Schedule

‘Jazz en Baie’, a whining guitar sound, and the baritone voice of Big Daddy Wilson are the perfect recipe for an emotional and melancholy blues concert. As a young man, Big Daddy Wilson never saw a real blues concert before he walked into a Bremen club as a young soldier. This revelation drove the expatriate to throw himself head over heals into music. A few decades and a couple of studio albums later, he’s well-known as one of the greatest contemporary bluesmen: his baritone voice, of a rare emotional power, recounts the nostalgic stories of his native land. His album ‘I'm Your Man’ brought him his first international success. Always respectful of the blues roots he inherited, the charismatic singer adds soul, funk, country and gospel to his musical range; the memories of his American youth.

Art Blakey, Dexter Gordon, Ron Carter, Herbie Hancock, Thelonious Monk... these names are synonymous with the great Jazz Age. But how many people know Alfred Lion and Francis Wolff, to whom we owe the recorded memory of our Jazz legends? Two German Jews who emigrated from Nazi Germany to New York "discovered" an American art form which at the time received little serious attention from mainstream America: Jazz Music. Without money or connections and speaking little English, the two men began to record practically unknown musicians, following their own taste and judgment. Today this list of artists reads like the Who-is-Who of Jazz. "Blue Note - A Story of Modern Jazz" tells the story of Alfred Lion and Francis Wolff and their record label. It is the story of the rise of Modern Jazz, of a friendship in exile and of uncompromising artistic excellence. Told by the musicians, by friends and associates and by fans of the Blue Note recordings from all walks of life, the film Blue Note recreates an era of American cultural history.

A jazz festival named after the inventor of the instrument most associated with the genre, Adolphe Sax, would be incomplete without the man who laid the groundwork for how the instrument is played today. This must have been the reasoning of the organizers of the Festival International de Jazz Adolphe Sax in Dinant, Belgium, when they invited tenor saxophone giant Coleman Hawkins to perform there in June 1962. Appearing with a group that includes the French pianist George Arvanitas, one-time Duke Ellington bassist Jimmy Woode, and expat drummer Kansas Fields, the musician also known as ‘Bean’ and ‘Hawk’ serves up an hour-long set of familiar standards bookended by Hank Jones’ “Chant” and J. J. Johnson’s “Wee Dot”.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

“God Bless The Child”, “Foolin’ Myself”, and “I Loves You, Porgy”: timeless songs that were made classics by the inimitable Billie Holiday. ‘Lady Day’, as her loyal friend and musical partner Lester Young nicknamed her, was a highly original jazz and pop singer. In a career that spanned most of the 1930s, 1940s and 1950s, she displayed an uncanny ability to convey emotion through her voice. Her vocals, which were strongly inspired by instrumental jazz, are admired for their deeply personal and intimate sound. This compilation features recordings from the 1950s of Billie Holiday singing a string of her greatest successes. Enjoy this unique footage of one of jazz’s all-time greats!

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1994, legendary swing band leader and vibraphonist Lionel Hampton performed his own arrangements of jazz standards with Junior Mance on piano, Jimmy Woode on bass and Bobby Durham on drums. They were joined by the St. Petersburg State Orchestra conducted by Alexander Tschernuschenko, to create an exciting big band sound on rousing performances of ‘In the Mood’ and ‘Air Mail Special’. The program ends with Hampton singing Louis Armstrong's latter-day hit ‘What a Wonderful World’.

Legendary performer Tony Bennett made his debut appearance at London's iTunes Fest at the Roundhouse and this stellar performance features the multi-Grammy award winner performing his biggest hits, among them, "The Best Is Yet To Come," "Fly Me to the Moon," and his signature song "I Left My Heart in San Francisco."

In 1978, John Lurie formed The Lounge Lizards jazz ensemble with his brother Evan; the pair played music together for 20 years. However, in this New Year's Eve performance, Lurie (saxophone) plays a legendary show with drummer Larry Wright. Lurie is a musician, actor, painter, and the driving force behind the Strange & Beautiful music label. In the documentary John Lurie: A Solo Lounge Lizard, John talks about love, life, and gives insight on modern day hipster attitudes.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1997, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. He performed a set with longtime duet partner, vibraphonist Gary Burton. This concert was a reunion of sorts for the two, who had not appeared as a duo for many years, and the first of many more joint performances to come. Today, both musicians have more than earned their jazz legend status.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

Dutch free jazz, jazz rock, and electronic music pioneer Pierre Courbois threw a belated 80th birthday bash at Amsterdam’s renowned BIMhuis in January 2022. Courbois, a celebrated drummer and percussionist, also masters the tabla, conga, bass guitar, and vibraphone, and is a prolific writer with over 100 compositions to his credit. Proving that any age is just a number, Courbois (*1940) teams up with Jesse Schilderink (*1995, tenor and baritone saxophone) and Wiro Mahieu (*1964, bass) in his new band 3GEN3. Billed 3GEN3 PLUS for this festive occasion, this exciting new ensemble is augmented by pianist Jasper van ‘t Hof. Known for his virtuosity and his innovative contributions to European jazz, Van ‘t Hof (*1947) has been hailed as Europe’s finest jazz pianist. He is the recipient of the Buma Boy Edgar Award 2018. Let 3GEN3 PLUS surprise you with their fresh, innovative music in this sparkling concert recording from January 2022!

Decades after the 1930s swing era came to an end, one of its giants, pianist Teddy Wilson (1912–1986), kept the flame of this music alive during countless international concert tours. During a hectic spring tour of Europe, the acclaimed pianist appeared at Geneva’s Théâtre de l’Atelier on March 21, 1969. Before Wilson’s concert, Swiss actor Jean Landier recorded an episode of Radio Télévision Suisse’s program ‘Variétés: Jasons Jazz’ with him. After a brief but insightful interview, Teddy Wilson performed ‘After You've Gone’ and ‘Body and Soul’, both with the local rhythm tandem of drummer Peter Giger and double bassist Isla Eckinger. This broadcast is a priceless document of masterful jazz piano in the best of taste.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1979, legendary jazz trumpeter and flugelhorn player Clark Terry brought his own Big Bad Band to the North Sea Jazz Festival in The Hague. The virtuoso musician was himself a veteran of both Duke Ellington's and Count Basie's celebrated ensembles.

Salif Keita’s music is a rich combination of traditional Malian music with European and American influences. We can hear this in the instrumentation of Keita’s music, which varies from traditional West-African instruments to Western European ones. The Malian singer was cast out by his family because of his albinism. In 1967 he moved to Bamako, where he started his musical career and joined Les Ambassadeurs (Internationaux). He achieved international acknowledgement with this band in the 1970s. After spending a couple of years in Ivory Coast, Salif has found his home base in Paris since 1984. During this 2010 concert, he proves to be rightfully referred to as “The Golden Voice of Africa”.