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'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Award-winning saxophonist Michael Blicher, Hammond wizard Dan Hemmer and legendary drummer Steve Gadd joined forces in 2014 to celebrate their shared love for Hammond-organ soul jazz. The band, which tours extensively throughout the world, has released several albums. Their third album, which was released in November 2019, features U.K. vocalist Paul Carrack on the soulful ballad 'The First One To Know'.

This selection of unforgettable performances by some of the most iconic and influential jazz guitarists in history showcases these legends’ unique essence. Revel in Wes Montgomery’s virtuosity as he performs the captivating “Nica's Dream” in Holland in 1965, and delight in the expressive beauty of his rendition of “Here's That Rainy Day”, recorded in London in that same year. Experience the timeless appeal of Joe Pass's “You Stepped Out of a Dream” and “You Turned The Tables on Me”, recorded live in Hanover in 1975. The interplay between Jim Hall and Atilla Zoller borders on the impossible as they perform “Extensions” in Hanover in 1973. Enjoy Jim Hall's lyrical solo performance of “I'm Getting Sentimental Over You” from 1964. Witness Sonny Sharrock’s avant-garde fusion of jazz and rock in an exhilarating performance of “Peanut", recorded live in France in 1970. Sharrock is joined by flutist Herbie Mann in a soulful performance of “Memphis Underground” from 1969. Immerse yourself in the magic of jazz guitar!

In this DJAZZ Belgium Sessions performance, which was recorded at AED Studios in Lint, Belgium, we witness Europe’s finest jazz musicians at work. A wide variety of international jazz musicians give a creative, up-close and inside insight into their art of playing jazz music. Young talent and established jazz musicians play to their heart’s content: take for instance this unusual performance by the trio Massot/Florizoone/Horbaczewski. This adventurous threesome pushes the boundaries of jazz, folk and classical music. There is a certain commonality between the instruments they play: accordion, tuba and cello share a richness of sound, as well as a broad register and a photogenic appearance. When improvising, the trio produces the weirdest and wackiest, but also most moving sounds.

World-renowned American blues singer and guitarist Magic Slim performed an electrifying set at the French festival Jazz à Vienne 2012. With bandmates John McDonald (guitar & vocals), Andre Howard (bass), and Brian Jones (drums), the blues giant played a string of classic Chicago blues hits. Ever energetic, the veritable blues veteran put on a dynamic show for an enthusiastic audience in the atmospheric ancient Roman theatre of Vienne.

Since 1994, World Music Expo (WOMEX) has been attracting musicians, agents, a great number of press agencies, as well as media companies from all over the world. Its main exposition event has been held in various locations throughout Europe, including Berlin, Brussels, Marseille, Stockholm, Seville, Cardiff, and Budapest. In 2018, WOMEX was held in Las Palmas, Gran Canaria. One of its showcase participants, Ladama, is a quintet of women multi-instrumentalists from Venezuela, Brazil, Colombia and the United States who not only perform as a touring band, but also strive to engage youth in their respective communities in the process of musicmaking, composition and audio production through collaboration and performance workshops. Ladama is a positive force in times urgently in need of tolerance and communication.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. Saxophonist Ben Sluijs and pianist Erik Vermeulen both had a classical training. Both musicians have a strong melodic and harmonic approach. Their music offers no room for showing off: it’s all about the music itself. Sluijs’s fascination for jazz grew after he graduated cum laude. This led to him taking lessons with David Liebman in the US. His colleague, Erik Vermeulen, entered the Belgian jazz scene at age 22, playing with his trio. He performed with international stars such as Clark Terry, Joe Lovano, Steve Grossman, Art Farmer, Bob Mover, Toots Thielemans, and Michael Moore. This MotorMusic episode shows the fruits of this inspiring collaboration between these two classically-trained jazz musicians.

1977 saw the recording of an audiovisual project that was hitherto unparalleled in Dutch jazz and television history: the ‘Zeeland Suite’. Pianist Leo Cuypers composed this suite, parts of which were recorded for television on different locations in the Dutch province of Zeeland. A 7-piece band, featuring Willem Breuker and members of his Kollektief, performed Cuypers’ music. The combination of live music and epic footage, some of which was filmed from a helicopter, was the basis for a 50-minute television broadcast. Jeroen van Vliet’s ‘Zeeland Suite Revisited’ is an updated version of this remarkable project. Pianist Jeroen van Vliet, 2014’s Boy Edgar Prize winner, composed new music. Using a new band – and new technology: drones – this new project once again shows the beauty of Zeeland. Today’s band features many big names from the contemporary Dutch jazz scene, gathered to pay tribute to Zeeland’s characteristic landscape.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the bands performing here in 2019 is The Earth, Wind & Fire Experience. In this concert, original Earth, Wind & Fire guitarist, writer and musical director Al McKay performs the band's timeless disco and soul. Together with seven of the thirteen original Earth, Wind & Fire members, he keep hits such as Boogie Wonderland and September alive, touring all over the world.

The American gospel group The Jackson Singers, founded by Bob Jackson in 1980, found a warm welcome in Europe, where they have toured for decades. Embraced for their powerful spirituals and gospel music, they have become a celebrated presence in churches, cathedrals, and jazz festivals across the continent. In this concert recording from the Ascona New Orleans Jazz Festival, held in late June and early July 1998 at picturesque Lake Maggiore in Ascona, Switzerland, The Jackson Singers deliver a breathtaking performance that brings the entire audience to its feet.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1986, the acclaimed jazz fusion group Mahavishnu Orchestra led by guitarist John McLaughlin took the stage at the North Sea Jazz Festival in The Hague. This third incarnation of the group featured an outstanding lineup, with Jim Beard on keyboards, Jonas Hellborg on bass, Danny Gottlieb on drums, and Bill Evans on saxophone.