Schedule

This film portrays Michel Petrucciani 's very unique outlook on life, his vitality, boisterous humor and marked comedian talent which triumphes over all physical restrictions. It also shows Michel Petrucciani performing, composing, selecting his very own piano, at a recording session with Stephane Grapelli, Roy Haynes and Georges Mraz, .... and much more.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the biggest ensembles appearing at jazzahead! 2022 is Hungary’s Modern Art Orchestra (MAO), based at the Budapest Music Center. Founded by trumpeter and composer Kornél Fekete-Kovács in 2005, each MAO member masters classical, jazz, and ethnic music, allowing the orchestra to weave in and out of genres with apparent effortless fluidity. The musicians are Kristóf Bacsó (soprano saxophone, alto saxophone, flute), Dávid Ülkei (alto saxophone, clarinet), János Ávéd (tenor saxophone, flute), Árpád Dennert (tenor saxophone, clarinet), Bence Bajusznács (baritone saxophone, bass clarinet), Balázs Szalóky (trumpet), Gábor Subicz (trumpet), Zoltán Bacsa (trumpet), Zoltán Varga (French horn), Attila Korb (trombone), Gábor Barbinek (trombone), Miklós Csáthy (bass trombone), Péter Kovács (trombone), Áron Komjáti (guitar), Gábor Cseke (piano), József Barcza-Horváth (bass), László Csízi (drums), conducted by Kornél Fekete-Kovács (trumpet).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the bands presenting themselves at jazzahead! 2022 is CONSTANTINI, led by Peruvian bandoneonist and pianist Claudio Constantini. Featured in his tango quartet are Raúl Kiokio (electric and acoustic guitar), Antonio Miguel (electric and double bass), and Naima Acuña (drums). Constantini has been nominated for a Latin Grammy Award and has appeared at prestigious venues, including the Berlin Philharmonie, the Royal Concertgebouw Amsterdam, and the Konzerthaus in Vienna.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode presents ‘Linus’, a duo of two composers and improvisers: baritone guitar player Ruben Machtelinckx and tenor saxophonist Thomas Jillings. The intense sound produced by the tenor saxophone and the acoustic baritone guitar yields melodies that take you on a journey through a world of simplicity, purity, and longing.

Watch the performance of Jamie Cullum live at Jazz à Vienne, in 2017.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. McCoy Tyner’s first main exposure came with Benny Golson, being the first pianist in Golson’s and Art Farmer’s Jazztet. He’s also known for his work with the John Coltrane Quartet. Tyner’s style is easily comparable to Coltrane’s maximalist style of saxophone. Though a member of Coltrane’s group, he was never overshadowed by the saxophonist, but complemented and even inspired Coltrane’s open-minded approach. McCoy Tyner is considered one of the most influential jazz pianists of the 20th century, an honour he earned both with Coltrane and in his years of performing following Coltrane’s death.

The treasured compositions of guitarist Django Reinhardt, the founding father of hot club jazz, are engraved in everyone's memory. Although Reinhardt missed two fingers of his left hand, his virtuoso technique was unrivalled. Dutch guitarist Stochelo Rosenberg and pianist Peter Beets now have the pleasure to bring Django’s music back to life with their infectious improvisations.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Sarah Vaughan: Live in '58 & 64 features the ‘Divine One’ in her prime, wrapping her sultry voice around jazz standards such as ‘Lover Man’, ‘Misty’ and ‘I Got Rhythm’ and soaring on popular showtunes such as ‘Over The Rainbow’ and ‘Maria’. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Following a highly successful small-group jazz concert at New York Town Hall on May 17, 1947, Armstrong's manager Joe Glaser dissolved the Armstrong big band on August 13, 1947 and established a six-piece small group. This group was called the All Stars, and in 1964 Louis Armstrong recorded his biggest-selling record, Hello, Dolly! He made assorted television appearances, especially in the 1950s and 1960s – the recorded film was a TV Show in Australia when Armstrong was at the peak of his career. Armstrong kept up his busy tour schedule until a few years before his death in 1971. He also toured Africa, Europe, and Asia under sponsorship of the US State Department with great success, earning the nickname ‘Ambassador Satch’.

Bill Evans is considered one of the greatest jazz pianists all time and is known for interpreting the jazz repertoire using impressionistic harmonies. In 1958, Evans first played in Miles Davis’s sextet recording the modal jazz album “Kind of Blue”, which is now considered one of the best jazz albums of all time. After leaving the ensemble, Evans formed several trios. In this concert, recorded at Maison de la Radio in Paris in 1972, Evans performs with his longest standing trio, featuring Eddie Gomez on double bass and Marty Morell on drums. The program features some of Evans's own compositions, including the jazz waltz “Very Early” and the modal jazz piece “Time Remembered”, as well as jazz standard “Autumn Leaves”.

The Australian-born singer-songwriter Sia Kate Isobelle Furler, simply known as Sia, is one of the most unique artists in today's popular music scene. However, her path to stardom has been nothing but rocky. Only after numerous musical experimentations, where the singer tried to establish herself in her home country as well as United Kingdom, Sia finally blossomed in United States around the second decade of the 21st century. The very beginnings of her mainstream recognition was captured on 25 March 2009, where the artist performed live at Metro Theatre in Sydney, Australia.

Montreal's very own jazz group SHPIK offers a bold and impressionistic music, drawing its inspirations from jazz, nature, and film. Evoking the great outdoors, self-discovery, and navigating between the immense and the infinitely small, this first album offers an intricate musical journey that is both energetic and reflective. Consisting of pianist and composer Arnaud Spick-Saucier, bassist Etienne Dextraze, drummer Philippe Lussier-Baillargeon, and saxophonist/flutist Alex Dodier, SHPIK has performed at famous jazz events, including the Montreal International Jazz Festival. Do yourself a favour by not missing this extraordinary breath of fresh air.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the acts presenting themselves at jazzahead! 2024 is the Guy Salamon Group, playing repertoire from their album ‘FREE HUGS’. This third release by the Amsterdam-based artist with his octet explores the tales of The Egg-X people, set in a whimsically absurd reality. Expect a vibrant mix of styles, from swing and punk to polka, which creates a dynamic musical carousel. The lineup includes Guy Salamon (drums), Alistair Payne (trumpet), José Soares (alto saxophone), Lucas Martinez (tenor saxophone), Jesse Schilderink (baritone saxophone), Xavi Torres (piano) ,Teis Semey (guitar), and Brodie Jarvie (bass).

Swedish pianist Jacob Karlzon is joined by Danish bassist Morten Ramsbøl and Swedish drummer Rasmus Kihlberg at the Steinway piano factory in Hamburg to present their album ‘Open Waters’. Karlzon, a classically trained pianist who shared a stage with Kenny Wheeler, Norma Winstone, and Billy Cobham keeps the rich tradition of Swedish jazz eclecticism alive. Back in 2012, Karlzon explored the world of heavy metal, after that allowing electronic elements to set the pulse.

Formed in 1952 from the rhythm section of Dizzy Gillespie's big band, the Modern Jazz Quartet took its inspiration from classical chamber music as well as jazz's blues roots. The group enjoyed a decades-long career with multiple critically acclaimed albums, cementing their place in the history of the genre. Following concerts in Rotterdam and Amsterdam the days before, the Modern Jazz Quartet performed at Singer Concertzaal in Laren for Dutch TV on March 31, 1969. Composed of Milt Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums, the foursome plays with elegance and style.

The Dutch Hammond organ player Rob Mostert develops, in cooperation with DJAZZ, the programme ‘Mostert Meets’. In this series, the Hammond B3 organ takes centre stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert joins forces with the Australian Hammond organ player Lachy Doley and his regular band. Doley is considered one of the best blues, soul and rock organ players, nicknamed “the Jimi Hendrix of the Hammond organ”.

Does a crisis stimulate creativity? When COVID-19 prevented the Robert Jay Band from performing for live audiences in 2021, the idea for ‘Paradiso Sessions’ sprang forth. Funk, rock, and soul guitarist, vocalist and songwriter Robert J. Reinders mused, “if our audience will not come to see us, then we must go to see them”. Hence the Robert Jay Band settled down in an atmospheric Paradiso in Amsterdam to perform for nine cameras. Among the twelve recorded songs is 1994’s monster hit ‘Red Bullet’. The remote audience gets to enjoy spirited musical contributions from Tollak Ollestad (vocals, keyboards, harmonica), Danjil Tuhumena (guitar, percussion, vocals), Roni Jonker (bass), Sietse Huisman (drums), and visiting band members Jasper Westerhof (keyboards), Dewi Pechler (backing vocals), and Merel van Eldik (backing vocals).

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! In this episode, our guest is an old-timer from African music: the saxophonist and composer Orlando Julius (*1943). Doubtlessly, he is royalty among Nigerian musicians. In his music, Julius combines highlife, jazz, soul, and R&B in ground-breaking ways.

Pianist Frédéric Gassita studied classical music and jazz, the latter at the famed Berklee College of Music in Boston. Apart from French impressionists, such as Ravel and Debussy, Gassita’s main influences are Chick Corea and Herbie Hancock, both of whom he met during his studies in Berklee. His body of musical work, however, is rooted in Africa, where the he currently resides. Today he’s a figurehead of jazz in Gabon, Africa. What's more, he scouts young musical talent and owns the local football club.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Ethiopian diva Etenesh Wassie with her trio, merges contemporary energies from jazz to punk with an in-depth knowledge of the Ethiopian repertoire. The result is compelling, soulful, and truly unique.

As part of the International Duke Ellington Conference 2014, we welcome the Concert Big Band of the Conservatory of Amsterdam for a special concert. Under the direction of David Berger, they will play Duke Ellington’s only written big band symphony, ‘Black, Brown and Beige’. It has been more than 70 years since Ellington’s “B, B & B” was played in its entirety during its premiere at Carnegie Hall (New York). Duke Ellington said the following about it: “We thought we wouldn’t play it in its entirety tonight because it represents an awfully long and important story and that I don’t think too many people are familiar with the story. This is the one we dedicate to the 700 Negroes who came from Haiti to save Savannah during the Revolutionary War.” Jazz composer, trumpeter, arranger and conductor David Berger is internationally recognized as the expert on Duke Ellington's music and music from the swing era. From 1988 to 1994, he worked for the Lincoln Center Jazz Orchestra where he transcribed more than 500 pieces by Ellington and Billy Strayhorn.