Schedule

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Lucibela, comes from the island of São Nicolau. Her assured, warm voice is shaped by years of assimilation to the sounds of morna and coladeira.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the artists presenting themselves at jazzahead! 2023 are LIUN & The Science Fiction Orchestra. This ten-piece ensemble from Germany plays vibrant acoustic reinterpretations of electronic pieces from their 2019 album ‘Time Rewind’, reinventing the vocal jazz ensemble for the modern age. Their 2022 album ‘Lily of The Nile’ has been released on renowned guitarist Kurt Rosenwinkel’s record label Heartcore Records. LIUN & The Science Fiction Orchestra consists of Lucia Cadotsch (vocals), Wanja Slavin (reeds, flute, keys), Heidi Bayer (trumpet), Florian Trübsbach and Phillip Dornbusch (reeds, flute), Shannon Barnett and Johannes Lauer (trombone), Mark Pringle (piano), Felix Henkelhausen (double bass), and Fabian Rösch (drums).

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the artists presenting themselves at jazzahead! 2023 is the Austrian/Czech foursome Purple is the Colour. Pianist Simon Raab, saxophonist Štěpán Flagar, double bassist Martin Kocián, and drummer Michał Wierzgoń have been said to play “jazz music of tremendously elegant quality, the kind that does not linger in the classical realm, but rather unfolds many interesting interconnections to other styles”.

Public Enemy, also known as PE, is an influential hip hop group from Long Island, New York, known for its politically charged lyrics, criticism of the media, and active interest in the concerns of the African American community. In 2004, Rolling Stone Magazine ranked Public Enemy number forty-four on its list of the Immortals: 100. Here, the group performs at The Metro Theatre, in Sydney, Australia, on December 27, 2008.

The Brussels Jazz Club was filled to the brim with both musicians and audience members when the Maynard Ferguson Big Band performed there during their Winter Tour of 1980. From the first notes of the cover of Weather Report’s “Birdland” that opens the performance to the final notes of “Gonna Fly Now” that closes it, Ferguson gives his young sidemen ample time to shine. The mutual admiration shared by the leader and his sidemen makes this performance a delight to watch.

Imagine that visual arts and music are no longer two separate fields; that musicians no longer focus on their instruments only, but also on the visuals of their performance. Such is the premise of Mn'JAM Experiment! Zoom in on their music and you’ll find a mix between empirical and rationally constructed elements; between acoustic, electric and electronic instruments; urban rhythms and traditional melodies, vocal loops and guitar solos, turntables and acoustic drums. Zoom in on the visuals of the performance -they are analogously a product of pre-composed material and live manipulation, mostly carried out by the guy behind the turntables. Zoom out, and discover that music and visuals form a unit - this project is shaping the future of performances when it comes to roles and possibilities within musical settings. Mn’JAM is literally breaking new ground in jazz.

Since 1985, the Dutch city of Nijmegen has been welcoming the International Music Meeting Festival every Pentecost. Ranging from jazz and improvisational music to traditional music and unique crossovers, this adventurous festival is all about musical encounters and international collaborations. Disrupted by COVID-19, the festival’s 2020 edition had to adapt to new challenges. It now presents this exclusive concert by pianist Ramón Valle and guitarist Reinier Baas, filmed at Concertgebouw De Vereeniging in Nijmegen.

Nordic afro jazz project 'We Are Birds' saw the light between Finland and Africa, during a 2010 jam session in which Finnish jazz pianist Tuomas A. Turunen met African drummer-percussionist and urban griot Dimitri Reverchon. The two composers set their mind to exploring this hybrid genre, and found their perfect complement in bassist Emmanuel Soulignac, who brought his pop influences to the table. Today, We Are Birds explores an accessible mix of jazz and world pop that is based on sharing, listening, understanding, paying attention to each other, and believing in unity.

An exceptional concert from Brazil: the Orquestra Sinfônica do Estado de São Paulo proves its position as the most important orchestra in Latin America. Conducted by charismatic Maestro John Neschling since 1997, the orchestra is defined by its emblematic interpretations of Latin American music. With “São Paulo Samba”, the orchestra yet again grips the listener with an electrifying selection of Brazilian and Latin American classics, including works by Heitor Villa-Lobos, João Bosco and Astor Piazzolla. The Banda Mantiqueira and singer Mônica Salmaso complement the show.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. This performance of Brazilian Tania Maria promises to make you want to dance. The singer, composer and pianist sets fire to the Estival scene with her pop and jazzy song, magnificently put forward on samba, bossa-nova, Afro-Latin and jazz fusion tunes.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and Stingray DJAZZ have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from the first row! This episode is a fantastic special live recorded in the BIRD office with BIGYUKI and Now Vs. Now.

Watch the performance of Jamie Cullum live at Jazz à Vienne, in 2017.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, the Newport Jazz Festival in Rotterdam welcomed the Giants of Jazz, an all-star band featuring drummer Art Blakey, trumpeter Dizzy Gillespie, bassist Al McKibbon, pianist Thelonious Monk, saxophonist Sonny Stitt and trombonist Kai Winding. Part 2.

This selection of unforgettable performances by some of the most iconic and influential jazz guitarists in history showcases these legends’ unique essence. Revel in Wes Montgomery’s virtuosity as he performs the captivating “Nica's Dream” in Holland in 1965, and delight in the expressive beauty of his rendition of “Here's That Rainy Day”, recorded in London in that same year. Experience the timeless appeal of Joe Pass's “You Stepped Out of a Dream” and “You Turned The Tables on Me”, recorded live in Hanover in 1975. The interplay between Jim Hall and Atilla Zoller borders on the impossible as they perform “Extensions” in Hanover in 1973. Enjoy Jim Hall's lyrical solo performance of “I'm Getting Sentimental Over You” from 1964. Witness Sonny Sharrock’s avant-garde fusion of jazz and rock in an exhilarating performance of “Peanut", recorded live in France in 1970. Sharrock is joined by flutist Herbie Mann in a soulful performance of “Memphis Underground” from 1969. Immerse yourself in the magic of jazz guitar!

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Swiss jazz band VEIN accompanied by saxophone player Greg Osby.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the Tilburg based Bertus Borgers and his Young Retro's!

Playing together for the first time, this concert features the "young lions" of the late 1990s, the cream of contemporary jazz musicians. As a team of individualists, they mix contemporary and traditional jazz in a whole new way, playing well-known standards as well as their own compositions. With Tim Hagans on trumpet, Greg Osby on alto sax, Javon Jackson on tenor sax, Kevin Hays on piano, Esslet Esslet on double bass, and Bill Stewart on drums, this is an amazing line up. Over the years, they have each established themselves as forward-thinking and inventive band leaders, composers, and studio musicians, astonishing audiences around the world with their creativity and technical versatility.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with Anton Goudsmit (guitar) in tribute to guitar icon and founding father of modern jazz Wes Montgomery. The two men share a passion for Montgomery's music, his compositions forming the basis for Goudsmit’s energetic and eccentric solos and Beets's virtuoso piano playing. They are backed by a grooving rhythm section featuring Marius Beets (bass) and Joost van Schaik (drums).

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

By the time this set was recorded at Brussels Jazz Club in the summer of 1980, trumpeter Freddie Hubbard had already built an impressive resume. During the 1960s he became a leading voice in the hard bop movement while not shying away from avant-garde sessions with the likes of John Coltrane and Eric Dolphy. In the 1970s, Hubbard expanded his palette by recording in more diverse settings that included electric instruments and orchestral arrangements. On this club date, Hubbard showcases all of the experience he had accumulated up to this point. The working group consists includes David Schnitter on tenor saxophone, Billy Childs on keyboards, Larry Klein on bass, and Sinclair Lott on drums. Watch as the quintet deftly switches between acoustic and electric instruments and Hubbard entertains the crowd with his onstage antics.