Schedule

The use of the harp in jazz is quite rare, especially in modern groups that also incorporate electronic effects. The combination of a harp with more conventional jazz instruments and electronic manipulation makes the Julie Campiche Quartet a unique ensemble in today’s jazz world. On August 3, 2016, at the Hafensommer Festival in Würzburg, Germany, the group, which also includes saxophonist Leo Fumagalli, bassist Manu Hagmann, and drummer Clemens Kuratle, played extended versions of group originals “Onkalo,” “Datstet Dar Nakoneh,” and “Flash Info.” The group has yet to release a full album, making these performances especially welcome.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.

After Dutch singer Kim Hoorweg landed her first record contract from Universal Music at the age of 14, her musical career took off and she became a well-known name in the Netherlands jazz community. Famous artists such as Candy Dulfer, Raul Midón, Metropole Orkest, and Gino Vannelli, to name a few, have already performed with the singer on numerous occasions. This time, Kim Hoorweg performs at BIRD in Rotterdam, the Netherlands, together with fellow Dutch musicians Anton Goudsmit on guitar, Niels Broos on keyboards, and Yoran Vroom on drums.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jimmy Witherspoon and Rozaa Wortham, two incredible brilliant jazz musicians. Rozaa Wortham starts off the show with the Jimmy Witherspoon Quartet. Swinging and full of energy she performs ‘It Don’t Mean A Thing’. Jimmy Witherspoon, known for the song “Ain’t Nobody’s Business” ends the show with some astounding lean-back blues.

The Dutch world-class jazz pianist Peter Beets has shared the stage with jazz greats like Chick Corea, Wynton Marsalis, “Toots” Thielemans, Elvin Jones, George Coleman, Johnny Griffin, Benny Golson and John Clayton. From birth, Beets was surrounded by music: he heard classical music from his mother, who is a music pedagogue, and he heard jazz from his father, who has a great fan of Oscar Peterson and Art Blakey. Although Beets’ parents originally did not associate the word “musician” with the word “career”, music is definitely in the family’s blood. At this concert at the Kurhaus in Scheveningen, the Netherlands, Peter Beets teams up with the world-famous guitarist Kurt Rosenwinkel. With a career spanning almost twenty-five years and including collaborating with dynamic peers like Brad Mehldau, Brian Blade, Mark Turner, Joshua Redman, Chris Potter, as well as esteemed jazz legends like Joe Henderson, Paul Motian and Gary Burton, Rosenwinkel’s indelible mark in music is the consummation of being steeped in the rich and deep traditions of jazz, springing off of the shoulders of such vital underpinnings to elevate his own art to new heights, evolving the language in a way no other guitarist has since his arrival. This collaboration between Beets and Rosenwinkel guarantees brilliant music.

The idiosyncratic pianist and composer Thelonious Monk (1917-1982) is one of the all-time greats of jazz. His music went largely misunderstood for the first 15 years of his career, after which he was rightly hailed as a genius, and received credit as a founding father of bebop. Several concerts from his 1966 European tour were recorded for television, featuring his quartet of Charles Rouse (tenor saxophone), Lawrence Gales (bass) and Benjamin Riley (drums). His quartet performed Epistrophy, 'Round Midnight, and Lulu's Back in Town in Warsaw for Polish television on April 4, 1966. On April 17, the same quartet performed a short set in Copenhagen for Danish television, featuring Lulu's Back in Town, Don't Blame Me, and Epistrophy.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

In 1988, Dee Dee Bridgewater was one of the first great jazz singers to perform at the Jazz Festival in Ramatuelle. In 2016, the story seems to repeat itself as her daughter China Moses took the stage at Ramatuelle. Over the years, China Moses has become a mature performer with a unique style: rocky voice, sharp sense of swing, and intense/energetic stage presence. After signing compilations dedicated to Dinah Washington and blues, Moses released in 2016 an album of his own compositions, entitled "Whatever". Get ready for a most entertaining performance combining jazz, soul, and hip-hop.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1987, smooth jazz saxophonist and crowd-favorite Kenny G serenaded those attending the North Sea Jazz Festival in The Hague. After beginning his career in the Love Unlimited Orchestra, he now brings his own band for this hypnotic performance.

Georgie Fame, known for "Yeh, Yeh" and "The Ballad of Bonnie and Clyde" makes a triumphant comeback with The Blue Flames. Georgie Fame and the Blue Flames was a popular band in the UK in the '60s, celebrated for its R&B, soul, jazz, ska, and pop sounds. The training was largely inspired by ska, a popular musical style in Jamaican cafes in London at the time. It was the song "Green Onions" from the Booker T & The MG that inspired Georgie to incorporate the Hammond organ into her compositions. This performance by Georgie Fame and the Blue Flames is brimming with blues and soulful sounds that will delight the group's old and new fans.

No early breakthrough rock & roll artist is more important to the development of the genre than Chuck Berry (1926-2017). Influenced by jazz and rhythm and blues, he was rock & roll's greatest songwriter, the main shaper of its instrumental voice, one of its greatest guitarists, and one of its greatest performers. In this 1965 Face au Public TV episode, Chuck Berry plays a string of hit songs, including his 1956 smash hit “Roll Over Beethoven”, “Promised Land” and “Johnny B. Goode”. Chuck cuts loose on guitar and the conservative crowd finally gets it.

Texan pianist Sammy Price (1908-1992) played everything from blues and boogie-woogie to swing and jump-blues. Starting in Dallas as a singer and dancer in Alphonso Trent’s orchestra, he went to Kansas to form the Texas Bluesicians. At the end of the 1930s, and as a house pianist for the Decca label, he backed many stars, including Sister Rosetta Tharpe and Trixie Smith. Price was equally at home playing the blues in a trio, or leading a bigger band playing the jump-blues people loved to dance to. In this 1958 recording, Sammy plays the Comblain-La-Tour Jazz Festival with his band.

Self-taught musician Les McCann became the international jazz superstar he is today after the release of his album “Swiss Movement” which he recorded in 1968 with the late Eddie Harris. Yet there is much more to this musician than that one record. McCann moves comfortably from one jazz style to the next, demonstrating impressive chops in all areas, from bop to fusion, and from vocals to the keys of the electric piano, clavinet, or synthesizer. His mix of church and swing music captures the spirit of the time perfectly, even when an illness prevented him from playing with more than one finger at a time in the early 1990s. In today’s broadcast, McCann takes gospel back to New Orleans, where he played this set in 1983. McCann’s vocals shine in the soulful performances of several of his hits, including “Just Like Magic”, backed by his wonderful “Magic Band” of saxophonist Bobby Bryant Jr., bassist Curtis Robertson Jr., and drummer Tony St. James.