Schedule

Huu Bac left Vietnam for Quebec at the age of two. This musician was first interested in jazz guitar, then in dan bau, an old monochord musical instrument, central to the folk music of Vietnam. Huu Bac's curiosity about ancient instruments led him to the Shanghai Conservatory of Music, where he studied erhu, a traditional Chinese string instrument. Bac's work combines classical repertoire and Western influences.

Manu Dibango, one of Africa’s biggest musical stars and top saxophonists, is an indispensable artist. He was one of the first African musicians to score a worldwide hit with his 1972 release “Soul Makossa”, paving the way for many other artists. The very concept of world music owes much to him. A superb stage performer with great communicative humour, Dibango is above all one of the founding fathers of a modern African musical style that is open to jazz, R&B, salsa, gospel, funk, and reggae. This concert showcases all these genres, and features an excellent line-up of musicians from the four corners of the planet.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American singer-songwriter Melody Gardot as she visits the legendary studio. After an accident in 2003 left her hypersensitive to light and sound, Gardot discovered the healing power of music. At Hérouville, she gives an interview and plays a breathtaking live set. Her performance opens with a beautiful version of ‘Baby I’m a Fool’ and includes ‘If The Stars Were Mine’ and ‘Les Étoiles,’ before concluding with the Chet Baker hit ‘You Don’t Know What Love Is.’ Melody Gardot (piano, guitar, vocals) is accompanied by Charles Staab (drums), Sam Minaie (double bass), Mitchell Long (guitar), Sylvain Gontard (trumpet), Ludovic Beier (accordion), Artyom Manoukyan (cello), and Guillaume Latour, Alexandra Kondo, and Benjamin Ducasse (violin).

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, legendary swing band leader jazz clarinettist Benny Goodman performed two sets with his septet at the North Sea Jazz Festival in The Hague. True to form, with his concert the 'King of Swing' revisited the atmosphere of the swing era – the 1930s – when jazz enjoyed tremendous popularity. Goodman's septet includes Scott Hamilton (tenor saxophone), John Bunch (piano), Phil Flanigan (double bass), Mel Lewis (drums), Warren Vaché (trumpet), and Chris Flory (guitar). Here is the second of two sets recorded at the festival in 1982.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

Louis Armstrong: Live in '59 is one of the only known complete Armstrong concerts from the 1950s to be captured on film. This 55-minute set, filmed in Belgium in 1959, features many of Satchmo’s greatest songs including ‘Mack The Knife’, ‘When It’s Sleepy Time Down South’ and ‘Stompin’ At The Savoy,’ backed by his stellar band the All-Stars, featuring Trummy Young, Peanuts Hucko, Billy Kyle, Danny Barcelona and Mort Herbert.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

Georgie Fame, known for "Yeh, Yeh" and "The Ballad of Bonnie and Clyde" makes a triumphant comeback with The Blue Flames. Georgie Fame and the Blue Flames was a popular band in the UK in the '60s, celebrated for its R&B, soul, jazz, ska, and pop sounds. The training was largely inspired by ska, a popular musical style in Jamaican cafes in London at the time. It was the song "Green Onions" from the Booker T & The MG that inspired Georgie to incorporate the Hammond organ into her compositions. This performance by Georgie Fame and the Blue Flames is brimming with blues and soulful sounds that will delight the group's old and new fans.

The Modern Jazz Quartet (MJQ) was composed of Milt 'Bags' Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums. Milt Jackson and John Lewis were pioneer bebop musicians who had played together in Dizzy Gillespie's 1948 big band. They pursued separate careers before adding Heath and Lewis to form the Modern Jazz Quartet in the 1950s. Noted for its delicate percussion sonorities, innovative jazz forms, and high performance standards, the MJQ was an immensely popular jazz and “third stream” ensemble until its final concerts in the early 1990s.

The Kurhaus in Scheveningen is a grand hotel in the Netherlands renowned for attracting both royal and musical nobility. Doubling as a concert hall, it has been host to several heavy hitters, such as the Rolling Stones and Ike and Tina Turner. On August 2, 1983, American vibraphonist Lionel Hampton performed at the Kurhaus in Scheveningen. Accompanied by his big band, which included talents such as saxophonist Arnett Cobb, the "King of Vibes" gave an invigorating performance with both mallets and voice.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

In 1988, Dee Dee Bridgewater was one of the first great jazz singers to perform at the Jazz Festival in Ramatuelle. In 2016, the story seems to repeat itself as her daughter China Moses took the stage at Ramatuelle. Over the years, China Moses has become a mature performer with a unique style: rocky voice, sharp sense of swing, and intense/energetic stage presence. After signing compilations dedicated to Dinah Washington and blues, Moses released in 2016 an album of his own compositions, entitled "Whatever". Get ready for a most entertaining performance combining jazz, soul, and hip-hop.

In 2019, the vibrant city of Sofia, Bulgaria, hosted the International A to JazZ Festival. Among the featured acts was the trailblazing jazz trumpeter Christian Scott aTunde Adjuah. This genre-defying artist captivated the audience with his eclectic “stretch music”; an approach that incorporates hip-hop and reaches back through the American canon into African percussion and its rich melodic content. Trumpeter Christian Scott aTunde Adjuah’s quintet, which includes drummer Corey Fonville, percussionist Weedie Braimah, pianist Lawrence Fields, and bass guitarist Max Mucha, delivered a performance that defied boundaries and expectations.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

‘Ella Fitzgerald: Live in '57’ features ‘The First Lady Of Song’ in a distinct performance. It's the earliest known complete concert of Ella to be captured on film. Shot in Belgium, this 1957 concert sees her performing with jazz greats Ray Brown, Herb Ellis, Jo Jones and the legendary Oscar Peterson on classics such as ‘Lullaby Of Birdland’ and ‘It Don’t Mean A Thing (If It Ain’t Got That Swing)’. Although she wanted to be a dancer at first, Ella Fitzgerald already listened to recordings of Louis Armstrong, Bing Crosby and The Boswell Sisters at an early age. After her debut at an amateur talent show in 1934, Ella joined Chick Webb’s Orchestra with which she recorded several hits; after Webb died, she became the leader of the orchestra. In the late 1940s, Ella Fitzgerald became known as the ‘First Lady of Song’, with her wide vocal range of three octaves. The American jazz singer was particularly appreciated for her pure tone, intonation and phrasing, and unparalleled improvisational abilities. In a career that spanned close to 60 years, Fitzgerald sold 40 million albums and won 13 Grammy Awards, mainly for her definitive interpretations of the Great American Songbook.

Dave Brubeck: Live in '64 boasts a beautifully filmed concert from one of the most beloved quartets in jazz history. Captured at the pinnacle of their power and popularity, Paul Desmond (alto sax), Joe Morello (drums), Eugene Wright (bass) and Dave Brubeck (piano) explore the trails they blazed into the realm of odd time signatures with ‘Forty Days’ and two versions of their groundbreaking hit ‘Take Five’, as well as forays into world music with a unique exploration of ‘Koto Song’. Their intimate onstage chemistry and impeccable musicianship made the DBQ an award-winning jazz supergroup.

George Shearing, blind since birth, is one of the world's greatest jazz pianists. Filmed on both sides of the Atlantic, this tribute to Shearing showcases the music which took the jazz world by storm. Specially-shot performances and archive clips feature music spanning the six decades of his remarkable career and classics such as ‘September in the Rain’, ‘Lullaby of Birdland’, ‘Greensleeves’, ‘Donna Lee’ and ‘Freedom Jazz Dance’ are included, as well as many other recent compositions.

The series Da Pá Virada sessions presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Quartabê, a unique Brazilian quartet that has influences ranging as widely as the São Paulo avant-garde movement, free improvisation, pop, and electronic music, which all get their due share in the band's exhilarating live performances. Joana Queiroz (tenor sax and clarinets), Maria Beraldo Bastos (clarinets), Mariá Portugal (drums), and Chicão (keys) compose, arrange, improvise, and sing music that's wholly their own.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Oslo serves as a backdrop for sets by pianists Tord Gustavsen and Bugge Wesseltoft, as well as Jaga Jazzist collective.

German jazz and cabaret singer Atrin Madani was born in 1998 as the son of Iranian immigrants. In the face of pandemic uncertainty, geopolitical upheaval, and social unrest in his ancestral home country, Madani asked himself: where are we now? His response to this question is as clear and precise as his singing: what we need most right now is honesty, humility, and quality. All of these are abundantly present on the Berlin-based vocalist’s debut album. Inspired by the sound aesthetics of Mel Tormé, Norah Jones, Diana Krall, and Till Brönner, Madani dedicates himself to a handpicked selection of songs that have so far remained largely unsung in jazz. At this festive album release concert at jazz club A-Trane Berlin in March 2023, Madani was accompanied by pianist Christian von der Goltz, guitarist Alexander Rueß, bassist Olaf Casimir, and drummer Sebastian Merk. Part I.

To celebrate the release of Django, the Parisian New Morning Club pays tribute to the legendary guitarist Django Reinhardt. The program showcases the magic of Reinhardt’s compositions, as well as the virtuosity of one of his most famous heirs: Stochelo Rosenberg. With unbridled passion and enthusiasm, Rosenberg interprets the music that marked French musical heritage: gypsy jazz. Rosenberg cultivates an exceptional technique with a unique vibrato and sets an example for guitarists and other instrumentalists who aim to keep music alive. On stage at New Morning Club, Rosenberg is supported by Hono Winterstein (guitar), Mathias Levy (violin), Rocky Gresset (guitar), and Xavier Nikqi (double bass).