Schedule

This uptempo, funky performance proves that B.B. King, one of the Masters of the Blues Guitar has still got it. The band features some of today's best blues musicians playing all of B.B. King's classic songs.

In the 1960s, composer Michel Magne transformed the Château d'Hérouville, an 18th-century country house north of Paris and former home of lovers George Sand and Frédéric Chopin, into the first residential recording studio. In addition to its excellent facilities, the complex featured a swimming pool and a beautiful garden, allowing artists to stay for weeks or months at a time. From David Bowie and Iggy Pop to Pink Floyd and Chet Baker, countless stars recorded unforgettable music here until the studio closed in the 1980s. Three decades later, Château d'Hérouville has reopened its doors. This program follows American baritone Gregory Porter as he collaborates with the British electro-pop band Metronomy. The former American football player, who later dedicated himself entirely to music, gives an interview at Hérouville and performs songs including ‘Don't Loose Your Steam’, ‘In Fashion’, and ‘Sunny’. The British band Metronomy contributes songs such as ‘The Look’, ‘Night Owl’, and ‘Mick Slow’. Metronomy consists of Joseph Mount (drums), Oscar Cash (saxophone, keys), and Michael Lovett (keys). Gregory Porter’s own band consists of Lakecia Benjamin (saxophone), Chip Crawford (piano), Jahmal Nichols (bass guitar), and Emanuel Harrold (drums).

Explore the music of one of the most influential and innovative saxophonists in jazz history: John Coltrane! Immerse yourself in this collection of remarkable performances from the early 1960s that showcase Coltrane's unparalleled artistry and unique sound during a transformative period in the artist’s career. Recorded in various European cities, Coltrane is seen playing the songs “Autumn Leaves”, “Hackensack”, “My Favorite Things”, “I Want To Talk About You”, “Vigil”, and “Naima”. Tune in and experience why the music of John Coltrane has touched the lives of so many!

The final concert of the Münchner Klaviersommer 1992 was by Wynton Marsalis and his septet. The 31-years-young star trumpeter performed one of his own jazz suites to the sold-out Philharmonie, under the title of ‘In This House, On This Morning’. The concert covers every jazz style, in composition and improvisation, and in both small and grand forms. Marsalis’s Septet was made up of Wess Anderson (alto saxophone), Wycliffe Gordon (trombone), Reginald Veal (bass), Herlin Riley (drums), Todd Williams (tenor saxophone), and Eric Reed (piano).

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1982, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. This live recording shows Corea playing the complex and subtle piano improvisation at which he excelled. The performance amply demonstrates why he is considered one jazz's most accomplished pianists.

American soul jazz singer and organist Jackie Davis (1920-1999) contributed greatly to the popularity of the Hammond B3 organ in jazz, preceding even the great Jimmy Smith. Seen here during an intimate solo performance in Brussels in 1967, we get to enjoy Davis’ every musical twist and lyrical turn. His infectious enthusiasm and dynamic musicianship make his audience grow increasingly excited as he performs “I Got Rhythm”, “Satin Doll”, “Yesterday”, “Smack Dab In The Middle”, and “It Ain’t Necessarily So”. Davis’ spellbinding vocals invite his audience on a musical journey. Get ready to let yourself be carried away by Jackie Davis, recorded live in Brussels!

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, prominent guitarist George Benson brought his band to kick off day three of the North Sea Jazz Festival in The Hague. Joining him to play songs from their joint album "Collaborations" was Grammy award–winning acoustic guitarist Earl Klugh.

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

Biréli Lagrène is a French jazz guitarist born on September 4, 1966 in a family of gypsy tradition. His brother and his father introduced him from an early age to the repertoire of Django Reinhardt, whose influence is still felt in the style of Lagrène. In this performance, Lagrène pays homage to Django Reinhardt with his son, Babik Reinhardt.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

Antonio Faraò features prominently in the rich group of talented Italian pianists. He is the winner of the 1998 prestigious Concours Martial Solal, awarded by Herbie Hancock, and he has made his mark as a player of elegance and lyricism. This has allowed him to collaborate with the best European and American musicians. In his album ‘Evan’, recorded in the USA, he leads an all-star band, notably starring Joe Lovano on tenor. In this particular recording at Jazz à Ramatuelle, he appears at the Theatre de Verdure in the company of another sax legend - Dave Liebman, a musician of unfailing generosity and himself the repository of more than 40 years of modern jazz history. With refined ballads and feline groove, this meeting sparkles, perhaps even lighting up some new stars in the night above Ramatuelle.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, American saxophonist Gerry Mulligan gave an unforgettable performance at the North Sea Jazz Festival in The Hague. Mulligan was one of the leading arrangers of the cool jazz era, who worked with Miles Davis, Stan Kenton and Claude Thornhill in the 1950s and 1960s. Mulligan’s early pianoless 1950s quartet with trumpeter Chet Baker is still regarded as one of the finest groups in cool jazz. Born in New York in 1927, Mulligan spent his life composing, arranging and playing jazz until his death on January 20, 1996.

Seun Anikulapo Kuti possesses the grace, energy and fury of his father, the legendary artist Fela Kuti. With the musicians of Fela Kuti’s legendary band Egypt 80, Seaun Kuti brings the most original incarnation of Afrobeat to life. Digging deep into different African traditions, Seun has brought his own touch to the music by reflecting the difficulties and cultures of the continent. Three-quarters of Egypt 80's current line-up is composed of musicians who didn’t only play with Fela Kuti, but often were arrested and harassed alongside the founder of the Afrobeat.

In 1959, Jacques Loussier hit upon the idea that was to make his international reputation, by combining his interest in jazz with his love of J.S. Bach. Only a pianist with such an exceptional classical technique and deft improvisatory skill could have nurtured such a vision. He founded the Play Bach Trio, which used Bach's compositions as the basis for jazz improvisation. The trio immediately caught the public imagination. In their live appearances, tours and concerts, plus a succession of recordings built on the cornerstone of four albums made between 1960 and 1963, Loussier's group achieved the breakthrough to popular commercial success enjoyed by only a select few jazz musicians. In fifteen years, the trio sold over six million albums! On July 28th 2004, the day of Bach's 254th anniversary of death, the Jacques Loussier Trio perform a special concert at the famous St. Thomas Church of Leipzig - the city where Bach composed many of his most famous works.