Schedule

The line-up of the Julie Campiche Quartet is unconventional to say the least: Julie Campiche on harp, Leo Fumagalli on saxophone, Manu Hagmann on bass, and Clemens Kuratle on drums and percussion, with Kuratle deftly incorporating electronics into their individual sound. To say that the quartet takes its listeners on a musical journey is not an overstatement. During two performances (Campiche’s “Onkalo” and Kuratle’s “To The Holy Land”) from the Schaffhauser Jazz Festival on May 24, 2018, the Quartet slowly develops hypnotic grooves that features all the jazz sensibilities fans could wish for while still pushing the boundaries of what constitutes jazz.

Many of pianist Chick Corea’s compositions have become jazz standards. As a member of Miles Davis' band in the late 1960s, he participated in the birth of the electric jazz fusion movement. In the 1970s, Corea founded the legendary jazz fusion group Return to Forever. Along with Herbie Hancock, McCoy Tyner and Keith Jarrett, Corea is one of the biggest modern jazz pianists. He continued musical collaborations with a diverse range of artists, exploring various musical styles. This broadcast features three performances that illustrate Chick Corea's many talents.

Jazz fans in television land have come to the right place for their dose of first-rate world jazz: TorTube! Jazz club De Tor in Enschede is one of Europe’s most authentic jazz venues, with an absolutely unique ambiance. Some of the best musicians from Holland and the rest of the world find their way to De Tor to perform for an appreciative audience of jazz fans. This episode of TorTube entitled Vägen, features iconic Swedish jazz pianist Martin Tingvall and his trio. Tingvall has a knack for writing bright melodies that sound like they have been around for ages. During the Tingvall Trio’s performance at De Tor in Enschede, the band’s irresistible grooves reveal drummer Jürgen Spiegel’s rock and hip hop background, and double bass player Omar Rodriguez Calvo’s Cuban heritage.

Pianist Frédéric Gassita studied classical music and jazz, the latter at the famed Berklee College of Music in Boston. Apart from French impressionists, such as Ravel and Debussy, Gassita’s main influences are Chick Corea and Herbie Hancock, both of whom he met during his studies in Berklee. His body of musical work, however, is rooted in Africa, where the he currently resides. Today he’s a figurehead of jazz in Gabon, Africa. What's more, he scouts young musical talent and owns the local football club.

The series Da Pá Virada sessions presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed in São Paulo, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. One of the bands taking part in this series is Quartabê, a unique Brazilian quartet that has influences ranging as widely as the São Paulo avant-garde movement, free improvisation, pop, and electronic music, which all get their due share in the band's exhilarating live performances. Joana Queiroz (tenor sax and clarinets), Maria Beraldo Bastos (clarinets), Mariá Portugal (drums), and Chicão (keys) compose, arrange, improvise, and sing music that's wholly their own.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. One of the bands taking the stage at jazzahead! 2022 is the trio of Scottish pianist-composer Fergus McCreadie. Upon his graduation from the Royal Conservatoire of Scotland in 2018, McCreadie immediately made an impact on the European scene, playing jazz reflecting Scotland’s landscape and musical traditions as well as American and Scandinavian influences. Fergus’s second album ‘Forest Floor’ puts him onto the world stage. Fergus McCreadie appears alongside double bassist David Bowden and drummer Stephen Henderson.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is Swiss pianist and composer Luzia von Wyl. She presents her own Luzia von Wyl Ensemble, a small contemporary jazz orchestra of strings, woodwinds and rhythm section. The music of Von Wyl, who is passionate about larger jazz ensembles, takes rhythms, odd meters, unexpected colors and sincere emotions as its starting point. Luzia von Wyl is joined by flutist Amin Mokdad, clarinetist Nicola Katz, bass clarinetist Marcel Lüscher, bassoon player Maurus Conte, violinist Vincent Millioud, vocalist Jonas Iten, double bassist Christoph Utzinger, marimba player Fabian Ziegler, and drummer Lionel Friedli.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the American saxophone player James Brandon Lewis.

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

Maria Ana Bobone (Portugal) is one of the best fado singers of her generation. She started singing fado when she was 16. Her debut album is called ‘Alma Nova’ and marked the beginning of her amazing career. For the recordings of her next two albums, ‘Luz Destino’ and ‘Senhora da Lapa’ Maria Ana welcomed instruments that are usually not present in fado music: the harpsichord and saxophone. After that, she continued her career with the release of ‘Nome de Mar’, which received many positive reviews. At the moment, Maria Ana is performing at all Portugal’s major venues, as well as many festivals and concert halls throughout the world, with the aim to present fado music and Portuguese culture to other cultures. Bobone’s latest album, ‘Fado & Piano’, shows her diversity as an artist, composer and arranger. By including the piano she re-innovates the tradition of the early 20th century. This portrait shows Maria Ana’s performances and interviews in which she explains her passion for fado music and culture.

Singer Dee Dee Bridgewater walks in with considerable credentials, but this documentary related to her album ‘Red Earth’ trumps them all: Red Earth is a Malian journey that merges and melts all borders. While world-beat listeners will recognize the grooves, this is Bridgewater's first time bringing her own experiences as an African-American woman back to the motherland. It results in a fusion of feeling, visions, and music.

Drummer, percussionist, and bandleader Lucas van Merwijk stands for ardent, exotic swing. He has been at the forefront of the European jazz, Latin, and percussion scenes for more than 25 years. He has been playing Cuban music for many years, usually in large ensembles such as ‘Nueva Manteca’ and his 20-piece ‘Cubop City Big Band’. In the period 1993-2013, Van Merwijk was elected 'Best Jazz Drummer' several times in the Benelux by the readers of ‘De Slagwerkkrant’, the Dutch magazine for drummers and percussionists. His work in the field of world music earned him the prestigious Global Act Award 2010. For this performance of Van Merwijk’s Music Machine, the percussionist invited hammond organ player Carlo de Wijs. De Wijs is known for expanding the expressive possibilities of the Hammond organ. The revolutionary steel pan player Konkie Halmeyer adds Caribbean spices to the mix. On top of this, the jack-of-all-trades Roberto Vizcaino – a true giant in Latin percussion – was flown in from Cuba to join the band!

Lebanese pianist Fady Abi Saad, a.k.a. Aleph, completed his project 'Radio at the Symphony' in the Czech Republic with the City of Prague Philharmonic Orchestra at Prague's Smecky Studios. Influenced by his native roots and jazz, Aleph augments the sound of his music with wonderful orchestral arrangements.

These portraits of artists, concerts and festivals give a good impression of the jazz world. Both famous and less famous jazz artists will give a new insight in their life. DJAZZ asked them why they wrote that special song, what was the first record they bought and what is his or her most precious musical memory. The festival portraits are beautiful reports filmed at the most special jazz festivals and concerts. They revive the memory of the festival, the music and the experience.

Instead of children’s songs, the sound of jazz standards was always present. They practiced intricate drum rhythms instead of Bach etudes: Simon Oslender and Jérôme Cardynaals have jazz running through their veins! Under the name ‘Twogether’ both youngsters celebrate a very unique and soulful style of funky blues-jazz. They create a sound that leaves even renowned jazz artists speechless. The two, exceptionally talented boys met in a youth big band, and before long they became a musical team. Immediately after that, they won the first prize in the Prinses Christina Jazz Concours in Amsterdam, which got the whole thing started. In this concert, they perform with wonderful artists such as the Dutch saxophonist Benjamin Herman and the American vocalist Madeline Bell.

Well-known for his exuberant style and intimate familiarity with a vast range of jazz and Latin idioms, Michel Camilo has always had a sixth sense for musical adventure. Camilo was one of the most stimulating jazz pianists to emerge in the mid- to late '80s. His powerful two-handed attack (full of impressive technical skills), his knowledge of both jazz and Afro-Cuban music, and his willingness to constantly take chances turn each of his solos into an adventure. This broadcast was taped during the 1999 Münchner Klaviersommer, when Camilo made one of his rare solo appearances. Improvising on a Steinway D grand piano, he drew an astonishing palette of musical colours from his instrument: rich orchestral sounds as well as and a tender lyricism.

Piano and saxophone - this is an individualistic jazz duo combination. But the melodiousness and maturity of Charlie Mariano's saxophone and the freshness and feistiness of Wolfgang Dauner's piano turn the meeting of these two jazz greats into a thrilling interplay.