Schedule

The Flying Pickets are a British vocal group that was formed in 1982, transferring the art of a cappella to the pop music scene. These five gentlemen scored a number one hit in 1983 in the UK Singles Chart with their version of 'Only You'. Performing live in Stuttgart, vocalists Hereward Kaye, Gary Howard, Michael Henry, Nick Godfrey and Ricky Payne have many surprises in store for their appreciative audience.

Two top-tier Belgian musicians – guitarist Philip Catherine and bassist Jean-Louis Rassinfosse – accompany American jazz trumpeter and vocalist Chet Baker during this 1985 performance at the beautiful Brussels Jazz Club, located on the Grand-Place, the Belgian capital’s central square. The trio plays Charlie Mariano’s “Crystal Bells”, the title track of their acclaimed 1983 album. Other songs played during this legendary concert include “Down” and “How Deep is the Ocean”.

American trumpeter Miles Davis (1926-1991) was a pioneering jazz musician from the late 1940s to the late 1980s. His influence on 20th century music is hard to overstate, as he trailblazed bebop, cool jazz, hardbop, modal jazz, and electronic music. On October 11, 1964, Miles Davis performed at Teatro Dell’Arte in Milan. With tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter and drummer Tony Williams, Davis performed Autumn Leaves, My Funny Valentine, All Blues, All of You, and Joshua.

Brazilian artist Gilberto Gil returns to Jazz à Vienne in France with a new round of singing that is inspired by his latest album ‘Fé na Festa’: a mixture of celebration, tradition and even some rock now and then. Gilberto Gil, worldwide known for as musician and the Brazilian minister of Culture, was one of the pioneers of the cultural movement ‘tropicalismo’. This movement, with a strong character of social protest, combines elements of traditional Brazilian culture with modern art forms. Gilberto Gil's new sound clearly has its roots in Brazilian culture, yet it is always inspired by jazz.

The November Music festival in ‘s-Hertogenbosch, the Netherlands is the ultimate event for experiencing a broad range of music. It features a wonderful variety of contemporary and experimental pop, sound art, non-Western music, jazz and free improvisation. The closing concert for the 2016 edition offers a great example of this musical wealth - Dutch composer and pianist Rembrandt Frerichs’ fantastic trio play a wonderful set with Cello8ctet Amsterdam and renowned Iranian tar player Hossein Alizâdeh. Rembrandt Frerichs studied in New York and lived in Cairo for several years. His music has the drive of American jazz, the lyricism of Middle-Eastern music, and the sensitivity of the chamber music of Claude Debussy and Maurice Ravel. The combination of Frerichs’ trio with Cello8ctet and Alizâdeh is unique. Their music is a miracle of organic creativity, and a shining fusion of old and new world music.

On October 19, 2021, John Patitucci (bass), Marco Pignataro (sax and musical director), and Joe Lovano (sax) showcased inspirational new originals at GBH's Fraser Performance Studio in Boston, MA, accompanied by Terri Lyne Carrington (drums), Nadia Washington (vocals), Chico Pinheiro (guitar), and Anastassiya Petrova (piano). This recording, titled 'Tällberg’s Jazz for the Planet', was made in support of the Tällberg Foundation’s message and aims to inspire positive climate action. Since 1981, the Tällberg Foundation has been trying to nurture new thinking, in part by looking at societal challenges through the lenses of artists.

No early breakthrough rock & roll artist is more important to the development of the genre than Chuck Berry (1926-2017). Influenced by jazz and rhythm and blues, he was rock & roll's greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers. In this 1965 Face au Public TV episode, Chuck Berry plays a string of hit songs, including his 1956 smash hit “Roll Over Beethoven”, “Promised Land” and “Johnny B. Goode”. Chuck cuts loose on guitar and the conservative crowd finally gets it.

Elvin Jones is the archetypical modern jazz musician playing on instinct, not intellect. This is the kind of music he has played to perfection since his days with John Coltrane. There are some heavy-duty sidemen in his present "Jazz Machine": Sonny Fortune and Ravi John Coltrane, the son of the most influential tenor sax player ever.

World-class Dutch jazz pianist Peter Beets has shared the stage with jazz greats Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson, and John Clayton. His mother a music teacher and his father an Oscar Peterson and Art Blakey enthusiast, Beets was surrounded by music from an early age. And though music was in their blood, neither parent associated the word “musician” with a career. In this broadcast, Peter Beets teams up with gipsy jazz heros Stochelo Rosenberg, Martin Limberger and Frans van Geest. The strength and precision of Van Geests' rhythms and tempo, and the ease with which Stochelo's lead guitar soars above them, make this band a cohesive collective - unique in their renditions of standards, Django's classic compositions, and original tunes composed by Stochelo himself.

Majamisty TriO, an ensemble from Novi Sad in Serbia, explores the space between jazz and classical music, occasionally expanding the possibilities of the traditional jazz piano trio by adding a vocal part which is treated as an instrument equal to the others. The trio’s lyrical style originates in pianist Maja Alvanović's long experience in classical music and her affinity with jazz, thus finding an original path that paints subtle moods and emotions. Inspired by the beauty of her hometown, Alvanović’s impressionistic compositions are spiced by hints of a Balkan musical heritage.

Estival Jazz Lugano is an annual, open-air music festival that takes place over five days in the picturesque city of Lugano, Switzerland. Since 1979, this musical Mecca has been a must-attend event for all jazz and world music fans worldwide. In July 1996, renowned American saxophonist Wayne Shorter and his quintet performed at Estival Jazz Lugano. Together with pianist Jim Beard, guitarist David Gilmore, bassist Alphonso Johnson, and drummer Rodney van Holmes, Shorter shows he is still at his best.

A sound support with provocative combinations, a modern music laboratory, a vehicle of inspiration whose importance has been proven by many high-profile collaborations. Music lovers who appreciate jazz for its ability to provoke and continuously question the status quo certainly do not expect that such a standard set in its configuration finds itself completely detached from tradition. But sometimes, the more the DNA of a set is anchored in tradition, the higher the margin to give way to novelty. Innovation is at the heart of the approach of VEIN, a bold Swiss ensemble composed of brothers Michael and Florian Arbenz, and bassist Thomas Lähns, for whom the term "piano trio" has long been too restrictive.

A two-part documentary, moderated by Dee Dee Bridgewater. Part 1: From Blues to Bossa On the search for the roots and origins of Jazz, we journey into the European and African music traditions and discover the cultural heritages of Jazz from Rio to New Orleans.

‘Jazz a Vienne’ is one of the world's most prestigious jazz festivals. Ever since 1981 it has attracted leading jazz artists, with many of them playing return engagements. Unsurprisingly, the festival's 2013 edition did not fall short of expectations: the lineup was filled with the biggest names in music. Among them were Chucho Valdes and his Afro-Cuban Messengers, the prime example of Latin-inspired jazz music. Together with vocalists Concha Buika and Dreiser Durruthy Bombale, Rodney Barreto on drums, Gaston Joya on double bass, Yaroldy Abreu Robles on congas, and Reinaldo Melian Alvarez on trumpet, the legendary pianist brings the streets of Havana to the festival’s stage.

The UK based band Metronomy started out as a bedroom project by Joseph Mount, who during its early stages was the sole contributor to the band's repertoire. After the debut release, Mount started expanding the band's personnel: first by adding two members, and later increasing it by one more. Metronomy's critical acclaim comes from frenetically hybrid indie pop style knitted together with trademark electronic sounds inspired by Mount's favorite acts, namely Autechre and Funkstorung. Here Metronomy performs at Beck's Festival Bar, in Sydney, Australia, on January 15, 2009.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1981, American singer and Grammy Award winner Al Jarreau gave an unforgettable performance for the audience of the North Sea Jazz Festival in The Hague, the Netherlands.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, American soul legend Ray Charles brought the Raelettes and the Ray Charles Orchestra to the North Sea Jazz Festival in The Hague. With the full force of these two groups behind him, Charles showed why throughout his storied career he has been viewed as one of the most recognizable voices in music.

The term "jam-session" was coined in the 1920s when black and white musicians gathered in smoke-filled bars after their respective concerts to enjoy the kind of jazz they could not play in traditional sets. Bing Crosby was a regular at these sessions, and had fun marking the first and third beats of musical phrases by clapping hands, which the musicians call "jammin' the beat". Today, the Seine Sessions revive the happy years of "jam sessions", while the cream of jazz, blues, gipsy and funk Parisian scenes occurs on the boards of the legendary restaurant and jazz club Le Réservoir. Titled "Legendary Jazz", this episode hosted by Eddy King features unique performances by artists playing together for the first time, and interviews with Steve McCraven, Oona Guino, Rodolphe Lauretta, and many others.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1980, American soul legend Ray Charles brought the Raelettes and the Ray Charles Orchestra to the North Sea Jazz Festival in The Hague. With the full force of these two groups behind him, Charles showed why throughout his storied career he has been viewed as one of the most recognizable voices in music.

When Daryl Hall and John Oates took to the stage at Sydney’s Entertainment Centre as the iconic bass line of ‘Maneater’ began to play, the fans knew they were in for a treat. This duo may have been opening concerts with that irresistibly smooth number for years, but it never seems to lose its magic, and the crowd – an eclectic mix of teens and baby boomers alike – lapped it up. Daryl Hall and John Oates wisely reunited a few years ago after a string of solo projects, and although Oates no longer sports his signature ‘tache, they put on the kind of show that makes it hard to believe they even considered going their separate ways. Earworms like ‘I Can’t Go For That’, ‘Out Of Touch’ and ‘Kiss On My List’ were surefire reminders that these guys are absolute hit machines, and their catchy synth-soul classics probably deserve to permeate the airwaves as much today as they did decades ago. These Philly crooners still have it in bucket-loads, so this show should have everyone from diehard Daryl Hall and John Oates fans to kids of the 80's groovin’ along in no time.

Moondog, a gaunt, mysterious and extravagantly-garbed blind street musician was celebrated among New Yorkers for two decades before gaining acclaim in Europe as an avant-garde composer conducting orchestras before royalty. Artists such as Charlie Parker, Leonard Bernstein, Steve Reich and Philip Glass have called him one of the great musical visionaries of our century. Day in and day out, the man whose real name is Louis T. Hardin, was as taciturn and unchanging a landmark of the midtown Manhattan streetscape as the George M. Cohan statue in Duffy Square. No matter the weather, he invariably dressed in a homemade robe, sandals, a flowing cape, and a horned Viking helmet - the tangible expression of what he referred to as his “Nordic philosophy”. For this show, he teams up with renowned saxophone ensemble London Saxophonic for an eccentric performance.

Trumpeter Jacques Kuba Séguin’s ensemble unites some of Montreal’s most expressive musicians: apart from Jacques Kuba Séguin, double bassist Frédéric Alarie, pianist Jonathan Cayer, and drummer Kevin Warren deliver subtle but strong lyrical moments, that make it hard not to be touched by the musical bond of this group. The experience of their ‘Litania Projekt’ seems to stop time for an instant. Together with his expressive musicians, Jacques presents a program that swings between modernity and tradition.