Schedule

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1979, legendary jazz trumpeter and flugelhorn player Clark Terry brought his own Big Bad Band to the North Sea Jazz Festival in The Hague. The virtuoso musician was himself a veteran of both Duke Ellington's and Count Basie's celebrated ensembles.

Seun Anikulapo Kuti possesses the grace, energy and fury of his father, the legendary artist Fela Kuti. With the musicians of Fela Kuti’s legendary band Egypt 80, Seaun Kuti brings the most original incarnation of Afrobeat to life. Digging deep into different African traditions, Seun has brought his own touch to the music by reflecting the difficulties and cultures of the continent. Three-quarters of Egypt 80's current line-up is composed of musicians who didn’t only play with Fela Kuti, but often were arrested and harassed alongside the founder of the Afrobeat.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2017, Cuban pianist and vocalist Roberto Fonseca performed at Jazz à Vienne. Blending jazz, Afro-Cuban soul, hip-hop, and electro, Fonseca embraces both the past and future in this stimulating concert that will expose you to some exciting new sounds.

In 1963, the small Belgian town of Comblain-la-Tour hosted an exciting line-up of both new and older jazz groups. Opening things up is the British trombonist Charlie Galbraith’s All Star Jazz Band, performing classic Dixieland jazz. Next up is German singer Knut Kiesewetter, who, with backing from the Prague Dixieland Band, sings the blues. Perhaps the highlight of this event is the coupling of American alto saxophonist Bud Shank with Dutch pianist Pim Jacobs’ trio, who play standards and bossa nova. Bringing things to a close are French clarinetist Marc Laferrière and his New Orleans Stompers with more classic Dixieland.

On June 18, 1962, American pianist and composer Erroll Garner performed at the Singer Concertzaal in Laren. The vibrant and joyous concert was played with drummer Kelly Martin and bassist Eddie Calhoun, each long-standing collaborators from Garner's trio. The Singer Concertzaal in Laren, the Netherlands is a concert hall and museum dedicated to the preservation of the art collection of American William Henry Singer. It features a variety of artists, both visual and aural.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, London serves as a backdrop for sets by trumpeter Matthew Halsall, saxophonist Soweto Kinch, and pianist Neil Cowley.

To celebrate the release of Django, the Parisian New Morning Club pays tribute to the legendary guitarist Django Reinhardt. The program showcases the magic of Reinhardt’s compositions, as well as the virtuosity of one of his most famous heirs: Stochelo Rosenberg. With unbridled passion and enthusiasm, Rosenberg interprets the music that marked French musical heritage: gypsy jazz. Rosenberg cultivates an exceptional technique with a unique vibrato and sets an example for guitarists and other instrumentalists who aim to keep music alive. On stage at New Morning Club, Rosenberg is supported by Hono Winterstein (guitar), Mathias Levy (violin), Rocky Gresset (guitar), and Xavier Nikqi (double bass).

‘Harmolodics’, the musical philosophy of jazz saxophonist Ornette Coleman, is associated primarily with avant-garde jazz and the free jazz movement, although its implications extend beyond these limits. Coleman defined ‘harmolodics’ as “the use of the physical and the mental of one's own logic made into an expression of sound to bring about the musical sensation of unison executed by a single person or with a group”. Applied to the particulars of music, this means that harmony, melody, speed, rhythm, time and phrases all have equal position in the results that come from the placing and spacing of ideas - as evidenced in this broadcast of a performance by the Ornette Coleman Sextet.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, an outstanding lineup played shoulder-to-shoulder at the 7th Newport Jazz Festival held in Rotterdam's then-recently built concert venue De Doelen. These four masterful groups consisted of alto saxophonist "Cannonball" Adderley and his quintet (Nat Adderley on cornet, George Duke on keyboards, Walter Booker on bass, and Roy McCurdy on drums), Hammond organist Jimmy Smith and his band (Art Farmer on flugelhorn, Illinois Jacquet on tenor saxophone, Kenny Burrell on guitar, Clark Terry on trumpet, and Roy Haynes on drums), pianist Dave Brubeck and his trio (Jack Six on bass, Alan Dawson on drums) with accompaniment from Paul Desmond on alto saxophone and Gerry Mulligan on baritone saxophone, and bassist Charles Mingus and his group (Joe Gardner on trumpet, Hamiet Bluiett on baritone saxophone, John Foster on piano, Roy Brooks on drums) with the great high-note trumpeter Cat Anderson as a guest.

Legendary free jazz pianist Burton Greene rose to fame in New York City's free jazz scene of the 1960s. Exploring various spontaneous improvisational styles, Greene performs live at Cafe OTO in London, UK.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! In this episode, the fantastic artist Quantic takes BIRD’s stage. Merging a jazz sensibility with his dancefloor-orientated grooves, deep funk, hard-hitting drums and tropical rhythms, producer Will Holland is one of today’s most talented and prolific artists in alternative dance music. Recording under various guises, Holland first found acclaim as Quantic.