00:00
WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.
00:45
Heidi Bayer's "Virtual Leak" - jazzahead!
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing artists is German trumpeter Heidi Bayer. She presents her project 'Virtual Leak', featuring Bayer's original compositions. Although she trained as a classical clarinetist as a teenager, Bayer switched to jazz trumpet at 17. Today she is an in-demand solo trumpeter in small ensembles and big bands alike. Heidi Bayer (trumpet, flugelhorn) is accompanied by Johannes Ludwig (alto saxophone), Karl Degenhardt (drums), and Lisa Wulff (double bass).
01:17
Tilo Weber Quartet "Four Fauns" - jazzahead!
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing artists is the German, Berlin-based drummer and composer Tilo Weber. Having studied drums and composition in Berlin and Hamburg respectively, Weber now presents his own quartet, “Four Fauns”, which focuses on the drummer's original compositions. Tilo Weber is joined by vocalist Almut Kühne, trumpeter Richard Koch, and double bassist James Banner.
01:53
Public Enemy - Live at The Metro Theatre
Public Enemy, also known as PE, is an influential hip hop group from Long Island, New York, known for its politically charged lyrics, criticism of the media, and active interest in the concerns of the African American community. In 2004, Rolling Stone Magazine ranked Public Enemy number forty-four on its list of the Immortals: 100. Here, the group performs at The Metro Theatre, in Sydney, Australia, on December 27, 2008.
03:36
Anita Oday Live in Sweden 1963
Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.
04:31
Libérica Arrels
Having played in New York with jazz icons Dave Liebman, Eliot Zigmund, Ari Hoenig, and Chris Cheek, Catalan bass player Manel Fortià now returns to his roots to reinvent traditional Catalan repertoire. Manel Fortià teams up with Antonia Lizana (saxophones), Pere Martínez (vocals), Max Villavecchia (piano), and Raphael Pannier (drums) to form ‘Libérica’, reimagining Catalan music and Flamenco through the eyes of a New York jazz musician. Their 2021 album ‘Arrels’ explores Catalan hymns, including ‘El cant dels ocells’ and ‘Els tres tambors’, heard here during a live performance at Nova Jazz Cava in Barcelona.
05:36
NSJC: Busstra's Old School Band
Guitarist, composer and director Marnix Busstra loves crossing borders. He travels the world with his jazz bands, plays guitar and bouzouki, writes jazz and theatre-songs, and co-creates and directs the exuberant theatre shows of his wife, the Dutch diva Karin Bloemen. Busstra is a constant wheel of invention, with technique expanded by his creative urge to find something new, an evolving state that adds immeasurably to his art. Marnix Busstra and bassist Norbert Sollewijn Gelpke, who have a long history together, founded Marnix Busstra’s Old School Band. The two met in kindergarten, no less than forty-five years ago. They attended the same elementary and secondary school, where they started their first band, Topaz. The ‘Old School Band’ features drummer Mark Stoop and keyboardist Eric van de Bovenkamp.
06:18
Under the Surface - Live at Bimhuis 2018
Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.
07:00
Sammy Price and his All Star Orchestra
Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.
07:43
Jazz Open Stuttgart: West Coast All Stars
This live recording is celebrating 50 years of West Coast Jazz. The West Coast Jazz movement had its origins about 50 years ago in Los Angeles. It was essentially a "cool" form of jazz played mostly by studio musicians as a break from their studio work. The West Coast All Stars are specially brought together for this West Coast Night. The performance shows some of the most important early pioneers of this style of jazz - including legends such as Conte Candoli, Carl Fontana and Teddy Edwards. Jazz writer and critic Alun Morgan about this concert: “Altogether a very impressive experience. These guys are all real jazz pros who can turn in a masterly performance at the drop of a hat. Who said West Coast Jazz was cold and sterile? These guys can churn up enough excitement to bring any audience to its feet."
09:14
The Hammond© Sessions: Lachy Doley Group
The Dutch Hammond organ player Rob Mostert develops, in cooperation with DJAZZ, the programme ‘Mostert Meets’. In this series, the Hammond B3 organ takes centre stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert joins forces with the Australian Hammond organ player Lachy Doley and his regular band. Doley is considered one of the best blues, soul and rock organ players, nicknamed “the Jimi Hendrix of the Hammond organ”.
10:04
The Crusaders: Estival Lugano 1987
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.
11:09
Franco Ambrosetti Quintet live at Estival Lugano
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The composer, trumpeter and bugle player Franco Ambrosetti performs with his quintet in his native Lugano as part of the Estival.
12:00
BIRDtv: Boogieball
Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic registration of the after party of the North Sea Jazz Festival: Boogieball. This mega jam session is a great coming together of, amongst others, bassist Bootsy Collins, guitarist Flávio Silva, and drummer/vocalist Sheila E.
12:25
Al Jarreau - The North Sea Jazz
The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1981, American singer and Grammy Award winner Al Jarreau gave an unforgettable performance for the audience of the North Sea Jazz Festival in The Hague, the Netherlands.
13:42
That Old Feeling
The legendary hard-bop group Art Blakey's Jazz Messengers performed in Olympia Hall in Paris, France on March 16, 1963. Led by drummer Art Blakey, the Jazz Messengers consisted of Wayne Shorter on tenor saxophone, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Reggie Workman on double bass, and Cedar Walton on piano. Each of these players became jazz legends in their own right. The group performed Cedar Walton's arrangement of That Old Feeling (written by Sammy Fain), Wayne Shorter's arrangement of I Didn't Know What Time It Was (written by Richard Rodgers), and Caravan (written by Juan Tizol and Duke Ellington).
13:48
Hi-Fi-Fo-Fum
The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.
14:00
Badi Assad - jazzahead!
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is Badi Assad, a Brazilian virtuoso guitarist, singer, vocal juggler and songwriter who has emerged as one of the most versatile artists of her generation. She has appeared in concerts in over 40 countries. Of her 18 album releases, her 2006 CD 'Wonderland' was selected among the top 100 by BBC London.
14:49
Vocal Acrobats: Passion of an Improvised Journey
One vocalist from Paris and the other from Bern, and two contrasting personalities. Brought together by a chance encounter in 2014, the two singers were surprised to discover how much they had in common: they both do more than just sing well. Leïla Martial and Andreas Schaerer intend to explore and experiment, stretching their vocal boundaries. From the deepest abyss to the most exquisite tones the human voice can produce, they leave no stone unturned in their quest to express themselves, each in their own individual way and always with a generous dose of humour and zest.
15:43
Elvin Jones' "Jazz Machine"
Elvin Jones is the archetypical modern jazz musician playing on instinct, not intellect. This is the kind of music he has played to perfection since his days with John Coltrane. There are some heavy-duty sidemen in his present "Jazz Machine": Sonny Fortune and Ravi John Coltrane, the son of the most influential tenor sax player ever.
16:44
J.E. "Cannonball" Adderley live in Switzerland
Cannonball Adderley: Live in '63 boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet), and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass), and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones’ "Jessica’s Day" leaps from the gate with a huge big band sound that is extraordinary for only six musicians. This recording is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz. He was a bluesy jazzman who could play anything in superb fashion.
