Schedule

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. Back in 1982, legendary jazz clarinettist Benny Goodman performed at the North Sea Jazz Festival in The Hague with his septet. The “King of Swing” revisited the atmosphere of the 1930s, when jazz enjoyed tremendous popularity.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

Teus Nobel is a Dutch trumpet and flugelhorn player. As a little boy, he was inspired by ‘power’ trumpeters such as Maynard Ferguson and Bill Chase. While studying at the conservatory, he played both as jazz player and as a commercial session musician at musicals. After his time at the conservatory, he started playing in the Royal Netherlands Air Force Orchestra, playing march music influenced by pop and jazz. Today’s broadcast was recorded at the Amsterdam BIMhuis. Teus dedicates his compositions to his all-time heroes Jarmo Hoogendijk, Woody Shaw, Christian Scott, Roy Hargrove and Eric Vloeimans. This performance is based on his second album ‘Legacy’.

The Modern Jazz Quartet (MJQ) was composed of Milt 'Bags' Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums. Milt Jackson and John Lewis were pioneer bebop musicians who had played together in Dizzy Gillespie's 1948 big band. They pursued separate careers before adding Heath and Lewis to form the Modern Jazz Quartet in the 1950s. Noted for its delicate percussion sonorities, innovative jazz forms, and high performance standards, the MJQ was an immensely popular jazz and “third stream” ensemble until its final concerts in the early 1990s.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

Put five distinctive characters in a band bus, let them tour Europe and beyond, and let yourself be surprised by what happens along the way! “What Could Possibly Go Wrong?”, the title of Tristan’s 2021 album, aptly reflects the band’s perspective on love and life. The Dutch, five-piece band’s music is best described as feel-good vintage acid jazz, with energy, vibe, and sounds of today thrown in. What’s more, it’s performed by some of Europe’s best contemporary pop/jazz musicians. With funky rhythm guitars, Hammond organ, Fender Rhodes and synths, and a rhythm section that has been a tight-knit unit for decades, the band plays their trademark solid grooves and tight, punchy arrangements. All this underpins singer Jaycilee’s stunningly beautiful and soulful vocals. Tristan takes you back to the warm sound of the 1970s, adding a refreshing breeze of present influences. Tristan consists of Jaycilee Teterissa (vocals), Coen Molenaar (keys), Frans Vollink (electric bass), Sebastiaan Cornelissen (drums), and Guy Nikkels (guitar).

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands representing France in the festival's RE:CONNECT showcase is the trio of French trombonist and vocalist Robinson Khoury. Their performance is a palpably personal and authentic blend of electro-acoustic indie-jazz with Middle Eastern sounds, ancient music, and electronica. The trio features Anissa Nehari (percussion and vocals), Léo Jassef (keys and vocals), and Robinson Khoury (trombone, vocals, and modular synth).

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the artists taking part in this series is pianist Karin Fernandes. She is dedicated to the performance of 20th and 21st century piano repertoire and has premiered numerous new compositions. As a soloist, Karin Fernandes has performed with prestigious Brazilian orchestras.

Jazz à Vienne is one of the world's most prestigious jazz festivals. Ever since 1981, it has attracted a mix of jazz legends and exciting newcomers, with many of them playing return engagements. Each year welcomes outstanding international stars to the historical Le Théâtre Antique to impress and inspire their audiences. In 2019, French guitarist Paul Jarret performed with renowned New York drummer Jim Black at Jazz à Vienne. Together they present ‘Ghost Songs’, a hybrid of rock and jazz. They are joined by saxophonist Julien Pontvianne and pianist Jozef Dumoulin.

Dexter Gordon: Live in '63 & '64 features three concerts filmed in 1963 and 1964 in Holland, Switzerland and Belgium that highlight the bebop legend's classic style and silky tone. Filmed while Dexter was living in Europe, these shows feature legendary side musicians such as Art Taylor (drums) and Kenny Drew (piano) and jazz classics ‘Blues Walk’, ‘A Night In Tunisia’, ‘Body And Soul’ and others. One of the most influential saxophonists in jazz history (both John Coltrane and Sonny Rollins claim him as an influence), Dexter Gordon is captured in sharp form and style on this 70-minute tour de force.

Big hits, booty dancing, stage dives, fan freestyles and of course, controversy, A$AP Rocky's debut Down Under tour had it all! At his sold-out Sydney show, hip hop's hottest star and 5000 rowdy fans got wild for the night at the Hordern Pavilion and we captured it all exclusively.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.

For 20 years, Sly Johnson, author, composer and performer of the Saïan Supa Crew, has been touring the French music scene with his soul, hip-hop and beat-box vocals. He leaves his machines in the studio for a tribute concert to one of the leading voices of the famous Motown label, Marvin Gaye. The singer was killed by his father, a pastor, the day before his 45th birthday. In 1971, Marvin Gaye released a major record in the history of soul music "What's Going On". Sly Johnson, accompanied by Nicholas Vella's keyboard, makes the hot music of this album groove, a monument of soul and rhythm'n'blues. A true message of love delivered by MarvinGaye, through the story of a Vietnam war veteran who returns home and sees only injustice, suffering and hatred. The abrasive groove of Sly Johnson and Nicholas Vella is a rich music at the crossroads of hip-hop, funk and jazz. Sly Johnson, a great regular of the stage, embarks with extreme generosity the audience in his musical universe, an irresistible performance.

Marvin Gaye- Born in 1939, in Washington, D.C., Marvin Gaye sang in his father's church and in the Moonglows before signing with Motown. He recorded songs by Smokey Robinson before becoming his own producer on the protest album What's Going On (1971). Gaye was killed in 1984 during a domestic dispute with his father.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

Nordic afro jazz project 'We Are Birds' saw the light between Finland and Africa, during a 2010 jam session in which Finnish jazz pianist Tuomas A. Turunen met African drummer-percussionist and urban griot Dimitri Reverchon. The two composers set their mind to exploring this hybrid genre, and found their perfect complement in bassist Emmanuel Soulignac, who brought his pop influences to the table. Today, We Are Birds explores an accessible mix of jazz and world pop that is based on sharing, listening, understanding, paying attention to each other, and believing in unity.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

Legendary Cuban pianist Chucho Valdés brought his band ‘Jazz Batá 2’ to the Malta Jazz Festival on July 19, 2019. The air was thick with anticipation as Valdés took to the stage, revisiting the small-group concept of his mythical 1972 Cuban album ‘Jazz Batá’. The batá repertoire – the deep classical music of West Africa – permeates Valdés’ piano solos throughout the concert. Valdés’s band consists of Dreiser Durruthy (Batas and vocals), Yaroldy Abreu (percussions and vocals), Abraham Mansfarroll (percussion), Ramón Vazquez Martirena-Bajo (bass guitar). They delivered a performance that reverberated through the historic island.