Schedule

Maria Ana Bobone (Portugal) is one of the best fado singers of her generation. She started singing fado when she was 16. Her debut album is called ‘Alma Nova’ and marked the beginning of her amazing career. For the recordings of her next two albums, ‘Luz Destino’ and ‘Senhora da Lapa’ Maria Ana welcomed instruments that are usually not present in fado music: the harpsichord and saxophone. After that, she continued her career with the release of ‘Nome de Mar’, which received many positive reviews. At the moment, Maria Ana is performing at all Portugal’s major venues, as well as many festivals and concert halls throughout the world, with the aim to present fado music and Portuguese culture to other cultures. Bobone’s latest album, ‘Fado & Piano’, shows her diversity as an artist, composer and arranger. By including the piano she re-innovates the tradition of the early 20th century. This portrait shows Maria Ana’s performances and interviews in which she explains her passion for fado music and culture.

Aki Rissanen's interest in jazz came after he started taking classical piano lessons. His deep interest in improvised music placed him among top jazz pianist in his home country - Finland. While composing and performing his own music, Rissanen has also collaborated with Verneri Pohjola and Dave Liebman, and today his name appears among the top European jazz musicians. Live from 'Jazzclub Unterfahrt' in Munich, Germany, together with Antti Lotjonen on bass and Teppo Makynen on drums, Rissanen showcases the best of Scandinavian jazz and its DNA - the Nordic Tone.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Habanera Duo, which sprung from a meeting of minds between flutist Marc Grauwels and accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these two musicians founded the Habanera Duo. The duo offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers ranging from Piazzolla to Gioacchino Rossini.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed and curated in São Paulo by director and presenter Dani Gurgel and producer and engineer Thiago Rabello, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. Zé Pitoco, a multi-instrumentalist from the Northeastern state of Pernambuco, is an all-encompassing figure in the modern Brazilian scene. He has collaborated with scene artists of name, including Dominguinhos, Hermeto Pascoal, Sivuca, Paulo Moura, Mônica Salmaso, Paula Santoro, and Banda Mantiqueira. Watch him lead his Forró do Zé Pitoco on Da Pá Virada Sessions in a tightly-knit, spirit-lifting set in which the music of Brazil’s Northeast meets jazz!

In 2019, the vibrant city of Sofia, Bulgaria, hosted the International A to JazZ Festival. Among the featured acts was the trailblazing jazz trumpeter Christian Scott aTunde Adjuah. This genre-defying artist captivated the audience with his eclectic “stretch music”; an approach that incorporates hip-hop and reaches back through the American canon into African percussion and its rich melodic content. Trumpeter Christian Scott aTunde Adjuah’s quintet, which includes drummer Corey Fonville, percussionist Weedie Braimah, pianist Lawrence Fields, and bass guitarist Max Mucha, delivered a performance that defied boundaries and expectations.

Georgie Fame, known for "Yeh, Yeh" and "The Ballad of Bonnie and Clyde" makes a triumphant comeback with The Blue Flames. Georgie Fame and the Blue Flames was a popular band in the UK in the '60s, celebrated for its R&B, soul, jazz, ska, and pop sounds. The training was largely inspired by ska, a popular musical style in Jamaican cafes in London at the time. It was the song "Green Onions" from the Booker T & The MG that inspired Georgie to incorporate the Hammond organ into her compositions. This performance by Georgie Fame and the Blue Flames is brimming with blues and soulful sounds that will delight the group's old and new fans.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

This might come unexpected, but the Brussels Jazz Orchestra (BJO) is not the kind of jazz orchestra that sticks to standards. They prefer to achieve the highest level by composing original music, creating unique arrangements, and playing inventively as well as passionately. In fact, it really is jazz with a dynamic orchestral sound, with a classic strength in which each musician is also a brilliant soloist. Call it an ‘orchestrated passion for jazz’ that incites BJO to create world-class music. Founded in 1993 by Frank Vaganée, Serge Plume and Marc Godfroid, the Brussels Jazz Orchestra is recognised and has been subsidised by the Flemish Government since. Brussels Jazz Orchestra is orchestra in residence at Flagey in Brussels. During this project the BJO performs with David Linx. The Belgian jazz singer will resort to any idiom, any language, any time signature. Occasionally he seems to dispense with bar lines altogether, or he will go beyond lyrics, as he abandons his own words for some free-wheeling scat.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Tilburg based Bertus Borgers and his Young Retro's!

The veritable tombak virtuosos of Trio Chemirani, consisting of Chemirani Senior and Juniors, enrapture the Festival de Saintes. The tombak is a Persian percussion instrument, but its rhythms are universal. The Trio Chemirani’s music is accessible to all and will certainly resound with each listener. The members of the trio, Djamchid Chemirani (born in Teheran in 1942) and his two sons and pupils Keyvan and Bijan, are living in France. Their concert performances bring them all over the world, as they explore the endless potential of their Persian percussion instruments. The trio finds also inspiration in Mediterranean modal music and jazz. These three musicians, who might well be thought of as poets, are in search of a common language that connects several cultures.

Raul Midón appeared at 2017’s Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón’s performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind’ was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the artists presenting themselves at jazzahead! 2025 is the Cuban pianist Rolando Luna. His solo performance is a display of elegance, poetry, and virtuosity, exploring the intersections between classical music and jazz while remaining deeply rooted in his Caribbean traditions.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. In 1985, Viennese keyboardist Joe Zawinul was one of the artists appearing at this festival. Zawinul performed on a huge synthesizer outfit in this concert, recorded live at the Kongressaal in Munich, Germany.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. Israeli-American double bassist Omer Avital plays radiantly energetic, resounding jazz with oriental influences. At Jazz in Duketown 2019, Avital forms a quintet with saxophonists Asaf Yuria and Alexander Levin, drummer Ofri Nehemya, and pianist Eden Ladin. They present singular repertoire from Avital's album 'Qantar'.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Discover the special bond between pianist Carla Bley and bassist Steve Swallow. The two have performed in the same bands since the '60s and have been romantic partners for more than two decades. Watching them perform is the definition of musical telepathy. Together with musicians Wayne Krantz, Victor Lewis, Larry Willis, and Don Alias, they form an amazing sextet at Estival in 1986.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

Legendary jazz pianist Horace Silver's groundbreaking fusion of hard bop, blues, soulful grooves and Cape Verdean influences have left an indelible mark on the world of jazz. At the renowned Umbria Jazz Festival in the picturesque region of Umbria, Italy, Silver is accompanied by a great band of future all-stars: Bob Berg on tenor sax, Tom Harrell on trumpet, Steve Beskrone on bass and Eddie Gladden on drums. During this performance from July 20, 1976, Silver’s quintet stretches out on four Silver originals: “Adjustment”, “Barbara”, “In Pursuit of the 27th Man”, and “Song For My Father”. Tune in and let Horace Silver’s irresistible music mesmerize you!

Al Green is known for the hit song "Let's Stay Together," and for leaving his musical career at its height in the 1970s to become a reverend at his own church.

GOSPEL ACCORDING TO AL GREEN looks at Green's transition from hugely successful soul singer to gospel artist and fundamentalist preacher. Filmed in concert in Washington, D.C., in rehearsal in his recording studio, in a service at his Memphis church, and in an extended interview, Green reveals himself to be an electrifying performer, whether singing love songs to women or spiritual ones to God.