Schedule

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the artists performing here in 2019 is Etienne Mbappé. This talented Cameroonian bassist and singer songwriter Etienne Mbappé surrounds himself with upcoming jazz talent from Paris in his band The Prophets. Their extremely melodic music is full of soulful, spirited grooves.

The Jig is a seven-piece funk team from Amsterdam that performs hot original works. It is one of a handful true funk groups; an instrumental groove machine with a rock & roll attitude, known for its powerful and exhilarating live shows. The music is up-to-date and personal, adding elements of soul, afro, jazz, and rock & roll to music that is derived from heroes such as Bootsy Collins, Tower of Power, James Brown, Average White Band and The Meters. The band consists of Willem Pluk on trumpet, Jeroen van Genuchten on tenor saxophone, Koen Schouten on baritone saxophone, Bas Grijmans on keys, Martijn Smit on guitar, Arry Niemantsverdriet on bass guitar, and Niels van Groningen on drums. In 2019, The Jig performed this live set in front of twenty thousand people at the fabled Rio das Ostras Jazz & Blues Festival in the Brazilian capital of Rio de Janeiro.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American singer-songwriter Melody Gardot as she visits the legendary studio. After an accident in 2003 left her hypersensitive to light and sound, Gardot discovered the healing power of music. At Hérouville, she gives an interview and plays a breathtaking live set. Her performance opens with a beautiful version of ‘Baby I’m a Fool’ and includes ‘If The Stars Were Mine’ and ‘Les Étoiles,’ before concluding with the Chet Baker hit ‘You Don’t Know What Love Is.’ Melody Gardot (piano, guitar, vocals) is accompanied by Charles Staab (drums), Sam Minaie (double bass), Mitchell Long (guitar), Sylvain Gontard (trumpet), Ludovic Beier (accordion), Artyom Manoukyan (cello), and Guillaume Latour, Alexandra Kondo, and Benjamin Ducasse (violin).

Cannonball Adderley: Live in '63 boasts two beautifully filmed concerts from one of the most celebrated sextets in jazz history, captured at the top of their game. Cannonball Adderley (alto sax), Nat Adderley (cornet), and the masterful Yusef Lateef (tenor sax, flute, oboe), provide a massive three-horn frontline attack, while the stellar rhythm section featuring a pre-Weather Report Joe Zawinul (piano), Sam Jones (bass), and Louis Hayes (drums) fuel the songs with a deep infectious swing. Quincy Jones’ "Jessica’s Day" leaps from the gate with a huge big band sound that is extraordinary for only six musicians. This recording is a reminder that Cannonball Adderley was one of the most outstanding and highly respected alto saxophonists in the history of jazz. He was a bluesy jazzman who could play anything in superb fashion.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The 29th Street Saxophone Quartet is an American quartet founded in 1982 by alto saxophonists Bobby Watson and Ed Jackson, tenor saxophonist Rich Rothenberg and baritone saxophonist Jim Hartog. The band has an eclectic repertoire ranging from jazz to show, funk, rap, and experimental music.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1988, vocalist Bobby McFerrin appeared at the festival. Known for his incredible vocal technique and unique approach to singing, McFerrin performed an unforgettable solo concert.

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.

Dionne Warwick’s vocal artistry ranges from voluminous deep register to soft, fragile high notes. She masters the entire range with almost unnerving ease. But more than her strong, warm voice, Dionne’s magic is in the silky elegance and the secure delivery with which she tells a story. That’s how her, along with composer Burt Bacharach and lyricist Hal David become pioneers of the brand of pop music called “Middle of the Road”, meaning pop that is grippingly simple, but never trite. Sixty of her hits made it into the American charts and sold over 100 million albums worldwide. This amazing 1964 recording from the 27 Club in Knokke, Belgium showcases the 23-year-old star vocalist at the start of her career.