00:00
The Garifuna Collektive - WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, The Garifuna Collective, carries the legacy of Andy Palacio who not only put the music of Belize on the world stage, it also inspired a generation of Belizean musicians to look to their roots. Featuring an intergenerational line-up and the rousing vocal prowess of the Umalali women singers, they celebrate the deep cultural roots of Garifuna music, with the emblematic sound of the two traditional Garifuna drums – the primero and the segunda – along with maracas, turtle shells, jawbones and acoustic and electric guitars and bass grooves.
00:56
Invisible World - WOMEX 2018
Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its participating bands, Invisible World, is based at the jazz crossroads where East European and Mediterranean influences merge and caper off in new directions. Led by Czech bassist Tomáš Liška, a prolific idea man of many projects, joined by Turkish violinist Efe Turumtay, Serbian accordionist Nikola Zarić and Moravian drummer Kamil Slezák.
01:42
Jazz a la Grand Place Chet Baker Trio
Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.
03:13
Festival Vue sur la Relève: SHPIK
Montreal's very own jazz group SHPIK offers a bold and impressionistic music, drawing its inspirations from jazz, nature, and film. Evoking the great outdoors, self-discovery, and navigating between the immense and the infinitely small, this first album offers an intricate musical journey that is both energetic and reflective. Consisting of pianist and composer Arnaud Spick-Saucier, bassist Etienne Dextraze, drummer Philippe Lussier-Baillargeon, and saxophonist/flutist Alex Dodier, SHPIK has performed at famous jazz events, including the Montreal International Jazz Festival. Do yourself a favour by not missing this extraordinary breath of fresh air.
03:43
Tania Maria: Live at Estival Lugano 1987
Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. This performance of Brazilian Tania Maria promises to make you want to dance. The singer, composer and pianist sets fire to the Estival scene with her pop and jazzy song, magnificently put forward on samba, bossa-nova, Afro-Latin and jazz fusion tunes.
04:36
Jacob Karlzon Trio - Open Waters
Swedish pianist Jacob Karlzon is joined by Danish bassist Morten Ramsbøl and Swedish drummer Rasmus Kihlberg at the Steinway piano factory in Hamburg to present their album ‘Open Waters’. Karlzon, a classically trained pianist who shared a stage with Kenny Wheeler, Norma Winstone, and Billy Cobham keeps the rich tradition of Swedish jazz eclecticism alive. Back in 2012, Karlzon explored the world of heavy metal, after that allowing electronic elements to set the pulse.
05:26
Seine Sessions: Free & Afro Jazz
The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin 'the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "Free & Afro Jazz," this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Fantazio, Eddy Lopez, Banoit Savard, and many others.
05:59
Morgenland Festival: One Way Ticket to Damascus
Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Bursting with sounds that could only be described as magical, “MCO” features the Syrian Expat Philharmonic Orchestra under conductor Naci Özgüç. Of Turkish origin, Özgüç was raised by two opera singers, who opened the doors of a musical career.
07:00
Burton & Ozone - Münchner Klaviersommer
'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.
07:59
George Shearing Duo feat. Neil Swainson
British pianist George Shearing enjoyed an international reputation as an instrumentalist, arranger, and composer. Equally at home on the classical concert stage as in jazz clubs, he was recognized for his inventive, orchestrated jazz. In this live recording from the Munich Philharmonie, Shearing played in a duo format with Canadian double bassist Neil Swainson. The repertoire consisted of a selection of compositions by Shearing himself, among them ‘Lullaby Of Birdland’, which is a standard in jazz repertoire.
09:06
We Are Birds - La Ciotat
Nordic afro jazz project 'We Are Birds' saw the light between Finland and Africa, during a 2010 jam session in which Finnish jazz pianist Tuomas A. Turunen met African drummer-percussionist and urban griot Dimitri Reverchon. The two composers set their mind to exploring this hybrid genre, and found their perfect complement in bassist Emmanuel Soulignac, who brought his pop influences to the table. Today, We Are Birds explores an accessible mix of jazz and world pop that is based on sharing, listening, understanding, paying attention to each other, and believing in unity.
10:01
Münchner Klaviersommer: Eliane Elias Trio
There’s no question about it: with a Grammy for Best Latin Jazz Album for her recording ‘Made In Brazil’, seven previous Grammy nominations, four ‘Gold Disc Awards’, and three ‘Best Vocal Album Awards’ in Japan, Eliane Elias has taken her place in the pantheon of music giants. In her projects, Elias wears many hats: she serves as producer, composer, lyricist, arranger, pianist, and vocalist. In this concert broadcast, recorded live at the Philharmonie in Munich, Elias shows her distinctive and immediately recognizable musical style, which blends her Brazilian samba roots and her sensuous, alluring voice with her impressive instrumental bebop, jazz, classical, and compositional skills. She is an artist beyond category, and in this concert she performs with Jay Randall Anderson (bass) and Adam Nussbaum (drums).
11:11
Live at The Sydney Entertainment Centre
When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time.
12:44
Jurgen Burdorf Band - Theater Parkvilla
Guitarist Jurgen Burdorf was trained at the Amsterdam Conservatory and is a much sought-after session musician today. His passion lies in his self-written songs that have the characteristic sound of jazz, rock, and Americana. An agenda emptied by COVID-19 has made the Burdorf's new music rich and varied, with his expressive power as a guitarist and composer only increasing. He and his Jurgen Burdorf Band play new repertoire from his fourth studio album.
13:26
The making of Omara
Join us for an insightful look at the creative process of saxophonist Michael Blicher, organist Dan Hemmer, and drummer Steve Gadd as they craft the repertoire for their acclaimed 2016 album "Omara." Following in the footsteps of legendary organists like Jimmy Smith, Shirley Scott, and Jimmy McGriff, organist Dan Hemmer and his two musical peers prove that the organ trio format continues to be a force to be reckoned with in jazz and beyond. The album “Omara,” recorded live during their 2016 tour of Germany, England and Denmark, captures the trio’s unique blend of jazz, soul, and blues in performance at some of Europe’s most intimate jazz clubs. Witness the passion, dedication, and inspiration that led to this wonderful album in ‘Blicher Hemmer Gadd – The Making of “Omara”’.
13:49
Wee Dot
The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.
14:09
The Hammond© Sessions: The Preacher Men
The Dutch Hammond organ player Rob Mostert develops, in cooperation with DJAZZ, the programme ‘Mostert Meets’. In this series, the Hammond B3 organ takes centre stage. Rob Mostert invites the world’s finest jazz musicians for a musical collaboration, in which the Hammond Organ plays a major role. The Hammond B3 is an electric organ, which generates sound by creating an electric current from rotating a metal tonewheel near an electromagnetic pickup. Initially, the Hammond B3 was at home in churches, until it entered the jazz scene in the mid-20th century. In this episode, Mostert performs with his band ‘The Preacher Men’, consisting of saxophonist Efraim Trujillo, drummer Chris Strik, and of course Hammon organist Rob Mostert himself!