Schedule

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The 29th Street Saxophone Quartet is an American quartet founded in 1982 by alto saxophonists Bobby Watson and Ed Jackson, tenor saxophonist Rich Rothenberg and baritone saxophonist Jim Hartog. The band has an eclectic repertoire ranging from jazz to show, funk, rap, and experimental music.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, renowned American saxophonist Wayne Shorter performed with his quartet at the North Sea Jazz festival in The Hague. The acclaimed musician has quite a notable career, having been a composer for Art Blakey's Jazz Messengers, a member of Miles Davis' Second Great Quintet and a co-founder of the lauded jazz fusion group Weather Report.

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, prominent guitarist George Benson brought his band to kick off day three of the North Sea Jazz Festival in The Hague. Joining him to play songs from their joint album "Collaborations" was Grammy award–winning acoustic guitarist Earl Klugh.

The legendary hard-bop group Art Blakey's Jazz Messengers performed in Olympia Hall in Paris, France on March 16, 1963. Led by drummer Art Blakey, the Jazz Messengers consisted of Wayne Shorter on tenor saxophone, Freddie Hubbard on trumpet, Curtis Fuller on trombone, Reggie Workman on double bass, and Cedar Walton on piano. Each of these players became jazz legends in their own right. The group performed Cedar Walton's arrangement of That Old Feeling (written by Sammy Fain), Wayne Shorter's arrangement of I Didn't Know What Time It Was (written by Richard Rodgers), and Caravan (written by Juan Tizol and Duke Ellington).

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

One vocalist from Paris and the other from Bern, and two contrasting personalities. Brought together by a chance encounter in 2014, the two singers were surprised to discover how much they had in common: they both do more than just sing well. Leïla Martial and Andreas Schaerer intend to explore and experiment, stretching their vocal boundaries. From the deepest abyss to the most exquisite tones the human voice can produce, they leave no stone unturned in their quest to express themselves, each in their own individual way and always with a generous dose of humour and zest.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is the duo of Giana Viscardi and Gustavo Marques. After starting their career together, Giana Viscardi and Gustavo Marques released music in many places around the world. After returning to Brazil, they worked together on Giana's album "ORUM", performing in Africa, Europe, and Brazil. In this episode, Giana Viscardi and Gustavo Marques perform conductor and arranger Letieres Leite's arrangements of their work. Enjoy their fantastic Afro-Brazilian jazz, which combines the best of various continents.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Berlin serves as a backdrop for sets by pianist Wolfert Brederode, guitarist Kurt Rosenwinkel, and Hyperactive Kid.

After Dutch singer Kim Hoorweg landed her first record contract from Universal Music at the age of 14, her musical career took off and she became a well-known name in the Netherlands jazz community. Famous artists such as Candy Dulfer, Raul Midón, Metropole Orkest, and Gino Vannelli, to name a few, have already performed with the singer on numerous occasions. This time, Kim Hoorweg performs at BIRD in Rotterdam, the Netherlands, together with fellow Dutch musicians Anton Goudsmit on guitar, Niels Broos on keyboards, and Yoran Vroom on drums.

Many of pianist Chick Corea’s compositions have become jazz standards. As a member of Miles Davis' band in the late 1960s, he participated in the birth of the electric jazz fusion movement. In the 1970s, Corea founded the legendary jazz fusion group Return to Forever. Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, Corea is one of the biggest modern jazz pianists. He continued musical collaborations with a diverse range of artists, exploring various musical styles. This broadcast features three performances that illustrate Chick Corea's many talents.

Brazilian artist Gilberto Gil returns to Jazz à Vienne in France with a new round of singing that is inspired by his latest album ‘Fé na Festa’: a mixture of celebration, tradition and even some rock now and then. Gilberto Gil, worldwide known for as musician and the Brazilian minister of Culture, was one of the pioneers of the cultural movement ‘tropicalismo’. This movement, with a strong character of social protest, combines elements of traditional Brazilian culture with modern art forms. Gilberto Gil's new sound clearly has its roots in Brazilian culture, yet it is always inspired by jazz.

The term "jam-session" was coined in the 1920s when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Titled "Legendary Jazz", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Steve McCraven, Oona Guino, Rodolphe Lauretta, and many others.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2012 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them was vocalist Gregory Porter transcends the jazz bubble. His magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line.

Thomas Carbou and Jeff Moran share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

Vocalist Jazzmeia Horn’s 2019 Malta Jazz Festival appearance was a celebration of jazz’s future, infused with the soul of its past. Featuring Keith Brown (piano), Rashaan Carter (bass), Irwin Hall (flute and saxophone), and Anwar Marshall (drums), the young singer’s performance was a reminder of jazz’s enduring power to speak to the heart. Situated at the Valletta waterfront outside Our Lady of Liesse Church, Horn’s concert was a truly spellbinding experience.