Schedule

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1994, Dominican Republic pianist Michel Camilo was one of the artists appearing here. Camilo performed with Michael Bowie on bass and Cliff Almond on drums. Their music incorporates influences that range from Art Tatum and Keith Jarrett's jazz to the twentieth-century classical music of Debussy and Ravel.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the groups presenting themselves at jazzahead! 2023 are Gina Schwarz and Multiphonics 8. Gina Schwarz has been nominated for major awards in both her native Austria (Amadeus) and in Germany (Record Critics). Her “Way to Blue” album with Multiphonics 8 presents a complete, autonomous cycle of works, that digs into the enigmatic world of UK music legend Nick Drake (1948-74), while also paying tribute to her own father. Without a hint of nostalgia she transforms Drake’s British folk aesthetics into subtle and exotic, timeless and border-crossing folk traditions with deeply emotional and playful textures, critics say.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is the trio of harmonica player Ariel Bart. The New York-based harmonica player has a unique ability to convey distinct emotions, ranging from nostalgia to bursts of sheer happiness. According to London Jazz News, her music captivates with its “beautiful and haunting” clear tone. At jazzahead!, Ariel Bart (harmonica) is accompanied by Talia Erdal (cello) and Arseny Rykov (piano).

Nordic afro jazz project 'We Are Birds' saw the light between Finland and Africa, during a 2010 jam session in which Finnish jazz pianist Tuomas A. Turunen met African drummer-percussionist and urban griot Dimitri Reverchon. The two composers set their mind to exploring this hybrid genre, and found their perfect complement in bassist Emmanuel Soulignac, who brought his pop influences to the table. Today, We Are Birds explores an accessible mix of jazz and world pop that is based on sharing, listening, understanding, paying attention to each other, and believing in unity.

Embark on a remarkable journey through the world of jazz piano as we showcase some of the most iconic and influential pianists in history. This collection of extraordinary performances captures the unique essence and brilliance of legendary pianists Art Tatum, Thelonious Monk, Bud Powell, and others. Revel in Oscar Peterson’s virtuosity as his trio plays “C-Jam Blues” in Holbaek, Denmark, on May 2, 1964. Let the sublime artistry of Art Tatum captivate you as he interprets Antonín Dvořák's “Humoresque” in 1953. Discover Thelonious Monk’s enigmatic genius as his quartet performs his iconic composition “Round About Midnight” in Poland on April 4, 1966. Experience the timeless appeal of the Dave Brubeck Quartet's odd-metered “Take Five", recorded live in Brussels, Belgium, on October 10, 1964. Delight in the lyrical beauty of Bud Powell's solo performance of “Sweet and Lovely” at the Antibes Jazz Festival of July 13, 1960. Witness the fusion of jazz and funk in Herbie Hancock & The Headhunters' exhilarating studio performance of “Sly” in Bremen, Germany, recorded on November 6, 1974. Lastly, enjoy the soulful grooves of Horace Silver's “Song for my Father” performed by his quintet at the Umbria Jazz Festival of July 20, 1976. Tune in and let these legendary jazz pianists transport you on unforgettable musical adventures!

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.

One vocalist from Paris and the other from Bern, and two contrasting personalities. Brought together by a chance encounter in 2014, the two singers were surprised to discover how much they had in common: they both do more than just sing well. Leïla Martial and Andreas Schaerer intend to explore and experiment, stretching their vocal boundaries. From the deepest abyss to the most exquisite tones the human voice can produce, they leave no stone unturned in their quest to express themselves, each in their own individual way and always with a generous dose of humour and zest.

Drummer, percussionist, and bandleader Lucas van Merwijk guarantees ardent, exotic swing. He has been at the forefront of the European jazz, latin and percussion scene for more than 25 years and has been playing cuban music for many years mainly in large ensembles such as his 20 piece Cubop City Big Band and Nueva Manteca. Van Merwijk also was elected 'Best Jazz Drummer' in the Benelux countries by the readers of De Slagwerkkrant many times running between the years 1993 and 2013 and has won the prestigious Global Act Award 2010 for his work in the World Music field. For this performance of Van Merwijks Music Machine he invited the absolute master of the kaval (shepherd’s flute) Theodosii Spassov, the internationally much sought after percussionist Martin Verdonk (whose collaborations include work with Richard Bona, Prince, Steve Winwood), pianist Stormvogel and bassist Reno Steba. All in all, a fantastic colloboration which is unprecedented!

As part of the International Duke Ellington Conference 2014, we welcome the Concert Big Band of the Conservatory of Amsterdam for a special concert. Under the direction of David Berger, they will play Duke Ellington’s only written big band symphony, ‘Black, Brown and Beige’. It has been more than 70 years since Ellington’s “B, B & B” was played in its entirety during its premiere at Carnegie Hall (New York). Duke Ellington said the following about it: “We thought we wouldn’t play it in its entirety tonight because it represents an awfully long and important story and that I don’t think too many people are familiar with the story. This is the one we dedicate to the 700 Negroes who came from Haiti to save Savannah during the Revolutionary War.” Jazz composer, trumpeter, arranger and conductor David Berger is internationally recognized as the expert on Duke Ellington's music and music from the swing era. From 1988 to 1994, he worked for the Lincoln Center Jazz Orchestra where he transcribed more than 500 pieces by Ellington and Billy Strayhorn.

Recorded at the Amsterdam Arena during the Amsterdam South East Jazz Festival, Michiel Borstlap tickles the ivories of his Steinway in performances of all his favourite songs on his solo albums ‘Blue’, ‘Reflective’, and ‘Frames’. An unprecedented event: a solo piano concert at the home base of football club Ajax Amsterdam! During the concert, the sound of a seagull or an aeroplane might mingle with the gentle touch of the Dutch master pianist. A must-see concert for all fans of piano music, with a wonderful encore: a performance of Thelonious Monk’s famous standard ‘Round Midnight’.

Five-piece contemporary jazz band Theorem of Joy released their first, self-titled album in April 2018 following three years of intense touring. During June 2018’s celebratory album release party at Studio de l'Ermitage in Paris, Ellinoa (vocals), Thomas Julienne (bass), Thomas St. Laurent (guitar), Boris Lamerand (violin and alto saxophone), and Tom Peyron (drums) perform repertoire from their album. Adding luster to this special occasion is Les enfants d'Icare: this French string quartet of Boris Lamerand and Antoine Delprat (violin), Olive Perusson (viola), and Octavio Angarita (cello) is no stranger to jazz. Moreover, special guests Maxime Berton (soprano saxophone) and Emilie Calmé (flute and bansuri) contribute generously to this intimate, yet oh-so surprising performance. Enjoy Theorem of Joy’s vibrant mix of rock, free-jazz and pop live at Studio de l'Ermitage in Paris!

Erroll Garner: Live in '63 & '64 presents two beautifully filmed concerts featuring his classic trio of bassist Eddie Calhoun and drummer Kelly Martin. Erroll Garner was one of jazz’s true original players and this showcases his improvisational brilliance on a parade of his most classic numbers, such as “Fly Me To The Moon” and “I Get A Kick Out Of You”, as well as originals “Erroll’s Theme,” “Mambo Erroll”, and his best-known composition, “Misty”.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who was a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is German pianist Johanna Summer. Her work operates on the crossroads of the strict formality of classical music and the spontaneity of jazz. Summer has played with the likes of Django Bates and Randy Brecker during her many concert tours.

The Jig is a seven-piece funk team from Amsterdam that performs hot original works. It is one of a handful true funk groups; an instrumental groove machine with a rock & roll attitude, known for its powerful and exhilarating live shows. The music is up-to-date and personal, adding elements of soul, afro, jazz, and rock & roll to music that is derived from heroes such as Bootsy Collins, Tower of Power, James Brown, Average White Band and The Meters. The band consists of Willem Pluk on trumpet, Jeroen van Genuchten on tenor saxophone, Koen Schouten on baritone saxophone, Bas Grijmans on keys, Martijn Smit on guitar, Arry Niemantsverdriet on bass guitar, and Niels van Groningen on drums. In 2019, The Jig performed this live set in front of twenty thousand people at the fabled Rio das Ostras Jazz & Blues Festival in the Brazilian capital of Rio de Janeiro.

Jazzed Out proves that a jazz session can take place anywhere. Unusual locations, such as garage buildings, multi-storey car parks, street corners, subway trains, and parks, in several of the world’s metropoles, provide the setting for brief jazz performances. The sheer rawness of the metropoles merge with the musical creations of various artists in search of the perfect ‘urban stage’. In this episode, Zurich serves as a backdrop for sets by pianist Stefan Rusconi, Grand Pianoramax, and Nik Bartsch.