Schedule

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. In 2019, one of them is Copenhagen-based Norwegian saxophonist Marius Neset, who is known internationally for his collaborations with People Are Machines, Kaktusch, JazzKamikaze, and Django Bates' projects StoRMChaser and Human Chain. Neset completed his Master's degree at the Copenhagen Rhythmic Music Conservatory in 2008.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is the duo of Giana Viscardi and Gustavo Marques. After starting their career together, Giana Viscardi and Gustavo Marques released music in many places around the world. After returning to Brazil, they worked together on Giana's album "ORUM", performing in Africa, Europe, and Brazil. In this episode, Giana Viscardi and Gustavo Marques perform conductor and arranger Letieres Leite's arrangements of their work. Enjoy their fantastic Afro-Brazilian jazz, which combines the best of various continents.

On July 20, 2018, double bassist Christian McBride presented his band ‘New Jawn’ at the Malta Jazz Festival. A five-time Grammy winner, McBride is one of the most requested, most recorded, and most respected figures in the music world today. Hailing from Philadelphia, this music luminary combines jazz, R&B, pop/rock, hip hop/neo-soul, and classical. Gracing the Malta Jazz stage with him are Nasheet Waits (drums), Marcus Strickland (tenor sax), and Josh Evans (trumpet).

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

Hailing from a long tradition of Malian kora players, Ballake Sissoko has worked with renowned musicians such as Toumani Diabaté and Taj Mahal. He met the French born Vincent Ségal by chance, and the two began jamming together, uncertain of what kind of music might result. As a former member of the French National Orchestra, Ségal's Western classical training does not prevent him from exploring a wide variety of extended techniques, rendering his cello a flexible partner to Sissoko's kora. A childhood spent in the Pigalle district of Paris surrounded by immigrant communities exposed Ségal to African music from an early age. As such, he possesses a natural sensitivity to Sissoko's West-African style. The concert shows a brilliant interplay between the two musicians and combines the several worlds of jazz, Malian and classical music.

Late August is traditionally the time for the annual Stift International Music Festival. Weerselo’s Stift Church and Oldenzaal’s ‘Hofkerk’ serve as venues for wonderful concerts of various young musicians from all over the world. The theme of the 2014 Stift Festival was “Divine and Demonic Passion”. Young musicians performed divine and demonic chamber music by composers such as Astor Piazzolla. Piazolla, who combined classical music and tango, created the ‘Nuevo Tango’ in the 1960s. In this period, he composed a number of tangos inspired on angels. These tangos had a spiritual touch. In the years before his death, Piazzolla used to perform this series of tangos as a single suite, the ‘Suite del Ángel’. This four-tango suite has been performed in several instrumentations. Brava broadcasts the version for bandoneon accompanied by the guitar, violin, double bass, and piano.

In this recording, the Portuguese singer Maria João makes her appearance at the Bayerischer Hof Night Club during the 1999 Münchner Klaviersommer. She is accompanied by Marcio Doctor (percussion), Miroslav Tadic (guitar), and her long-standing partner, the brilliant pianist Mário Laginha. Maria is known for her vocal flexibility and improvisational skills. While normally considered a jazz artist, her music incorporates a mix of folk, ethnic music, modern jazz, avant-garde, electronica, symphonic and other genres. In this intimate venue, João's vocally and physically dynamic performance creates an electrifying atmosphere.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In the TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch pianist Jeroen van Vliet.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.

Since 1960, the legendary saxophonist Charles Lloyd has lent his adventurous, lyrical sound to collaborations with likes of Cannonball Adderley, Keith Jarrett and The Beach Boys. His early and highly successful experiments blending jazz and rock music charted a path that led to the electric fusion of Miles Davis and The Headhunters, while his exploration of spirituality and transcendental meditation added a new depth to his sound. Lloyd moves from hard swing to subtle ballads, blending gorgeous textures and Eastern influences. This 1966 recording features Lloyd’s quartet, accompanied by Keith Jarrett (piano), Cecil McBee (double bass) and Jack DeJohnette (drums), playing some of Lloyd’s own compositions.

They called her “the most exciting woman in the world”, and this Afro-American voice lived up to this expectation with international flair. Eartha Kitt was one of the reigning queens of blues and jazz. She epitomized the idea of the sex-kitten chanteuse, rising to fame with a nightclub act centered on her slinky stage presence and throaty purr. As much as she enjoyed vamping it up, Kitt also projected the image of an exotic international sophisticate, singing in several languages.

Mizikopéyi is the first West Indian and Caribbean group to perform contemporary music from Martinique and Guadeloupe - zouk, beguine, mazurka and kompa - with big band arrangements. Together with Martinique artist Tony Chasseur, the big band offers a musical journey through a rich cultural heritage, mixing traditional and popular Antilles and Afro-Caribbean melodies with the harmonies of brass instruments as seen in the great tradition of New Orleans. The talented musicians who form MizikOpéyi focus on the quality of the musical creation and emotion from Martinique, from yesterday to today, in this particular exercise of the big band arrangement.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

In the second half of June 1965, during a prolonged European concert tour, American trumpeter Buck Clayton (1911–1991) played a residency at the Chikito, a club in Bern, Switzerland. With a local rhythm section of French pianist Henry Chaix, Swiss double bassist Théo Siegrist, and Swiss drummer Pierre Bouru, this stalwart of the Count Basie Orchestra gave a sparkling performance that was documented for posterity by Radio Télévision Suisse in the program ‘Variétés’. Opening with the George Gershwin favorite ‘’S Wonderful’, the program continues with two swing-era classics: ‘I Can't Get Started’ and ‘Honeysuckle Rose’. Revel at how easily Clayton finishes ‘Honeysuckle Rose’ on a high concert F! A spirited romp through Juan Tizol’s composition ‘Perdido’ closes this recording. The success of this booking ensured Clayton received repeated warm receptions in Bern in the following decades.

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, the American jazz fusion band Spyro Gyra took the stage at the North Sea Jazz Festival in The Hague. Having struck gold with their album "Morning Dance" just a few years prior, they played a slick set with exuberant energy.

In 1978, John Lurie formed The Lounge Lizards jazz ensemble with his brother Evan; the pair played music together for 20 years. However, in this New Year's Eve performance, Lurie (saxophone) plays a legendary show with drummer Larry Wright. Lurie is a musician, actor, painter, and the driving force behind the Strange & Beautiful music label. In the documentary John Lurie: A Solo Lounge Lizard, John talks about love, life, and gives insight on modern day hipster attitudes.