Schedule

The line-up of the Julie Campiche Quartet is unconventional to say the least: Julie Campiche on harp, Leo Fumagalli on saxophone, Manu Hagmann on bass, and Clemens Kuratle on drums and percussion, with Kuratle deftly incorporating electronics into their individual sound. To say that the quartet takes its listeners on a musical journey is not an overstatement. During two performances (Campiche’s “Onkalo” and Kuratle’s “To The Holy Land”) from the Schaffhauser Jazz Festival on May 24, 2018, the Quartet slowly develops hypnotic grooves that features all the jazz sensibilities fans could wish for while still pushing the boundaries of what constitutes jazz.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. In 2019, one of these artists is the legendary bluesman Lucky Peterson, master of the blues guitar and Hammond organ, who celebrates 50 years on stage. Peterson is accompanied by his band The Organization, augmented by the talented vocalist Tamara Tramell. In a singular performance, she offers a fascinating mix of southern soul and modern R&B, exploring the limits of blues and funk.

Raul Midón appeared at 2017’s Sing Jazz Festival in Singapore with double bassist Romeir Mendez and drummer Billy Williams. Blind since birth, Raul Midón is a singer, guitarist, and songwriter from New Mexico. With a vocal range as dynamic as his guitar playing and a remarkable talent for trumpet mimicry, Midón’s performances transcend musical boundaries, effortlessly blending rock, jazz, folk, and Latin pop into his unique sound. He has worked with numerous legends, including Bill Withers, Herbie Hancock, Sting, and Dianne Reeves, and his album ‘Bad Ass and Blind’ was nominated for a Grammy Award for Best Jazz Vocal Album in 2018. No wonder the Sing Jazz audience were ecstatic!

Jimmy Smith: Live in '69 boasts an incredible 90-minute concert from 1969 filmed in Paris. Working in his classic trio format with longtime guitarist Eddie McFadden and drummer Charlie Crosby, Jimmy shows why he is still the uncontested king of the jazz organ. Highlights include blues jams “Got My Mojo Working” and “Sonnymoon For Two”, the classic ballads “Alfie” and “Satin Doll”, as well as a 23-minute version of his showcase number “The Sermon”.

The treasured compositions of guitarist Django Reinhardt, the founding father of hot club jazz, are engraved in everyone's memory. Although Reinhardt missed two fingers of his left hand, his virtuoso technique was unrivalled. Dutch guitarist Stochelo Rosenberg and pianist Peter Beets now have the pleasure to bring Django’s music back to life with their infectious improvisations.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

Since 1993, the Dutch band New Cool Collective has been happily grooving thanks to its unique mix of jazz, dance, latin, salsa, afrobeat and boogaloo. They are always funky, energetic and dance-worthy. As pioneers in the Dutch jazz scene, NCC has received many awards and the band has toured the great expanses of Europe, Asia and North America. Besides hipster jazz clubs, the band plays huge pop and rock festivals, such as Sziget, Lowlands (Netherlands) and the Aberdeen Alternative Festival. Its members have also collaborated with many Dutch and international artists on tour and in the studio. This concert shows New Cool Collective with special guests Jules Deelder and Anton Goudsmit, live at the Rotterdam Luxor Theatre. Expect energetic, danceable and great music!

British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.

The Modern Jazz Quartet (MJQ) was composed of Milt 'Bags' Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums. Milt Jackson and John Lewis were pioneer bebop musicians who had played together in Dizzy Gillespie's 1948 big band. They pursued separate careers before adding Heath and Lewis to form the Modern Jazz Quartet in the 1950s. Noted for its delicate percussion sonorities, innovative jazz forms, and high performance standards, the MJQ was an immensely popular jazz and “third stream” ensemble until its final concerts in the early 1990s.

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. Israeli-American double bassist Omer Avital plays radiantly energetic, resounding jazz with oriental influences. At Jazz in Duketown 2019, Avital forms a quintet with saxophonists Asaf Yuria and Alexander Levin, drummer Ofri Nehemya, and pianist Eden Ladin. They present singular repertoire from Avital's album 'Qantar'.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2025, about forty international jazz acts performed over three days, with a special focus on the RE:CONNECT theme, celebrating the vibrant jazz scenes of returning partner countries Spain, France, and Switzerland. Among the bands presenting themselves at jazzahead! 2025 is Shalosh, an Israeli piano trio. Their performance features music that is both musically challenging and accessible to a wide audience. The cooperative trio features Gadi Stern (piano and keyboards), David Michaeli (double bass), and Matan Assayag (drums).

Recorded at the Amsterdam Arena during the Amsterdam South East Jazz Festival, Michiel Borstlap tickles the ivories of his Steinway in performances of all his favourite songs on his solo albums ‘Blue’, ‘Reflective’, and ‘Frames’. An unprecedented event: a solo piano concert at the home base of football club Ajax Amsterdam! During the concert, the sound of a seagull or an aeroplane might mingle with the gentle touch of the Dutch master pianist. A must-see concert for all fans of piano music, with a wonderful encore: a performance of Thelonious Monk’s famous standard ‘Round Midnight’.

The Hugo Fernandez Quintet appeared at the renowned Greve Studio in Berlin in October 2022. Fortunately for those who could not attend the event, it was captured on video. The ensemble's unique blend of contemporary jazz infused with the vibrant sounds of New Orleans will transport you to the heart of the Crescent City. Mexican guitarist and arranger Hugo Fernandez, who is known for his full-bodied, rich sound, is joined by Thomas Hähnlein on tenor and soprano saxophones, Marleen Dahms on trombone, Max Leiß on double bass, and Mathias Ruppnig on drums. You won’t want to miss this exciting musical journey!

American trumpet player and occasional singer Chet Baker (1929-1988) was one of the most popular exponents of bebop and cool jazz. At the age of 10, Baker was introduced to music in a school orchestra, after which he discovered bebop in the army in 1946. After serving six months in prison in 1953 for drug possession, Baker formed his own quartet with West Coast jazz great, pianist Russ Freeman. His lifelong drug addiction forced him to concertize and record incessantly. Always popular in Europe, Chet Baker (trumpet, vocals) joined Jacques Pelzer (alto saxophone, flute), Luigi Trussardi (bass), Franco Manzecchi (drums), and René Urtreger (piano) for a set in Brussels, Belgium, on May 2, 1964. They performed Bye Bye Blackbird, Isn't It Romantic, Airegin, Time After Time and So What. On September 3, 1979, Baker appeared at the Kongsberg Jazz Festival in Norway. He was joined by Wolfgang Lackerschmid (vibraphone), Michel Graillier (piano), and Jean Louis Rassenfosse (bass) for performances of Blue Train, Softly, As In A Morning Sunrise, Five Years Ago, and Love For Sale.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1997, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. He performed a set with longtime duet partner, vibraphonist Gary Burton. This concert was a reunion of sorts for the two, who had not appeared as a duo for many years, and the first of many more joint performances to come. Today, both musicians have more than earned their jazz legend status.

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, the Newport Jazz Festival in Rotterdam welcomed the Giants of Jazz, an all-star band featuring drummer Art Blakey, trumpeter Dizzy Gillespie, bassist Al McKibbon, pianist Thelonious Monk, saxophonist Sonny Stitt and trombonist Kai Winding. Part 2.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, American soul legend Ray Charles brought the Raelettes and the Ray Charles Orchestra to the North Sea Jazz Festival in The Hague. With the full force of these two groups behind him, Charles showed why throughout his storied career he has been viewed as one of the most recognizable voices in music.