00:00
Gunsmoke Blues
In 1971, the camera crew of the Western series Gunsmoke travelled from Hollywood to the Pacific Northwest to capture blues greats Muddy Waters, Big Joe Turner, Big Mama Thornton and George “Harmonica” Smith during their tour. This documentary shows some of their best performances at the University of Oregon followed by footage and interviews on the road.
01:25
Tobias Meinhart "Berlin People" - jazzahead!
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts. Due to COVID-19, only half of the scheduled performances of the 2021 edition were actually recorded in Bremen. Among the performing bands is Berlin People, a Berlin-based jazz ensemble that was founded in 2018. Saxophonist Tobias Meinhart brought together three of his long-time German peers (pianist Ludwig Hornung, bassist Tom Berkmann, and drummer Mathias Ruppnig) for recordings with the American jazz guitarist Kurt Rosenwinkel. Their core sound is based on experimental improvisation, combining the American jazz tradition and the European approach. Each band member brings in their personal experiences to explore different sonic rivers.
01:58
jazzahead! 2022
Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. Among the performing artists are Canadian trumpeter Steph Richards and her quartet. Steph Richards is regarded as an adventurous jazz innovator, who has steadily established herself as a prominent and influential voice in the NYC experimental scene. Richards, who is driven by a curiosity how listeners interact with music, is open to experimenting with sensory variables, including scent, light and space. She is accompanied by Zachary Lober (bass), Joshua White (piano), and Andrew Munsey (drums).
02:45
MotorMusic Jazz Sessions: Sluijs & Vermeulen
The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. Saxophonist Ben Sluijs and pianist Erik Vermeulen both had a classical training. Both musicians have a strong melodic and harmonic approach. Their music offers no room for showing off: it’s all about the music itself. Sluijs’s fascination for jazz grew after he graduated cum laude. This led to him taking lessons with David Liebman in the US. His colleague, Erik Vermeulen, entered the Belgian jazz scene at age 22, playing with his trio. He performed with international stars such as Clark Terry, Joe Lovano, Steve Grossman, Art Farmer, Bob Mover, Toots Thielemans, and Michael Moore. This MotorMusic episode shows the fruits of this inspiring collaboration between these two classically-trained jazz musicians.
03:43
Jazz à Vienne 2017
Watch the performance of Jamie Cullum live at Jazz à Vienne, in 2017.
04:45
Ode to Miles: Bitches Brew Beyond
For the 40th anniversary of jazz legend Miles Davis' legendary album Bitches Brew, trumpeter Wallace Roney leads a band that revives the master's music. This project is the brainchild of Miles' family (including his son Erin), which is represented by his nephew, drummer Vince Wilburn. This concert at the ancient theater in Vienne, France, is a grand tribute to Miles.
05:49
John Coltrane: Live in Comblain-la-Tour
The mere mention of the name John Coltrane evokes a deeply emotional, often spiritual response from even the most casual jazz fan. Dexter Gordon was a fantastic saxophonist. Miles Davis was a genius. Coltrane stood above - he was a visionary, a saint-like figure. By the standards of most jazz musicians, his life was uneventful. Sure, he had a heroin habit for a while, and Miles Davis punched him, but once he'd experienced the “spiritual awakening” described in the liner notes of his 1965 album A Love Supreme, he dedicated himself to his music with extreme single-mindedness. This broadcast of Coltrane's 1965 performance at the short-lived Belgian jazz festival in Comblain-la-Tour features Trane's classic quartet with Elvin Jones (drums), Jimmy Garrison (bass) and McCoy Tyner (piano).
07:00
Les McCann: Live in New Orleans
Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.
08:02
Robert Rook Trio: The other set at the Bimhuis
09:03
Comblain-la-Tour Jazz Festival: Jimmy McGriff Trio
As one of the best Hammond B3 organ players, Jimmy McGriff (1936-2008) is often lost among great soul-jazz organists from his hometown of Philadelphia. Of the major soul-jazz pioneers, he was the bluesiest and often insisted that he was more of a blues musician than a jazz artist. Regardless, he remained eclectic enough to blur the lines of genres. His sound - deep, down-to-earth grooves drenched in blues and gospel feeling - made him popular with R&B audiences. This 1965 performance is part of the Comblain-la-Tour Jazz Festival.