Schedule

With his relaxed and clear voice, Belgian-born vocalist Michel Tasky took his French-Waalse roots to Brazil, where he established himself in the jazz scene. His contemporary style, which blends jazz and French chanson with a whole lot of samba, transports audiences to faraway places.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2022, jazzahead! paid special attention to Canada’s jazz scene and invited forty jazz acts from all over the world to perform over the course of three days. One of the youngest ensembles making their debut at jazzahead! 2022 is pianist Keno Harriehausen’s quartet. German national radio station Deutschlandfunk Kultur hailed the band’s 2019 debut album as “the jazz debut of the year” and “a minor masterpiece”. The band, consisting of two Germans, a Latvian and a Dutch, offers an unusual instrumentation: pianist Harriehausen is accompanied by tenor saxophonist Karlis Auzins, cellist Maya Fridman, and double bassist Andris Meinig. The Keno Harriehausen Quartet offers an almost cinematic concert experience in which dreamlike chamber is combined with influences as wide-ranging as pop music, soundscapes and minimal music.

Annual trade fair, exhibition, and festival jazzahead! is one of the international jazz community's most important events. Hosted in Bremen, Germany, jazzahead! brings together musicians, bookers, agents, organizers, jazz experts, and music enthusiasts at the world’s largest jazz event. In 2023, jazzahead! paid special attention to Germany’s jazz scene and invited thirty jazz acts from all over the world to perform over the course of three days. Among the groups presenting themselves at jazzahead! 2023 are Gina Schwarz and Multiphonics 8. Gina Schwarz has been nominated for major awards in both her native Austria (Amadeus) and in Germany (Record Critics). Her “Way to Blue” album with Multiphonics 8 presents a complete, autonomous cycle of works, that digs into the enigmatic world of UK music legend Nick Drake (1948-74), while also paying tribute to her own father. Without a hint of nostalgia she transforms Drake’s British folk aesthetics into subtle and exotic, timeless and border-crossing folk traditions with deeply emotional and playful textures, critics say.

The Netherlands Chamber Orchestra commissioned violinist Tim Kliphuis, internationally known for his genre-crossing approach to music, to write a new version of Antonio Vivaldi's ‘Four Seasons’. Kliphuis choose to take improvisation as his starting point; at the same time, he intended to leave the best-known Vivaldi themes and chords in, as they give the piece its wonderful energy. The result is a fresh and exciting interpretation that never loses sight of the original. Each season has a different character: the freshness of spring is reflected by the use of Irish and Norwegian traditional music; the summer heat can be heard in the American jazz and funk rhythms; the autumn includes a galloping safari hunt in South-Africa and the ice-cold winter warms up with the energy of Russian gypsy music. For each movement, Kliphuis has a metropole in mind which he visited on his previous concert tours. You’re about to witness a truly genre-crossing spectacle!

The Royal Concertgebouw in Amsterdam is a world-renowned concert hall, known for its first-rate acoustics. It has attracted many famous performers over the years and is one of the Netherlands' most treasured musical institutions. On November 2, 1958, American jazz titan Duke Ellington and his Orchestra performed two concerts at the Concertgebouw in Amsterdam. Among the many talents in the Orchestra were trumpeter Clark Terry, trombonist Quentin Jackson, saxophonist Johnny Hodges and violinist Ray Nance.

This program presents two concerts from Schloss Ansbach in 1978. The first concert features Gil Evans and his orchestra, consisting of Gil Evans on piano, Steve Lacy on soprano saxophone, Arthur Blythe on alto saxophone, Pit Levin on synthesizers, Earl McIntyre on trombone, Lewis Soloff on trumpet, Geoffrey Berlin on bass and Sue Evans on percussion instruments. The second concert features saxophonist Ornette Coleman at the peak of his musically expressive powers. Coleman is joined by Bern Nix on guitar, Charles Ellerbee on guitar, Albert Arnold on bass, and Shannon Jackson on drums and percussion.

Thomas Carbou and Patrick Graham share an almost telepathic rapport, blending spontaneous improvisation, electronic looping, and Brazilian and Indian musical influences to create ecstatic groove pieces and dream-like soundscapes. They use a wide array of instruments, including a custom-built 8-string guitar, cuatro, bouzouki, cajón, frame drums, berimbau, udu, and metal percussion instruments, as well as samplers and laptops, adding their own hypnotic vocals to the mix. This concert was recorded at Montréal’s Le Bleury Vinyl Bar, near the Place des Festivals, known worldwide as the venue for the Montreal International Jazz Festival.

Five promising musicians get together in Rotterdam jazz club BIRD’s artists-in-residence project “The Nest”. Over the course of seven sessions, these talents exchange ideas, work on their projects, and play music together. Following this period, during which record producer Jameszoo and music manager Jochem Tromp offer their coaching experience, BIRD and North Sea Jazz Festival’s fringe festival DownTown organize a tryout performance. In this short documentary, the artists share their impressions from the project. They introduce themselves, reveal why they joined The Nest and formulate what they hope to learn from the experience. Naturally, we get a glimpse of the songs they wrote during the sessions, as performed during the tryout show. Featuring Lisette Ma Neza (slam poet), Peter Somuah (trumpet), Michelle Samba (drums), Huy Le (bass), and Brenn Luiten (piano).

A two-part documentary, narrated by Dee Dee Bridgewater. Part 2: From Highlife to Musette On the road where European and African music converge, we discover the diverse influences of Jazz and her offshoots that exist today. New styles and revivals of past traditions enrich Jazz and render it the essential element of our entire music culture.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. Burghausen International Jazz Week 2019 was a great success with performances by the Leo Betzl Trio, 'Sing the truth' featuring Angelique Kidjo, Dianne Reeves and Lizz Wright, Hypnotic Brass Ensemble, Al Di Meola, and The Earth, Wind & Fire Experience.

In 1956, Duke Ellington and his Orchestra performed a legendary set at the third annual Newport Jazz Festival. It was tenor saxophonist Paul Gonsalves’ outstanding 27-chorus solo on “Diminuendo and Crescendo in Blue” that revitalized Ellington’s career. The success generated during that performance carried him for the rest of his life. By 1973, festivals carrying the Newport name were organized all over the world. Less than a year before his death, Ellington and his Orchestra, with Gonsalves still in the fold, appeared in Brussels to deliver a timeless performance before a highly appreciative crowd.

This broadcast is the first part of a concert performed by Art Blakey and the Jazz Messengers, recorded at the Théâtre des Champs Elysées in Paris in December 1959. Co-founded in the early 1950s by American jazz drummer Art Blakey and pianist Horace Silver, this hard bop ensemble performed and recorded until Blakey died in 1990. Many jazz greats got their start in this band, including trumpeters Lee Morgan and Wynton Marsalis, saxophonists Benny Golson and Wayne Shorter, pianists Joanne Brackeen and Keith Jarrett.

The 1964 edition of the Antibes Jazz Festival in Juan-les-Pins saw the return of the First Lady of Song, Ella Fitzgerald. Together with Roy Eldridge on trumpet, Tommy Flanagan on piano, Bill Yancey on double bass, and Gus Johnson on drums, the tireless singer performed such classics from the Great American songbook such as 'Them There Eyes', 'The Lady Is a Tramp', 'Summertime', 'I'm Putting all My Eggs in One Basket', 'St. Louis Blues', and 'Perdido', and a few novelties, such as Steve Allen and Ray Brown's 'Cutie Pants'. It is no surprise this legendary concert from Juan-les-Pins was released on LP!

Recorded at the Amsterdam Arena during the Amsterdam South East Jazz Festival, Michiel Borstlap tickles the ivories of his Steinway in performances of all his favourite songs on his solo albums ‘Blue’, ‘Reflective’, and ‘Frames’. An unprecedented event: a solo piano concert at the home base of football club Ajax Amsterdam! During the concert, the sound of a seagull or an aeroplane might mingle with the gentle touch of the Dutch master pianist. A must-see concert for all fans of piano music, with a wonderful encore: a performance of Thelonious Monk’s famous standard ‘Round Midnight’.

The North Sea Jazz Festival is the largest indoor music festival in the world, known globally as the event where the past, present and future of jazz are featured within three days. Next to a firm base of jazz as the festival’s staple music genre, many others, such as blues, soul, funk, or hip hop, pass by. In 1982, American trumpeter and composer Wynton Marsalis and his quintet performed at the North Sea Jazz Festival in The Hague. Accompanied by brother/saxophonist Branford Marsalis, drummer Jeff Watts, bassist Phil Bauer and pianist Kenny Kirkland, 20-year-old Wynton Marsalis shows his pedigree as a former member of Art Blakey's Jazz Messengers.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1994, legendary swing band leader and vibraphonist Lionel Hampton performed his own arrangements of jazz standards with Junior Mance on piano, Jimmy Woode on bass and Bobby Durham on drums. They were joined by the St. Petersburg State Orchestra conducted by Alexander Tschernuschenko, to create an exciting big band sound on rousing performances of ‘In the Mood’ and ‘Air Mail Special’. The program ends with Hampton singing Louis Armstrong's latter-day hit ‘What a Wonderful World’.

2006 closed with a spectacular festival of Argentinean music broadcast live from Buenos Aires. At the height of the Argentinean summer, the Orquesta Filarmónica del Teatro Colon under Daniel Barenboim (conductor & soloist) join bandoneon virtuoso Leopoldo Federico and his Orquesta Tipica for an extraordinary New Year’s Eve show with popular tangos and Latin American orchestra classics. The old master of tango, José Carli, created enchanting new arrangements of works by Argentinean artists Astor Piazzolla, Carlos Gardel, Julio de Caro, Alberto Ginastera and Horacio Salgán. Performances by leading tango dancers Mora Godoy and Junior Cervilla from Buenos Aires add atmosphere and round off the night.

Unlike many of his fellow jazz cats, vocalist Gregory Porter transcends the jazz bubble. After sustaining a shoulder injury, this former American football player turned to jazz singing. He was discovered in a Californian jazz club by pianist, saxophonist and composer Kamau Kenyatta. Porter lent his vocal skills to gospel choirs across the country and a string of successful musicals before turning his talent to his own compositions. His rise since then has been meteoric. Porter’s magnificent, burnished baritone can sink into a lyric with luxurious ease, the melody gently sculpted into new shapes at every turn, with the rhythm tugging subtly back and forth across the bar line. This live performance at the Olympia showcases this man's worth, and is a truly amazing experience!

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1987, American pianist Armando Anthony "Chick" Corea was one of the artists appearing here. Together with Frank Gambale on guitar, Eric Marienthal on saxophone, John Patitucci on bass and Dave Weckl on drums, Corea performed jazz fusion with his Elektric Band - a jazz subgenre inspired by the rock music and electronic instruments of the day. The band was nominated for two Grammy Awards.

Innovative contemporary jazz and improvised music, the search for modernity, mind blowing sounds, rock and pop… Indeed PARADOX Tilburg goes beyond jazz, crossing musical boundaries into the unknown soundscapes of electronic music. Indie artists, blues veterans and jazz superstars all pour their hearts and souls at the Paradox. From young, local talents to top national and international artists, PARADOX Tilburg is the most intimate jazz club in the Netherlands, with a devoted audience from all across Europe. In their TV show PARADOX LIVE you get a taste of the greatest concerts and interviews with artists from all around the world. This episode of PARADOX LIVE presents the amazing Dutch saxophone player Rolf Delfos.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1968, two former colleagues met again on stage, this time leading their own bands at the Newport Jazz Festival in Rotterdam: drummer Art Blakey and pianist Horace Silver were both co-founders of The Jazz Messengers.

Despite his advanced age, the legendary jazz pianist Earl Hines was at the top of his game when he performed in the Belgian town of Spa in 1977. With a band consisting of Rudy Rutherford (reeds), Jimmy Leary (bass), and Eddie Graham (drums), Hines livens up the room with his interpretations of “I Can’t Believe That You’re In Love With Me” and “The Man I Love.” Marva Josie joins the group for soulful renditions of “A Sunday Kind of Love” and the well-known classic “Kansas City” before the set comes to a close with “Caravan,” which features a lengthy drum solo by Graham.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. This concert of Freddie Hubbard and the Satchmo Legacy in 1987, highlights the bebop legend's classic style and silky tone. Hubbard is an American jazz trumpeter whose unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. He was also a well-known part of Art Blakey and the Jazz Messengers and is primarily known for playing bebop, hard bop, and post-bop styles from the early '60s onwards.

The Hugo Fernandez Quintet appeared at the renowned Greve Studio in Berlin in October 2022. Fortunately for those who could not attend the event, it was captured on video. The ensemble's unique blend of contemporary jazz infused with the vibrant sounds of New Orleans will transport you to the heart of the Crescent City. Mexican guitarist and arranger Hugo Fernandez, who is known for his full-bodied, rich sound, is joined by Thomas Hähnlein on tenor and soprano saxophones, Marleen Dahms on trombone, Max Leiß on double bass, and Mathias Ruppnig on drums. You won’t want to miss this exciting musical journey!

The Hugo Fernandez Quintet appeared at the renowned Greve Studio in Berlin in October 2022. Fortunately for those who could not attend the event, it was captured on video. The ensemble's unique blend of contemporary jazz infused with the vibrant sounds of New Orleans will transport you to the heart of the Crescent City. Mexican guitarist and arranger Hugo Fernandez, who is known for his full-bodied, rich sound, is joined by Thomas Hähnlein on tenor and soprano saxophones, Marleen Dahms on trombone, Max Leiß on double bass, and Mathias Ruppnig on drums. You won’t want to miss this exciting musical journey!