary Brazilian popular music with Stingray DJAZZ.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1993, American guitarist Al Di Meola was one of the artists appearing here. With second guitarist Chris Carrington and percussionist Arto Tunçboyacıyan, Meola performs the now-classic world-fusion repertoire from his album 'World Sinfonia', which was originally released in 1991.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

Swedish pianist Jacob Karlzon is joined by Danish bassist Morten Ramsbøl and Swedish drummer Rasmus Kihlberg at the Steinway piano factory in Hamburg to present their album ‘Open Waters’. Karlzon, a classically trained pianist who shared a stage with Kenny Wheeler, Norma Winstone, and Billy Cobham keeps the rich tradition of Swedish jazz eclecticism alive. Back in 2012, Karlzon explored the world of heavy metal, after that allowing electronic elements to set the pulse.