Schedule

This portrait of Marcus Miller was recorded during his 2009 ‘Tutu Revisited’ tour. Miller looks back on his relationship with Miles Davis. Miller tells us about writing his composition 'Tutu', and shares countless stories of the recording process of the album 'Tutu'. This documentary was filmed in 2009 at the 'We Want Miles' exhibition in Cité de la Musique in Paris.

This documentary shows a song cycle by the Danish singer-songwriter Trinelise Væring and pianist Jonas Berg, featuring the Scandinavian Barokksolistene ensemble headed by solo violinist and artistic director Bjarte Eike. Væring’s songs possess a timeless quality with their gracefully swung melodies, while they are truly modern at the same time with their ‘in your-face’ approach to catchy hook lines and the largely groove-based arrangements. The music balances intelligently between being clever and being emotional. It is executed brilliantly by some Europe’s finest baroque musicians of the Barokksolistene ensemble. Væring is a remarkable vocalist who masters both the intensely fragile and the more powerful nuances. She is complemented by a pianist whose exquisitely tasteful playing builds on the great Scandinavian piano tradition, adding a pinch of Swedish folklore, pop music and free jazz. In combination with Trinelises unvarnished voice, the unique timbre of the baroque instruments, the vibrato-less sounds, and the ‘on the beat’ approach to groove, the music is far removed from the usual romantic setting of sweet pop songs. This music has edge, and is performed with engrossing vitality.

Aleph is the stage name of Lebanese pianist Fady Abi Saad. To celebrate the release of his debut album, Aleph took to Paris Olympia to perform an evening’s worth of music before an appreciative crowd. Aleph brought with him a host of guest musicians, adding all kinds of musical colours to the evening’s proceedings, including flamenco guitar, the spooky musical saw, and the Middle-Eastern qanun. The music may be classified as ‘world music,’ but ‘otherworldly music’ is just as fitting.

New Cool Collective have been happily grooving on 24 years of fame thanks to their unique mix of jazz, dance, latin, salsa, afrobeat and boogaloo. As pioneers in the Dutch jazz scene NCC has received many awards and the band have toured the great expanses of Europe, Asia and North America. They not only play hipster jazz clubs but also such huge pop and rock festivals as Sziget, Lowlands (Netherlands) and the Aberdeen Alternative Festival. And they collaborated with many Dutch and international artists on tour and in the studio. During this show New Cool Collective is expended to the big band formation, expect energetic, danceable and great music!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is the Eva Klesse Quartett, a pivotal group on the German jazz scene. Their performance, titled STIMMEN (“voices”), is built on the artistic mission to give a platform to perspectives that are not often heard in mainstream discourse. The quartet is augmented by special guests for this concert. Zuza Jasinska and Michael Schiefel (vocals); Evgeny Ring (saxophone); Philip Frischkorn (piano); Marc Muellbauer (double bass); Philipp Rumsch (electronics and sound design); and Eva Klesse (drums).

In the midst of the blossoming of the free-jazz scene, pianist Cecil Taylor (1929) probably represented the non-jazz aspect of the movement better than anyone else. Many of the innovations of the 1960s were pioneered by his records. His fusion of exuberance and atonality was particularly influential. Like saxophonist Ornette Coleman, who initially overshadowed him, Taylor was one of the first musicians to release jazz improvisation from fixed harmonic structures. Influenced by both classical music and jazz, Taylor became a virtuoso pianist with a unique range of dynamics, attacks, and harmonic resources, including many tone clusters played for percussive, not harmonic, effect. During this 1984 Müncher Klaviersommer concert, he shows his mastery of improvised jazz.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. Back in 1982, legendary jazz clarinettist Benny Goodman performed at the North Sea Jazz Festival in The Hague with his septet. The “King of Swing” revisited the atmosphere of the 1930s, when jazz enjoyed tremendous popularity.

In this recording, the Portuguese singer Maria João makes her appearance at the Bayerischer Hof Night Club during the 1999 Münchner Klaviersommer. She is accompanied by Marcio Doctor (percussion), Miroslav Tadic (guitar), and her long-standing partner, the brilliant pianist Mário Laginha. Maria is known for her vocal flexibility and improvisational skills. While normally considered a jazz artist, her music incorporates a mix of folk, ethnic music, modern jazz, avant-garde, electronica, symphonic and other genres. In this intimate venue, João's vocally and physically dynamic performance creates an electrifying atmosphere.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the pianist Elliot Galvin is a member of the young UK jazz group Dinosaur. Performing with his trio, the gifted musician has been compared to Django Bates for his maverick imagination and ability to blend influences from all over the world.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Although its music might sound like the sound track of any 1970s American car chase movie, the band Sven Hammond Soul is from the Netherlands. This steaming soul machine is headed by Sven Figee, who prefers to attack rather than play his Hammond organ. In April 2012, the band was augmented with vocalist Jenny Lane. Today’s recordings were made at a steaming live performance at Utrecht’s Tivoli in 2012.

Big hits, booty dancing, stage dives, fan freestyles and of course, controversy, A$AP Rocky's debut Down Under tour had it all! At his sold-out Sydney show, hip hop's hottest star and 5000 rowdy fans got wild for the night at the Hordern Pavilion and we captured it all exclusively.