Schedule

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

The term "jam-session" was coined in the 1920s when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Titled "Legendary Jazz", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Steve McCraven, Oona Guino, Rodolphe Lauretta, and many others.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Bursting with sounds that could only be described as magical, “MCO” features the Syrian Expat Philharmonic Orchestra under conductor Naci Özgüç. Of Turkish origin, Özgüç was raised by two opera singers, who opened the doors of a musical career.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel Today’s broadcast shows a special gathering between two grandmasters of French jazz: pianist Jacky Terrasson and trumpeter Stéphane Belmondo. The two team up for an amazing concert in which jazz is combined with soul and a touch of chanson française. The Franco-American pianist Terrasson delights in travelling the world, collaboration with others and leading his own trio, quartet, or quintet. With his long-time friend, Stéphane Belmondo, Terrasson has produced wonderful CDs and beautiful concerts. One then finds the trumpeter on the pianist’s album ‘Gouache’; on another, the pianist guests on Belmondo’s ‘Ever After’. At the Jazz en Baie festival, the duo plays its amazing piano and trumpet music. Highly recommended!

Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.

The Modern Jazz Quartet (MJQ) was composed of Milt 'Bags' Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums. Milt Jackson and John Lewis were pioneer bebop musicians who had played together in Dizzy Gillespie's 1948 big band. They pursued separate careers before adding Heath and Lewis to form the Modern Jazz Quartet in the 1950s. Noted for its delicate percussion sonorities, innovative jazz forms, and high performance standards, the MJQ was an immensely popular jazz and “third stream” ensemble until its final concerts in the early 1990s.

Patáx was heavily influenced by seminal fusion bands like Weather Report and Return to Forever. Don’t mistake this Spanish powerhouse for a carbon copy of either, however, as Patáx presents an accomplished mix of styles, including soul, jazz, funk and hip-hop. The group is led by the passionate Spanish-American percussionist Jorge Perez, who draws his musical influence from both sides of the Atlantic. The tight interplay between Perez and his bandmates as well as the audience’s enthusiasm at Teatro Calderón in Madrid make it a night to remember. This is the first of two parts.

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

November Music, a Dutch music festival in ’s-Hertogenbosch, showcases today's prominent composers. It programs top-notch ensembles, jazz and world music pioneers, interdisciplinary concerts, and sound art. In 2019, Tigran Hamasyan and Mathias Eick played a duo performance here. Armenian pianist Hamasyan has claimed a category of his own in contemporary jazz. Norwegian trumpeter Mathias Eick is an undisputed master of his instrument.

Amsterdam, February 6th, 2018 - The short documentary Rebirth in The Amsterdam Red Light District illustrates how brutal Richard Lems' life as an addict was and his struggle to unshackle himself from the shame. Filled with fierce, freighting, and sad moments, Richard relives his stabbing, stay in jail, drug test, and drug use. Richard expresses himself verbally but mainly relives the moments through drumming, which renders the documentary an intense and unique experience. Addiction doctor and musician Gerard Alderliefste: “If he dares to bottom out, he will see it was the drugs and not himself. Music can bring those emotions to the surface”.

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch pianist and composer Harmen Fraanje.

This film portrays Michel Petrucciani 's very unique outlook on life, his vitality, boisterous humor and marked comedian talent which triumphes over all physical restrictions. It also shows Michel Petrucciani performing, composing, selecting his very own piano, at a recording session with Stephane Grapelli, Roy Haynes and Georges Mraz, .... and much more.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. John Carl Hendricks is one of the instigators of "vocalese", an art form that aims to add lyrics to existing instrumental pieces and replace several instruments with singing. He flaunts this technique at Estival, where he "scat" while playing double bass. Hendricks is known for his mastery of scat, a form of vocal jazz that uses onomatopoeia rather than lyrics

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.

By the time this set was recorded at Brussels Jazz Club in the summer of 1980, trumpeter Freddie Hubbard had already built an impressive resume. During the 1960s he became a leading voice in the hard bop movement while not shying away from avant-garde sessions with the likes of John Coltrane and Eric Dolphy. In the 1970s, Hubbard expanded his palette by recording in more diverse settings that included electric instruments and orchestral arrangements. On this club date, Hubbard showcases all of the experience he had accumulated up to this point. The working group consists includes David Schnitter on tenor saxophone, Billy Childs on keyboards, Larry Klein on bass, and Sinclair Lott on drums. Watch as the quintet deftly switches between acoustic and electric instruments and Hubbard entertains the crowd with his onstage antics.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. Saxophonist Ben Sluijs and pianist Erik Vermeulen both had a classical training. Both musicians have a strong melodic and harmonic approach. Their music offers no room for showing off: it’s all about the music itself. Sluijs’s fascination for jazz grew after he graduated cum laude. This led to him taking lessons with David Liebman in the US. His colleague, Erik Vermeulen, entered the Belgian jazz scene at age 22, playing with his trio. He performed with international stars such as Clark Terry, Joe Lovano, Steve Grossman, Art Farmer, Bob Mover, Toots Thielemans, and Michael Moore. This MotorMusic episode shows the fruits of this inspiring collaboration between these two classically-trained jazz musicians.

The Australian-born singer-songwriter Sia Kate Isobelle Furler, simply known as Sia, is one of the most unique artists in today's popular music scene. However, her path to stardom has been nothing but rocky. Only after numerous musical experimentations, where the singer tried to establish herself in her home country as well as United Kingdom, Sia finally blossomed in United States around the second decade of the 21st century. The very beginnings of her mainstream recognition was captured on 25 March 2009, where the artist performed live at Metro Theatre in Sydney, Australia.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

To celebrate the release of Django, the Parisian New Morning Club pays tribute to the legendary guitarist Django Reinhardt. The program showcases the magic of Reinhardt’s compositions, as well as the virtuosity of one of his most famous heirs: Stochelo Rosenberg. With unbridled passion and enthusiasm, Rosenberg interprets the music that marked French musical heritage: gypsy jazz. Rosenberg cultivates an exceptional technique with a unique vibrato and sets an example for guitarists and other instrumentalists who aim to keep music alive. On stage at New Morning Club, Rosenberg is supported by Hono Winterstein (guitar), Mathias Levy (violin), Rocky Gresset (guitar), and Xavier Nikqi (double bass).

Formed in 1952 from the rhythm section of Dizzy Gillespie's big band, the Modern Jazz Quartet took its inspiration from classical chamber music as well as jazz's blues roots. The group enjoyed a decades-long career with multiple critically acclaimed albums, cementing their place in the history of the genre. Following concerts in Rotterdam and Amsterdam the days before, the Modern Jazz Quartet performed at Singer Concertzaal in Laren for Dutch TV on March 31, 1969. Composed of Milt Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums, the foursome plays with elegance and style.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, the acclaimed jazz fusion group Mahavishnu Orchestra led by guitarist John McLaughlin took the stage at the North Sea Jazz Festival in The Hague. This third incarnation of the group featured an outstanding lineup, with Jim Beard on keyboards, Jonas Hellborg on bass, Danny Gottlieb on drums, and Bill Evans on saxophone.