Schedule

American jazz tenor saxophonist Stan Getz (1927-1991) was nicknamed "The Sound" for his warm, lyrical tone. Performing in bebop and cool jazz groups, he popularized bossa nova in America with the hit 'The Girl from Ipanema'. In the summer of 1983, Getz brought his working quartet to the Robert Mondavi Winery, Napa Valley, California, for a set that included Over The Edge, Answer Without Question, Sippin' At Bells, Tempus Fugit, and a bossa nova medley of Desafinado and The Girl From Ipanema. Getz (tenor saxophone) is joined by bassist Marc Johnson, drummer Victor Lewis, and pianist Jim McNeely.

Guitarist, composer and director Marnix Busstra loves crossing borders. He travels the world with his jazz bands, plays guitar and bouzouki, writes jazz and theatre-songs, and co-creates and directs the exuberant theatre shows of his wife, the Dutch diva Karin Bloemen. Busstra is a constant wheel of invention, with technique expanded by his creative urge to find something new, an evolving state that adds immeasurably to his art. Marnix Busstra and bassist Norbert Sollewijn Gelpke, who have a long history together, founded Marnix Busstra’s Old School Band. The two met in kindergarten, no less than forty-five years ago. They attended the same elementary and secondary school, where they started their first band, Topaz. The ‘Old School Band’ features drummer Mark Stoop and keyboardist Eric van de Bovenkamp.

The annual international festival November Music was first held in 1993. Since then, the festival has been promoting contemporary music across various locations in the Netherlands city ‘s-Hertogenbosch. Its 2018 edition included jazz, avant-garde, world and electronic music, sound installations, modern opera and theatre, as well as various interdisciplinary performances. One of the performers in 2018, the pianist Elliot Galvin is a member of the young UK jazz group Dinosaur. Performing with his trio, the gifted musician has been compared to Django Bates for his maverick imagination and ability to blend influences from all over the world.

The Netherlands Chamber Orchestra commissioned violinist Tim Kliphuis, internationally known for his genre-crossing approach to music, to write a new version of Antonio Vivaldi's ‘Four Seasons’. Kliphuis choose to take improvisation as his starting point; at the same time, he intended to leave the best-known Vivaldi themes and chords in, as they give the piece its wonderful energy. The result is a fresh and exciting interpretation that never loses sight of the original. Each season has a different character: the freshness of spring is reflected by the use of Irish and Norwegian traditional music; the summer heat can be heard in the American jazz and funk rhythms; the autumn includes a galloping safari hunt in South-Africa and the ice-cold winter warms up with the energy of Russian gypsy music. For each movement, Kliphuis has a metropole in mind which he visited on his previous concert tours. You’re about to witness a truly genre-crossing spectacle!

Hailing from a long tradition of Malian kora players, Ballake Sissoko has worked with renowned musicians such as Toumani Diabaté and Taj Mahal. He met the French born Vincent Ségal by chance, and the two began jamming together, uncertain of what kind of music might result. As a former member of the French National Orchestra, Ségal's Western classical training does not prevent him from exploring a wide variety of extended techniques, rendering his cello a flexible partner to Sissoko's kora. A childhood spent in the Pigalle district of Paris surrounded by immigrant communities exposed Ségal to African music from an early age. As such, he possesses a natural sensitivity to Sissoko's West-African style. The concert shows a brilliant interplay between the two musicians and combines the several worlds of jazz, Malian and classical music.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch jazzband BRUUT led by saxophone player Maarten Hoogenhuis!

For 20 years, Sly Johnson, author, composer and performer of the Saïan Supa Crew, has been touring the French music scene with his soul, hip-hop and beat-box vocals. He leaves his machines in the studio for a tribute concert to one of the leading voices of the famous Motown label, Marvin Gaye. The singer was killed by his father, a pastor, the day before his 45th birthday. In 1971, Marvin Gaye released a major record in the history of soul music "What's Going On". Sly Johnson, accompanied by Nicholas Vella's keyboard, makes the hot music of this album groove, a monument of soul and rhythm'n'blues. A true message of love delivered by MarvinGaye, through the story of a Vietnam war veteran who returns home and sees only injustice, suffering and hatred. The abrasive groove of Sly Johnson and Nicholas Vella is a rich music at the crossroads of hip-hop, funk and jazz. Sly Johnson, a great regular of the stage, embarks with extreme generosity the audience in his musical universe, an irresistible performance.

Sarah Vaughan: Live in '58 & 64 features the Divine One in her prime, wrapping her sultry voice around jazz standards such as “Lover Man”, “Misty”, and “I Got Rhythm” and popular showtunes such as “Over The Rainbow” and “Maria”. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins, and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! This episode is reserved for ‘De Deeldeliers’, featuring poet and so-called ‘Night Mayor of Rotterdam’ Jules Deelder (*1944). His poems cover Rotterdam city life, drug use, and jazz. In De Deeldeliers, he is accompanied by Hammond organist Bas van Lier, tenor saxophonist Boris van der Lek, and drummer Erik Kooger.

German jazz and cabaret singer Atrin Madani was born in 1998 as the son of Iranian immigrants. In the face of pandemic uncertainty, geopolitical upheaval, and social unrest in his ancestral home country, Madani asked himself: where are we now? His response to this question is as clear and precise as his singing: what we need most right now is honesty, humility, and quality. All of these are abundantly present on the Berlin-based vocalist’s debut album. Inspired by the sound aesthetics of Mel Tormé, Norah Jones, Diana Krall, and Till Brönner, Madani dedicates himself to a handpicked selection of songs that have so far remained largely unsung in jazz. At this festive album release concert at jazz club A-Trane Berlin in March 2023, Madani was accompanied by pianist Christian von der Goltz, guitarist Alexander Rueß, bassist Olaf Casimir, and drummer Sebastian Merk. Part II.

Arguably the greatest lady vocalists of all time are featured in this superb compilation. These historic recordings from the 1950s and 1960s offer a unique overview of different approaches to jazz singing that helped define the genre. Watch Billie Holiday’s performance of “God Bless The Child” closely and learn what made her such an influential jazz and pop singer. Enjoy Anita O’Day’s matchless rhythmic sense in a performance of “Honeysuckle Rose” recorded at the Arenateatern in Stockholm, Sweden on November 1, 1963. Marvel at Nina Simone’s December 1968 performance of “Ain't Got No, I Got Life” from London. Let Sarah Vaughan’s rendition of “Tenderly” sweep you off your feet – ‘Sassy’, or ‘The Divine One’, recorded this romantic evergreen in a television studio in Sweden on July 9, 1958. Last but not least, revel at the ‘First Lady of Song’: Ella Fitzgerald swung “Mack The Knife” in a December 4, 1960 appearance at The Embers in suburban Melbourne, Australia. Get to know the greatest lady vocalists in jazz history with this unique compilation of historic recordings!

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch saxophone player Rolf Delfos.

1977 saw the recording of an audiovisual project that was hitherto unparalleled in Dutch jazz and television history: the ‘Zeeland Suite’. Pianist Leo Cuypers composed this suite, parts of which were recorded for television on different locations in the Dutch province of Zeeland. A 7-piece band, featuring Willem Breuker and members of his Kollektief, performed Cuypers’ music. The combination of live music and epic footage, some of which was filmed from a helicopter, was the basis for a 50-minute television broadcast. Jeroen van Vliet’s ‘Zeeland Suite Revisited’ is an updated version of this remarkable project. Pianist Jeroen van Vliet, 2014’s Boy Edgar Prize winner, composed new music. Using a new band – and new technology: drones – this new project once again shows the beauty of Zeeland. Today’s band features many big names from the contemporary Dutch jazz scene, gathered to pay tribute to Zeeland’s characteristic landscape.

‘Identities: The Recording’ is a concert film about the recording of composer, arranger, saxophonist and band leader Kārlis Vanags’s album "Identities" with the Latvian Radio Big Band. The film shows all the album tracks as well as behind-the-scenes footage. "Identities", which was recorded directly to analog tape without editing or overdubbing, won the Latvian Music Award for Best Latvian Jazz Album in 2020. The Latvian Radio Big Band is one of the Baltic’s most legendary jazz ensembles. It has proven itself on countless high quality recordings over the years, and has brought together outstanding jazz musicians. “Identities" is made up of surprisingly honest and personal Kārlis Vanags compositions that are rooted in the big band tradition. This recording of lively, contemporary swing music is as popularly accessible as it is artistically rewarding.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

Playing together for the first time, this concert features the "young lions" of the late 1990s, the cream of contemporary jazz musicians. As a team of individualists, they mix contemporary and traditional jazz in a whole new way, playing well-known standards as well as their own compositions. With Tim Hagans on trumpet, Greg Osby on alto sax, Javon Jackson on tenor sax, Kevin Hays on piano, Esslet Esslet on double bass, and Bill Stewart on drums, this is an amazing line up. Over the years, they have each established themselves as forward-thinking and inventive band leaders, composers, and studio musicians, astonishing audiences around the world with their creativity and technical versatility.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. The talented American singer Michelle David performs pop and gospel music that feeds the heart and soothes the soul. Having grown up with the church, she started singing at the age of four. A year later she joined her first band, The Mission of Love. In 1980 she enrolled at Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City, known from the film 'Fame'. During this time, she appeared as an extra in the legendary comedy film 'Ghostbusters'. Musicals and tours with the bands of Diana Ross and Michael Bolton followed.

Bill Evans: Live in '64, '65 & '70 features five separate performances by one of the most revered pianists in music history. This collection covers an 11-year span, highlighting Evans’ ever-deepening artistry as he performs with four different all-star rhythm sections, including the stunning duo of bassist Niels-Henning Ørsted Pedersen and drummer Alan Dawson. This recording includes Evans’ renditions of the rarely performed “Sareen Jurer,” “Blue Serge”, and “Twelve Tone Tune Two.” Among the many surprises in this collection is a live performance of “My Melancholy Baby” with saxophonist Lee Konitz.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jimmy Witherspoon and Rozaa Wortham, two incredible brilliant jazz musicians. Rozaa Wortham starts off the show with the Jimmy Witherspoon Quartet. Swinging and full of energy she performs ‘It Don’t Mean A Thing’. Jimmy Witherspoon, known for the song “Ain’t Nobody’s Business” ends the show with some astounding lean-back blues.

Award-winning saxophonist Michael Blicher, Hammond wizard Dan Hemmer and legendary drummer Steve Gadd joined forces in 2014 to celebrate their shared love for Hammond-organ soul jazz. The band, which tours extensively throughout the world, has released several albums. Their third album, which was released in November 2019, features U.K. vocalist Paul Carrack on the soulful ballad 'The First One To Know'.