Schedule

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Nelida Karr, sings and plays guitar, piano, cello and percussion. She writes songs suffused with the many influences she assimilated growing up in Malabo in Africa’s only Spanish-speaking country, Equatorial Guinea. The result is an eclectic mix that she nevertheless incorporates into a sound all her own.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing bands is the Nefertiti Quartet. The band, which takes its name from a Wayne Shorter composition, was founded in 2013 by pianist Delphine Deau at the CRR conservatoire in Paris, France. She is joined by saxophonist Camille Maussion, double bassist Pedro Ivo Ferreira, and drummer Pierre Demange.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is the trio of German pianist and composer Alexandra Ivanova. She brings a unique multicultural perspective to her music, influenced by her diverse linguistic abilities and the variety of places she has lived. Born in Austria to Bulgarian parents, Ivanova skillfully melds jazz with Maqam traditions and Afro-Cuban rhythms in her compositions, challenging the Eurocentric focus of traditional music. She believes that her varied cultural identities converge in her music, creating a transient yet profound experience. Her debut album, ‘Beauty in Chaos’ (Double Moon), which was recognized among 2023’s Top 10 albums by German magazine Jazz thing, is noted for its “enigmatic aura”, says AllAboutJazz. At jazzahead! 2024, pianist Alexandra Ivanova appears with Niklas Lukassen (double bass) and Nathan Ott (drums).

The UK based band Metronomy started out as a bedroom project by Joseph Mount, who during its early stages was the sole contributor to the band's repertoire. After the debut release, Mount started expanding the band's personnel: first by adding two members, and later increasing it by one more. Metronomy's critical acclaim comes from frenetically hybrid indie pop style knitted together with trademark electronic sounds inspired by Mount's favorite acts, namely Autechre and Funkstorung. Here Metronomy performs at Beck's Festival Bar, in Sydney, Australia, on January 15, 2009.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

Drummer, percussionist, and bandleader Lucas van Merwijk guarantees ardent, exotic swing. He has been at the forefront of the European jazz, latin and percussion scene for more than 25 years and has been playing cuban music for many years mainly in large ensembles such as his 20 piece Cubop City Big Band and Nueva Manteca. Van Merwijk also was elected 'Best Jazz Drummer' in the Benelux countries by the readers of De Slagwerkkrant many times running between the years 1993 and 2013 and has won the prestigious Global Act Award 2010 for his work in the World Music field. For this performance of Van Merwijks Music Machine he invited the absolute master of the kaval (shepherd’s flute) Theodosii Spassov, the internationally much sought after percussionist Martin Verdonk (whose collaborations include work with Richard Bona, Prince, Steve Winwood), pianist Stormvogel and bassist Reno Steba. All in all, a fantastic colloboration which is unprecedented!

Misha Mengelberg, the forgetting has begun. He is waiting for a taxi he didn’t call to go to a performance that won’t take place. Dutch composer/pianist and grand duke of jazz Misha Mengelberg (1935) has been submerged in the shadow of dementia, ending his life as a musician. At the London jazz club Vortex in 2013 he impressively says his goodbyes to the international stage. It’s also his last major performance with his band, the Instant Composers Pool Orchestra. The musicians find it hard to let him go, but Misha’s decline is constant, and he slowly fades away from their midst. A film about exceptional loyalty, dilemmas, respect and dedication. And about music, the music of Misha Mengelberg.

Four exceptional musicians team up to perform classic pop and soul songs made famous by the likes of Gregory Porter, Stevie Wonder, U2, Seal, and many more. Pianist Alfio Origlio signed up to do the arrangements. Walter Ricci, an accomplished jazz vocalist from Naples, eases us into his musical universe with his stunning sensitivity. He is accompanied by an exceptional rhythm section composed of Manu Katché on drums, Jérôme Regard on bass, and Alfio Origlio on piano. This concert was recorded at Festival Jazz au Sommet 2020 in France.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

Homelands is a collaboration between Artvark Saxophone Quartet and Cameroonian-Dutch singer Ntjam Rosie. The music is inspired by both traditional and modern music from Ntjam’s home country Cameroon, (Manu Dibango and Richard Bona) as well as by an Afro-European blend of soul, jazz, gospel and world music. Using unorthodox sounds as the basis of their compositions, Artvark continues to be radical, experimenting with alternative ways of playing the sax. For this project, they explore the world of electronics and effects to create new sounds. Ntjam’s role is divers. She is the quartet’s fifth instrument, recites spoken word, plays (vocal) percussion, forms duos or trios with the saxophones and accompanies the quartet on her guitar. She performs texts in English as well as in French, one of Cameroon’s official languages, and sings in Bulu, her mother tongue.

SHYRE is the creative collaboration launched by Montreal-born vocalist and pianist Sarah Rossy. This five-member group mixes instrumental textures with ethereal ambience, taking the listener on a journey through passages of prose with unique aesthetics. SHYRE fuses pop-folk and jazz with symphonic timbres, and psychedelic ambience, employing lush strings, dynamic rhythms, and angelic harmonies. The resulting soundscape is innocent, yet fascinating. Sail away on the aural wings of music from their debut album New Year (2013).

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

Chet Baker Quintet: Live in '64 features a great concert by the foremost interpreter of West Coast jazz in the early and mid-'50s. Chet Baker had a generally restrained, intimate playing style and attracted attention beyond jazz for his photogenic looks and great singing. However, his career was marred by drug addiction. This show is a haunting 1964 performance in a Belgian TV studio with a quartet including long-time sidemen and saxophonist Jacques Pelzer and French pianist René Urtreger. Songs include the Miles Davis classic “So What”, and a very rare rendition of jazz standard “Time After Time” featuring Chet’s cool vocal style.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and Stingray DJAZZ have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic special live recorded in the BIRD office with BIGYUKI and Now Vs. Now.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American baritone Gregory Porter as he collaborates with the British electro-pop band Metronomy. The former American football player, who later dedicated himself entirely to music, gives an interview at Hérouville and performs songs including ‘Don't Loose Your Steam’, ‘In Fashion’, and ‘Sunny’. The British band Metronomy contributes songs such as ‘The Look’, ‘Night Owl’, and ‘Mick Slow’. Metronomy consists of Joseph Mount (drums), Oscar Cash (saxophone, keys), and Michael Lovett (keys). Gregory Porter’s own band consists of Lakecia Benjamin (saxophone), Chip Crawford (piano), Jahmal Nichols (bass guitar), and Emanuel Harrold (drums).

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch jazzband BRUUT led by saxophone player Maarten Hoogenhuis!

George Shearing, blind since birth, is one of the world's greatest jazz pianists. Filmed on both sides of the Atlantic, this tribute to Shearing showcases the music which took the jazz world by storm. Specially-shot performances and archive clips feature music spanning the six decades of his remarkable career and classics such as ‘September in the Rain’, ‘Lullaby of Birdland’, ‘Greensleeves’, ‘Donna Lee’ and ‘Freedom Jazz Dance’ are included, as well as many other recent compositions.

Majamisty TriO, an ensemble from Novi Sad in Serbia, explores the space between jazz and classical music, occasionally expanding the possibilities of the traditional jazz piano trio by adding a vocal part which is treated as an instrument equal to the others. The trio’s lyrical style originates in pianist Maja Alvanović's long experience in classical music and her affinity with jazz, thus finding an original path that paints subtle moods and emotions. Inspired by the beauty of her hometown, Alvanović’s impressionistic compositions are spiced by hints of a Balkan musical heritage.

Elvin Jones is the archetypical modern jazz musician playing on instinct, not intellect. This is the kind of music he has played to perfection since his days with John Coltrane. There are some heavy-duty sidemen in his present "Jazz Machine": Sonny Fortune and Ravi John Coltrane, the son of the most influential tenor sax player ever.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.