00:00
WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Lucibela, comes from the island of São Nicolau. Her assured, warm voice is shaped by years of assimilation to the sounds of morna and coladeira.
00:55
jazzahead! 2022
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the performing artists are vocalist Kim Zombik and double bassist Nicolas Caloia. The music of this Montreal-based duo, which goes by the name of Silvervest, is characterized by tenderness, humor and tunefulness. The band’s name pays homage to an item of clothing favored by the indefatigable and endlessly creative legendary drummer Elvin Jones.
01:38
jazzahead! 2024 - Shuteen Erdenebaatar Quartet
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is the quartet of Mongolian pianist Shuteen Erdenebaatar. Jazz blog Marlbank described her quartet’s debut album as having a “stand-out-a-mile in the crowd factor.” Shuteen Erdenebaatar (piano) performs with Nils Kugelmann (bass), Valentin Renner (drums), and Anton Mangold (saxophone, flute).
02:13
Public Enemy - Live at The Metro Theatre
Public Enemy, also known as PE, is an influential hip hop group from Long Island, New York, known for its politically charged lyrics, criticism of the media, and active interest in the concerns of the African American community. In 2004, Rolling Stone Magazine ranked Public Enemy number forty-four on its list of the Immortals: 100. Here, the group performs at The Metro Theatre, in Sydney, Australia, on December 27, 2008.
03:57
Joe Turner - Jazz Marmalade
This vintage program, ‘Jazz Marmalade’, shows expatriate American musicians plying their trade in two Parisian jazz clubs in 1962. First, American stride pianist Joe Turner (often confused with blues shouter ‘Big’ Joe Turner) opens this atmospheric broadcast with a swinging piano-bass duet recorded at the Mars Club. Joe Turner (1907–1990) would remain in Paris for the rest of his life. From the American-owned Mars Club just off the Champs-Élysées, a hangout for showbiz people and expatriate Americans in Paris, the program cuts to the Blue Note. There, a Paris-based American quartet that includes drummer Kenny Clarke, organ player Lou Bennett, and tenor saxophonist Don Byas performs ‘Salut Les Copines’. Returning to the Mars Club, the American jazz trio of house pianist Art Simmons (1926–2018) performs a jaunty take on ‘C-Jam Blues’. Rounding off the program at the Blue Note, the quartet of drummer Kenny Clarke, organist Lou Bennett, and tenor saxophonist Don Byas returns for a swinging ‘April in Paris’. These recordings offer an invaluable glimpse into expatriate American jazz-making in Paris in the early 1960s.
04:17
Oum - Music Meeting Festival 2018
Oum El Ghait Benessahraoui, who is better known as Oum, gives a unique glance at ethnic Morrocan musical esthetics. The singer-songwriter is considered to be the ambassador of Morrocan culture, too. Deeply influenced by gospel, jazz, soul and R&B genres, today Oum mixes more and more African music genres, such as Sufi, Hassani, or Afrobeat. Yet, the singer’s voice still echoes the colours of Aretha Franklin, Ella Fitzgerald or Whitney Houston. It is the African American vocal tradition that made a huge impact on Oum since her early days as the singer. Performing from Music Meeting Festival in Nijmegen, The Netherlands, Oum charms the stage with an exotic sonic journey to the undiscovered lands of North Africa.
05:13
Libérica Arrels
Having played in New York with jazz icons Dave Liebman, Eliot Zigmund, Ari Hoenig, and Chris Cheek, Catalan bass player Manel Fortià now returns to his roots to reinvent traditional Catalan repertoire. Manel Fortià teams up with Antonia Lizana (saxophones), Pere Martínez (vocals), Max Villavecchia (piano), and Raphael Pannier (drums) to form ‘Libérica’, reimagining Catalan music and Flamenco through the eyes of a New York jazz musician. Their 2021 album ‘Arrels’ explores Catalan hymns, including ‘El cant dels ocells’ and ‘Els tres tambors’, heard here during a live performance at Nova Jazz Cava in Barcelona.
06:20
Easy Jazz - Episode 1
07:00
Saluzzi, Mariano & Dauner live in Stuttgart
Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.
08:01
Robert Rook Trio: The other set at the Bimhuis