Schedule

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the ensembles presenting themselves at jazzahead! 2024 is DZ’OB, an electro-acoustic ensemble from Dnipro, Ukraine. Bandleader Oleksii Badin, who emphasizes the importance of continuing artistic endeavors in Ukraine, leads a group that is known for its innovative fusion of genres, including jazz, classical music, IDM, techno, and dubstep. DZ’OB believes in the power of music as a supportive tool: “We musicians can and must use music as a tool and help those who need support.” DZ’OB includes Oleksii Starshynov (bassoon), Vasyl Starshynov (oboe), Iryna Li (violin), Oleksii Badin (cello, electronics), and Andrii Yarovyi (drums).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the performing ensembles is the Clara Haberkamp Trio. German pianist Clara Haberkamp rose to fame as singer/pianist/lyricist, but her recent album ‘Reframing the Moon’ focuses purely on her instrumental talent. Her quick ear, near-magical gift for melody, and astonishing awareness of contrast make for sophisticated and dense moments that are counterbalanced by heart-melting moments of direct emotional contact with her listeners. She is accompanied by James Banner (bass) and Lukas Akintaya (drums).

In this DJAZZ.tv Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by Saxkartel. This band plays jazz and modern music with an uncommon approach: as a saxophone quartet, they perform chamber-like music without the accompaniment of a rhythm section. Their approach is similar to that of the classical string quartet, but their choice of repertoire clearly sets them apart: they play pure jazz!

After Dutch singer Kim Hoorweg landed her first record contract from Universal Music at the age of 14, her musical career took off and she became a well-known name in the Netherlands jazz community. Famous artists such as Candy Dulfer, Raul Midón, Metropole Orkest, and Gino Vannelli, to name a few, have already performed with the singer on numerous occasions. This time, Kim Hoorweg performs at BIRD in Rotterdam, the Netherlands, together with fellow Dutch musicians Anton Goudsmit on guitar, Niels Broos on keyboards, and Yoran Vroom on drums.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The composer, trumpeter and bugle player Franco Ambrosetti performs with his quintet in his native Lugano as part of the Estival.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Crusaders, an American jazz fusion group that was popular in the '70s employed a two-manned front-line horn section. The group’s sound was rooted in hard bop, with an emphasis on R&B and soul. Their performance at Estival is beyond soulful and an amazing show to watch.

Georgie Fame, known for "Yeh, Yeh" and "The Ballad of Bonnie and Clyde" makes a triumphant comeback with The Blue Flames. Georgie Fame and the Blue Flames was a popular band in the UK in the '60s, celebrated for its R&B, soul, jazz, ska, and pop sounds. The training was largely inspired by ska, a popular musical style in Jamaican cafes in London at the time. It was the song "Green Onions" from the Booker T & The MG that inspired Georgie to incorporate the Hammond organ into her compositions. This performance by Georgie Fame and the Blue Flames is brimming with blues and soulful sounds that will delight the group's old and new fans.

Dino Saluzzi, one of Argentina's tango music masters, has been building his legacy since the mid-1980s. His accordion-like bandoneon defines Argentina's tango music. Saluzzi has explored many paths—paths along which he has rarely travelled more than once, despite some common threads. This rare, vibrant and intense performance is an intimate collaboration with Charlie Mariano (saxophone) and Wolfgang Dauner (piano) and features music ranging from tango and classical music to international favorites.

As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.

On ‘Diggin’ the Duke’, Deborah J. Carter tackles the compositions of Duke Ellington. Taking his original compositions as her point of departure, Carter expresses many facets of her own personality. She applies the necessary vocal technique, but it’s the way she handles the lyrics that draws you in: her scat solos are as creative as they are provocative! Carter is accompanied by a quality band, consistent of bass player Mark Zandveld and Leo pianist Bouwmeester. Mark and Leo wrote new, updated arrangements of Ellington’s compositions, and Deborah penned original lyrics to a number of Ellington’s instrumentals. The band uses a mix of swing, Latin and fusion rhythms, in combination with adventurous harmonies. Carter’s name has become so well-known that she probably had little trouble finding guests musicians willing to contribute to this project, among whom the phenomenal saxophonists Efraim Trujillo and Emiel Wienholts.

In the late 1940s, jazz saxophonist Charlie 'Bird' Parker expressed his wish to record with a classical string section rather than his usual jazz quintet. This desire was fulfilled in 1949 and 1950 when he recorded two albums with oboe, harp, string section and a jazz rhythm section, released as 'Charlie Parker with Strings'. Fast forward 70 years, when saxophonists Olivier Bogé, Géraldine Laurent, Pierrick Pédron, Thomas de Pourquery, and Jaleel Shaw follow in the jazz legend's footsteps, revisiting the repertoire of those original albums in this 2019 concert at The Philharmonie de Paris. Bastien Stil conducts Christophe Dal Sasso's new orchestral arrangements in this genre-blending concert, which opens with Dal Sasso’s very own Overture pour cinq saxophones et orchestra.

Swedish pianist Jacob Karlzon is joined by Danish bassist Morten Ramsbøl and Swedish drummer Rasmus Kihlberg at the Steinway piano factory in Hamburg to present their album ‘Open Waters’. Karlzon, a classically trained pianist who shared a stage with Kenny Wheeler, Norma Winstone, and Billy Cobham keeps the rich tradition of Swedish jazz eclecticism alive. Back in 2012, Karlzon explored the world of heavy metal, after that allowing electronic elements to set the pulse.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and Stingray DJAZZ have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic special live recorded in the BIRD office with BIGYUKI and Now Vs. Now.

The term "jam-session" was born in the 1920s, when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Entitled "World Music", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Teófilo Chantre, Tiwitine, Kinsy Ray, and many others.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.