Schedule

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. The 2018 edition of WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Mario Batkovic, aims to explore the sonic possibilities of the accordion, without effects or loops, rather through a mutualist symbiotic relationship between man and instrument. Challenging, hypnotic, and grandiose, Batkovic’s single-handed symphonic vision is certainly unique.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. The other performances were captured by the artists themselves on various locations of their own choosing. Among the performing artists is Swiss pianist and composer Luzia von Wyl. She presents her own Luzia von Wyl Ensemble, a small contemporary jazz orchestra of strings, woodwinds and rhythm section. The music of Von Wyl, who is passionate about larger jazz ensembles, takes rhythms, odd meters, unexpected colors and sincere emotions as its starting point. Luzia von Wyl is joined by flutist Amin Mokdad, clarinetist Nicola Katz, bass clarinetist Marcel Lüscher, bassoon player Maurus Conte, violinist Vincent Millioud, vocalist Jonas Iten, double bassist Christoph Utzinger, marimba player Fabian Ziegler, and drummer Lionel Friedli.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community’s most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2024, jazzahead! paid special attention to the jazz scene of the Netherlands and invited over forty jazz acts to perform over the course of three days. Among the duos presenting themselves at jazzahead! 2024 is Sinfonia de Carnaval, composed of two exceptionally adaptable Austrian musicians: Anna Lang (cello, piano) and Alois Eberl (trombone, accordion, vocals). Their project ‘Sweeping Dragon’ is “inspired by the nature all around us, and by places of fantasy beyond it” and blends jazz and pop with electronic sounds and a full range of classical playing techniques.

The UK based band Metronomy started out as a bedroom project by Joseph Mount, who during its early stages was the sole contributor to the band's repertoire. After the debut release, Mount started expanding the band's personnel: first by adding two members, and later increasing it by one more. Metronomy's critical acclaim comes from frenetically hybrid indie pop style knitted together with trademark electronic sounds inspired by Mount's favorite acts, namely Autechre and Funkstorung. Here Metronomy performs at Beck's Festival Bar, in Sydney, Australia, on January 15, 2009.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. The Mel Lewis Orchestra was arguably the most influential big band since the swing era. They were an unusual band, creating new styles, succeeding in an era when big bands were unpopular and remaining integrated during racially tense periods.

Aleph is the stage name of Lebanese pianist Fady Abi Saad. To celebrate the release of his debut album, Aleph took to Paris Olympia to perform an evening’s worth of music before an appreciative crowd. Aleph brought with him a host of guest musicians, adding all kinds of musical colours to the evening’s proceedings, including flamenco guitar, the spooky musical saw, and the Middle-Eastern qanun. The music may be classified as ‘world music,’ but ‘otherworldly music’ is just as fitting.

Thomas Carbou and Jeff Moran share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix.

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the trio Massot/Florizoone/Horbaczewski. This adventurous threesome pushes the boundaries of jazz, folk and classical music. There is a certain commonality between the instruments they play: accordion, tuba and cello share a richness of sound, as well as a broad register and a photogenic appearance. When improvising, the trio produces the weirdest and wackiest, but also most moving sounds.

Count Basie is one of the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later. Basie's orchestra was characterized by a light, swinging rhythm section that he led from the piano, lively ensemble work, and generous soloing. Basie was not a composer like Duke Ellington or an important soloist like Benny Goodman. His instrument was his band, which was considered the epitome of swing and deeply influenced jazz. In this 1961 concert recording, Count Basie takes the stage in Charleroi.