Schedule

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

The November Music festival in ‘s-Hertogenbosch, the Netherlands is the ultimate event for experiencing a broad range of music. It features a wonderful variety of contemporary and experimental pop, sound art, non-Western music, jazz and free improvisation. The closing concert for the 2016 edition offers a great example of this musical wealth - Dutch composer and pianist Rembrandt Frerichs’ fantastic trio play a wonderful set with Cello8ctet Amsterdam and renowned Iranian tar player Hossein Alizâdeh. Rembrandt Frerichs studied in New York and lived in Cairo for several years. His music has the drive of American jazz, the lyricism of Middle-Eastern music, and the sensitivity of the chamber music of Claude Debussy and Maurice Ravel. The combination of Frerichs’ trio with Cello8ctet and Alizâdeh is unique. Their music is a miracle of organic creativity, and a shining fusion of old and new world music.

As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.

You can’t help but be carried away by the powerful voice Marion Williams, who, with backing from Tommy Brown (piano), Joe Washington (organ), Billy Tuliver (drums), and singers Barbara White and Ann Bolden, sings gospel songs and spirituals as if she has lived them a thousand times over. The repertoire includes such familiar tunes as “Peace in the Valley,” “We Shall Overcome,” and “Michael, Row the Boat Ashore.”

Double bassist Avishai Cohen’s trio with Noam David (drums) and Omri Mor (pianist) joined forces with the international Symphony Orchestra ‘INSO-Lviv’, conducted by Christian Schumann. On June 24, 2017 they brought Avishai Cohen’s signature blend of influences from Eastern Europe, American jazz and the Middle East to the Alfa Jazz Festival in Lviv, Ukraine. Cohen, who also supplies vocalizations in the Judeo-Spanish dialect Ladino, came to prominence internationally in the 1990s when jazz great Chick Corea offered him a place in his trio and a recording deal. Thirty years later, Cohen has become a house-hold name himself, leaving his Ukrainian audience enthralled and connected through the universal language of music.

Regarded as the greatest instrumental soloist of all-time, Stanley Gayetzky, famously known as Stan Getz emerged as one of the most significant musical forces in the world of jazz post World War II. With his distinctively warm and lyrical tone, Getz is fondly dubbed as ‘The Sound’ because of his singularity and musical innovations. His commitment to music is evident from his long body of work that includes over 300 pieces of musical compositions. Ranked among America’s top tenor saxophone players, Getz was a gifted saxophonist who could play just about anything on it, a quality that put him on top of the polls. He is accredited for playing some of the best jazz with some of the best jazzmen in the country. However, his personal life was a rollercoaster ride — tumultuous and loused up by abjection, alcohol, addiction and furious flare-ups. This program shows his last public performance, recorded at Munich Philharmonic Hall, Germany on July 18, 1990. Stan Getz (tenor sax) is accompanied by Kenny Barron (piano), Eddie Del Barrio and Frank Zottoli (synthesizers), Alex Blake (bass) and Terri Lyne Carrington (drums).

This broadcast shows a rare appearance at the 1996 Germeringer Jazztage by the legendary flamenco guitarist Paco de Lucía and his sextet. Some may question the inclusion of a flamenco guitarist within a jazz festival. However, the similarities between flamenco and blues have been well documented: both are the outlet for a poor, disenfranchised minority, with a primitive strength, boundless capabilities for improvisation and a requirement for breathtaking virtuosity - all qualities shown by Paco de Lucía in this performance. Moreover, he has long been experimenting with jazz forms (evident even from his inclusion of bass, drums, and saxophone in his sextet), while still retaining the essence of the flamenco tradition. In his own words: “What I have tried to do is have a hand holding onto tradition and the other scratching, digging in other places trying to find new things I can bring into flamenco”.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

Rotterdam’s ‘ BIRD’ is a club, café and restaurant with a live music programme that's deeply rooted in jazz, and also branches out towards soul, funk, hip-hop and electronic music as well. Its name ‘BIRD’ refers to the nickname of the legendary New York jazz saxophonist, bebop co-founder Charlie Parker (1920-1955). BIRD serves Neapolitan pizzas, good wines, no-nonsense beers and an all-round metropolitan rawness. Since 2014, this urban jazz club and DJAZZ.tv have been collaborating for a series of music programmes: ‘BIRD.tv’, allowing you to experience the best BIRD concerts and interviews as from a first row seat! In this episode, we present the London-based French-Ghanian soul jazz singer Myles Sanko (*1980). Since his youth, the stage has been Myles Sanko’s second home: he performed in the clubs and bars of his hometown Cambridge (UK), later becoming part of the British funk band Speedometer. His exceptional voice, his lyrics and his modern, cool style have earned him lots of praise as well as a loyal fan base, that extends far beyond the borders of the United Kingdom!

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Miriam Makeba, also named Mama Africa, was a South African singer, actress, United Nations goodwill ambassador, and civil-rights activist. Her career flourished in the US, where she released several albums. Makeba was among the first African musicians to receive worldwide recognition. She brought African music to a Western audience, and popularized the world music and Afropop genres. Her performances at Estival Lugano is beyond incredible. Her voice, the power and the soul summarizes her musicality in 40 minutes, together with her band and extremely talented backing-vocals.

Jazz, funk, or soul: the JazzArt Orchestra tackles each genre without batting an eye. One of the orchestra’s ambitions is to cooperate with other art disciplines, and to contribute to the local cultural climate in the East of the Netherland. Recently, JazzArt has agreed with Odeon Theatres in Zwolle, the Netherlands, to play two concerts a year at the Odeon Theatre. In these concerts, the orchestra collaborates with the winners of the Dutch Jazz Vocal Competition. This broadcast presents a concert registration of a 2015 concert from the Odeon Theatre in Zwolle. Performers are vocalists Ruben Hein, the gents of CC Campbell, Fay Klaassen, trumpeter Eric Vloeimans and keyboardist Folkert Oosterbeek.

In 1963, the small Belgian town of Comblain-la-Tour hosted an exciting line-up of both new and older jazz groups. Opening things up is the British trombonist Charlie Galbraith’s All Star Jazz Band, performing classic Dixieland jazz. Next up is German singer Knut Kiesewetter, who, with backing from the Prague Dixieland Band, sings the blues. Perhaps the highlight of this event is the coupling of American alto saxophonist Bud Shank with Dutch pianist Pim Jacobs’ trio, who play standards and bossa nova. Bringing things to a close are French clarinetist Marc Laferrière and his New Orleans Stompers with more classic Dixieland.

Blue Note Records is arguably the most prestigious jazz label. Since its foundation in 1939, it has continued to attract young talent. To celebrate the label's 75th anniversary in 2014, young musicians formed the 2014 Blue Note All Stars and appeared at the Blue Note Jazz Festival at the Gaîté Lyrique in Paris. Pianist Robert Glasper, guitarist Lionel Loueke, virtuoso trumpeter Ambrose Akinmusire, bassist Derrick Hodge, saxophonist Marcus Strickland and drummer Kendrick Scott constituted the dream line-up. United for the concert, they played songs from their respective albums, as well as great standards revisited for the occasion and to bring you the next level of jazz!

Known outside jazz circles mainly for his film scores, French composer, arranger and pianist Michel Legrand has had a long and storied career in music. Interpreters of his compositions include jazz legends such as Sarah Vaughan, Stan Getz, and Bill Evans, as well as pop stars such as Barbra Streisand and Frank Sinatra. During this 1982 performance in the Belgian town of Spa, Legrand leads his orchestra through a number of original songs, including “The Summer Knows,” “What Are You Doing the Rest of Your Life?” and “Les Moulins de mon Cœur.” Singing either in English or French, Legrand delivers a spirited performance with plenty of romantic flair that is sure to capture your heart.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2013 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them were Chucho Valdes and his Afro-Cuban Messengers, the prime example of Latin-inspired jazz music. Together with vocalists Concha Buika and Dreiser Durruthy Bombale, Rodney Barreto on drums, Gaston Joya on double bass, Yaroldy Abreu Robles on congas, and Reinaldo Melian Alvarez on trumpet, the legendary pianist brings the streets of Havana to the festival’s stage.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. "The Art of Duo" presents an unprecedented duo featuring pianist Salman Gambarov and sheng player, a Chinese mouth-organ, Wu Wei.

This selection of unforgettable performances by some of the most iconic and influential jazz guitarists in history showcases these legends’ unique essence. Revel in Wes Montgomery’s virtuosity as he performs the captivating “Nica's Dream” in Holland in 1965, and delight in the expressive beauty of his rendition of “Here's That Rainy Day”, recorded in London in that same year. Experience the timeless appeal of Joe Pass's “You Stepped Out of a Dream” and “You Turned The Tables on Me”, recorded live in Hanover in 1975. The interplay between Jim Hall and Atilla Zoller borders on the impossible as they perform “Extensions” in Hanover in 1973. Enjoy Jim Hall's lyrical solo performance of “I'm Getting Sentimental Over You” from 1964. Witness Sonny Sharrock’s avant-garde fusion of jazz and rock in an exhilarating performance of “Peanut", recorded live in France in 1970. Sharrock is joined by flutist Herbie Mann in a soulful performance of “Memphis Underground” from 1969. Immerse yourself in the magic of jazz guitar!

The audience at the Montreal Jazz Festival in Canada was in for a treat on July 3, 1982, as a true musical innovator hit the stage: Jaco Pastorius, who transformed the electric bass into a formidable solo instrument. Combining intricate harmonics, fluid melodies, and unparalleled technical skill, Pastorius left a lasting impact on the music world. In this concert, he is accompanied by Peter Erskine (drums), Don Alias (percussion), Othello Molineaux (steel drums), Bob Mintzer (tenor sax and bass clarinet), and Randy Brecker (trumpet and electronics). They perform “Chicken”, “Donna Lee”, “Mr. Phone Bone”, and “Fannie Mae”. Don't miss this extraordinary opportunity to experience Jaco Pastorius’s electrifying performance at the Montreal Jazz Festival 1982!