Schedule

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Mel Lewis Orchestra was arguably the most influential big band since the swing era. They were an unusual band, creating new styles, succeeding in an era when big bands were unpopular and remaining integrated during racially tense periods.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, American trumpeter and composer Wynton Marsalis performed at the North Sea Jazz Festival in The Hague. The lauded musician and member of the Marsalis jazz dynasty puts on an amazing show supported by pianist Marcus Roberts, bassist Bob Hurst and drummer Jeff Watts.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Moonlight Benjamin, blends together Voodoo blues, Haitian rock and Creole roll into a riff-heavy, groove-laden sonic concoction built on the tension between her powerful voice and saturated electric guitars.

In the midst of the blossoming of the free-jazz scene, pianist Cecil Taylor (1929) probably represented the non-jazz aspect of the movement better than anyone else. Many of the innovations of the 1960s were pioneered by his records. His fusion of exuberance and atonality was particularly influential. Like saxophonist Ornette Coleman, who initially overshadowed him, Taylor was one of the first musicians to release jazz improvisation from fixed harmonic structures. Influenced by both classical music and jazz, Taylor became a virtuoso pianist with a unique range of dynamics, attacks, and harmonic resources, including many tone clusters played for percussive, not harmonic, effect. During this 1984 Müncher Klaviersommer concert, he shows his mastery of improvised jazz.

Forq is an instrumental quartet with an aggressive sound and a penchant for sonic exploration. Originally founded by keyboardist Henry Hey (David Bowie, Empire of the Sun, and Jeff "Tain" Watts) and bassist Michael League (Grammy-winning founder of Snarky Puppy), Forq is joined by guitarist Chris McQueen and drummer Jason "JT" Thomas. Their group sound draws from various musical paths of its members, whether it’s Jason’s swampy grooves and shuffles, Chris’ singular sonic approach to guitar, Henry’s zeal for unique keyboard sounds and twisted ear candy, or Michael’s driving world-influenced grooves. The band pushes further down the sonic rabbit hole with their stunning music. This concert was filmed during Mondriaan Jazz Festival 2017, The Hague.

A sound support with provocative combinations, a modern music laboratory, a vehicle of inspiration whose importance has been proven by many high-profile collaborations. Music lovers who appreciate jazz for its ability to provoke and continuously question the status quo certainly do not expect that such a standard set in its configuration finds itself completely detached from tradition. But sometimes, the more the DNA of a set is anchored in tradition, the higher the margin to give way to novelty. Innovation is at the heart of the approach of VEIN, a bold Swiss ensemble composed of brothers Michael and Florian Arbenz, and bassist Thomas Lähns, for whom the term "piano trio" has long been too restrictive.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American singer-songwriter Melody Gardot as she visits the legendary studio. After an accident in 2003 left her hypersensitive to light and sound, Gardot discovered the healing power of music. At Hérouville, she gives an interview and plays a breathtaking live set. Her performance opens with a beautiful version of ‘Baby I’m a Fool’ and includes ‘If The Stars Were Mine’ and ‘Les Étoiles,’ before concluding with the Chet Baker hit ‘You Don’t Know What Love Is.’ Melody Gardot (piano, guitar, vocals) is accompanied by Charles Staab (drums), Sam Minaie (double bass), Mitchell Long (guitar), Sylvain Gontard (trumpet), Ludovic Beier (accordion), Artyom Manoukyan (cello), and Guillaume Latour, Alexandra Kondo, and Benjamin Ducasse (violin).

Rotterdam’s BIRD is a club, café, and restaurant with a live music program that's deeply rooted in jazz, soul, funk, hip-hop, and electronic. Its name BIRD refers to the nickname of legendary New York jazz saxophonist, bebop co-founder Charlie Parker. BIRD serves Neapolitan pizzas, fine wines, no-nonsense beers, and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programs: BIRD.tv, allowing you to experience the best BIRD concerts and interviews as from a first-row seat! This episode is dedicated to seven brothers from the south side of Chicago: The Hypnotic Brass Ensemble AKA Bad Boys of Jazz, Tha Bros, and Yo Favorite Band! The band freely adds generous doses of hip-hop, soul, and funk to the brass band tradition, creating an intoxicating and boisterous blend: perfect for another episode of BIRD.tv!

Wes Montgomery: Live in '65 shines a light on one of the most unique and influential guitarists in music history. These beautifully filmed programs from the spring of 1965 feature Wes, in intimate studio settings, leading three different lineups through some of his best-known tunes, including “Four On Six”, “Jingles”, and “West Coast Blues”. This rare footage, featuring rehearsals, between-song banter, and closeup camera angles, illuminates Wes's extraordinary musical vocabulary and unconventional picking technique.

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. Israeli-American double bassist Omer Avital plays radiantly energetic, resounding jazz with oriental influences. At Jazz in Duketown 2019, Avital forms a quintet with saxophonists Asaf Yuria and Alexander Levin, drummer Ofri Nehemya, and pianist Eden Ladin. They present singular repertoire from Avital's album 'Qantar'.