Schedule

In 2019, the vibrant city of Sofia, Bulgaria, hosted the International A to JazZ Festival. Among the featured acts was the trailblazing jazz trumpeter Christian Scott aTunde Adjuah. This genre-defying artist captivated the audience with his eclectic “stretch music”; an approach that incorporates hip-hop and reaches back through the American canon into African percussion and its rich melodic content. Trumpeter Christian Scott aTunde Adjuah’s quintet, which includes drummer Corey Fonville, percussionist Weedie Braimah, pianist Lawrence Fields, and bass guitarist Max Mucha, delivered a performance that defied boundaries and expectations.

Legendary African-American folk singer Odetta (1930-2008) sang her spirituals with immeasurable sorrow and anguish. Her spiritual music expresses the horrific impact of slavery on millions of African people stolen from their homeland. For Odetta, folk music—be it spirituals, blues or field songs—was a vehicle for expressing the racism and injustice experienced by black people dating back to the days of slavery. This 1964 episode of Face au Public shows the melancholy of the era.

Live Recording at the Palais Des Sports from 1977. Aretha Franklin performs songs like ‘Respect’, ‘You make me feel like a natural woman’, ‘La vie en Rose’ and ‘Singing in the Rain’.

American trumpet player and occasional singer Chet Baker (1929-1988) was one of the most popular exponents of bebop and cool jazz. At the age of 10, Baker was introduced to music in a school orchestra, after which he discovered bebop in the army in 1946. After serving six months in prison in 1953 for drug possession, Baker formed his own quartet with West Coast jazz great, pianist Russ Freeman. His lifelong drug addiction forced him to concertize and record incessantly. Always popular in Europe, Chet Baker (trumpet, vocals) joined Jacques Pelzer (alto saxophone, flute), Luigi Trussardi (bass), Franco Manzecchi (drums), and René Urtreger (piano) for a set in Brussels, Belgium, on May 2, 1964. They performed Bye Bye Blackbird, Isn't It Romantic, Airegin, Time After Time and So What. On September 3, 1979, Baker appeared at the Kongsberg Jazz Festival in Norway. He was joined by Wolfgang Lackerschmid (vibraphone), Michel Graillier (piano), and Jean Louis Rassenfosse (bass) for performances of Blue Train, Softly, As In A Morning Sunrise, Five Years Ago, and Love For Sale.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents the great Wayne Shorter Quartet. Shorter’s maxim is to reinvent his music during each concert. He means to give his music a radical originality.

Pianist Kenny Barron’s June 27, 2019 appearance at the Alfa Jazz Festival in Ukraine’s Lviv was a celebration of sublime jazz virtuosity. The revered elder statesmen of jazz piano brought his regular working trio of Kiyoshi Kitagawa (bass) and Jonathan Blake (drums), augmented by stellar jazzman Marcus Strickland (tenor saxophone) and young lion Riley Mulherkar (trumpet). Their seamless blend of classic bebop and modern explorations spoke of a deep, emotive connection to each note, captivating the Ukrainian audience with lyrical improvisations during this unforgettable concert.

Formed in 1952 from the rhythm section of Dizzy Gillespie's big band, the Modern Jazz Quartet took its inspiration from classical chamber music as well as jazz's blues roots. The group enjoyed a decades-long career with multiple critically acclaimed albums, cementing their place in the history of the genre. Following concerts in Rotterdam and Amsterdam the days before, the Modern Jazz Quartet performed at Singer Concertzaal in Laren for Dutch TV on March 31, 1969. Composed of Milt Jackson on vibraphone, John Lewis on piano, Percy Heath on bass, and Connie Kay on drums, the foursome plays with elegance and style.

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel. Today’s broadcast shows a special gathering between saxophone heavyweights Peter King and Steve Grossman. These experienced musicians’ trip to the bay amounts to much more than a social call. The quintet, which is rounded out by bass player Duylinh N'Guyen, drummer Stéphane Huchard and pianist Alain Jean-Marie, delivers an amazing show. Although the two saxophonists have an average age of 70, these jazz titans will convince you you’re watching young musicians on stage – albeit with 70 years of experience.

“God Bless The Child”, “Foolin’ Myself”, and “I Loves You, Porgy”: timeless songs that were made classics by the inimitable Billie Holiday. ‘Lady Day’, as her loyal friend and musical partner Lester Young nicknamed her, was a highly original jazz and pop singer. In a career that spanned most of the 1930s, 1940s and 1950s, she displayed an uncanny ability to convey emotion through her voice. Her vocals, which were strongly inspired by instrumental jazz, are admired for their deeply personal and intimate sound. This compilation features recordings from the 1950s of Billie Holiday singing a string of her greatest successes. Enjoy this unique footage of one of jazz’s all-time greats!

Every year, the Jazz en Baie festival takes place in the beautiful bay of Mont Saint-Michel Today’s broadcast shows a special gathering between two grandmasters of French jazz: pianist Jacky Terrasson and trumpeter Stéphane Belmondo. The two team up for an amazing concert in which jazz is combined with soul and a touch of chanson française. The Franco-American pianist Terrasson delights in travelling the world, collaboration with others and leading his own trio, quartet, or quintet. With his long-time friend, Stéphane Belmondo, Terrasson has produced wonderful CDs and beautiful concerts. One then finds the trumpeter on the pianist’s album ‘Gouache’; on another, the pianist guests on Belmondo’s ‘Ever After’. At the Jazz en Baie festival, the duo plays its amazing piano and trumpet music. Highly recommended!

This vintage program, ‘Jazz Marmalade’, shows expatriate American musicians plying their trade in two Parisian jazz clubs in 1962. First, American stride pianist Joe Turner (often confused with blues shouter ‘Big’ Joe Turner) opens this atmospheric broadcast with a swinging piano-bass duet recorded at the Mars Club. Joe Turner (1907–1990) would remain in Paris for the rest of his life. From the American-owned Mars Club just off the Champs-Élysées, a hangout for showbiz people and expatriate Americans in Paris, the program cuts to the Blue Note. There, a Paris-based American quartet that includes drummer Kenny Clarke, organ player Lou Bennett, and tenor saxophonist Don Byas performs ‘Salut Les Copines’. Returning to the Mars Club, the American jazz trio of house pianist Art Simmons (1926–2018) performs a jaunty take on ‘C-Jam Blues’. Rounding off the program at the Blue Note, the quartet of drummer Kenny Clarke, organist Lou Bennett, and tenor saxophonist Don Byas returns for a swinging ‘April in Paris’. These recordings offer an invaluable glimpse into expatriate American jazz-making in Paris in the early 1960s.

The Danish Radio Big Band joins forces with American vocalist Curtis Stigers to celebrate Frank Sinatra's iconic concerts at The Sands Hotel in Las Vegas. Curtis Stigers and the big band present the most popular evergreens from the American songbook of the 1950s and 1960s, one of which is the classic that lend the concert its name: “Fly Me To The Moon”.

The treasured compositions of guitarist Django Reinhardt, the founding father of hot club jazz, are engraved in everyone's memory. Although Reinhardt missed two fingers of his left hand, his virtuoso technique was unrivalled. Dutch guitarist Stochelo Rosenberg and pianist Peter Beets now have the pleasure to bring Django’s music back to life with their infectious improvisations.

New Cool Collective is one of the foremost Dutch jazz ensembles. Pioneering new blends of music styles since 1993, NCC has performed in various formations, from small combos to larger ensembles and even big bands! The ensemble’s high energy is cut out for the dance floors, as dance, Latin, salsa, afrobeat and boogaloo all meet in a jazzy mix. NCC includes saxophonist Benjamin Herman, guitarist Rory Ronde, drummer Joost Kroon, percussionists Frank van Dok and Jos de Haas, pianist Willem Friede, bassist Leslie Lopez, and trumpeter David Rockefeller.

Anita O’Day boasts two wonderful concerts from 1963 and 1970 that present the “jazz singer supreme” in impeccable form. O’Day’s horn-based approach to singing is in full effect throughout both shows including stand-out renditions in each show of audience favorites “Tea For Two” and “Sweet Georgia Brown” (both reprised from her triumphant appearance at the 1958 Newport Jazz Festival.) This show is a fitting testimony to one of jazz music’s true originals and shows unequivocally why she is ranked in the top tier of vocalists along with Ella Fitzgerald, Sarah Vaughan, and Billie Holiday.

The world-renowned North Sea Jazz Festival features a wide variety of genres, including traditional New Orleans jazz, swing, bop, free jazz, fusion, avant-garde and electronic jazz, blues, gospel, funk, soul, R&B, hip hop, world beat and Latin. The festival was founded by entrepreneur and jazz fan Paul Acket, who sold his highly successful pop magazine publishing house to organize and fund the first edition of the festival in 1976. This broadcast from the North Sea Jazz Archives presents a compilation with music of George Benson & Kenny G.

Every year since 1970, the German city of Burghausen has been hosting one of the largest jazz festivals in the world. During Burghausen International Jazz Week, Burghausen becomes a 'Bavarian jazz mecca': guests from all over the world join the Burghausers to enjoy the most wonderful jazz performances as the colorful hustle and bustle of spectators and musicians shake up the city. One of the bands performing here in 2019 is the Hypnotic Brass Ensemble, which consists of eight sons of jazz trumpeter and one-time Sun Ra Arkestra member Phil Cohran. He trained his children to play their horns and instilled in them a profound sense of the deeply spiritual roots of the music. The Hypnotic Brass Ensemble's music ranges from hypnotizing grooves to jazzy funk.

Since 1977, Estival is a summer jazz festival in Switzerland, Lugano. Estival offers a thrilling and particularly surprising line-up that explores the rich world of contemporary music whilst promoting the understanding of different cultures, tolerance, and co-existence. Jimmy Witherspoon and Rozaa Wortham, two incredible brilliant jazz musicians. Rozaa Wortham starts off the show with the Jimmy Witherspoon Quartet. Swinging and full of energy she performs ‘It Don’t Mean A Thing’. Jimmy Witherspoon, known for the song “Ain’t Nobody’s Business” ends the show with some astounding lean-back blues.

The Kurhaus in Scheveningen is a grand hotel in the Netherlands renowned for attracting both royal and musical nobility. Doubling as a concert hall, it has been host to several heavy hitters, such as the Rolling Stones and Ike and Tina Turner. On August 2, 1983, American vibraphonist Lionel Hampton performed at the Kurhaus in Scheveningen. Accompanied by his big band, which included talents such as saxophonist Arnett Cobb, the "King of Vibes" gave an invigorating performance with both mallets and voice.

Bootsy Collins, famed for playing with George Clinton and his very own Rubber Band, is used to playing syncopated, hard and relentlessly rhythmic music. With this unique style Bootsy was a major influence on the development of funk. Now in his 60s, the bassist seems animated by a new energy that reflects his new work on the album ‘Tha Funk Capitol of the World’. With this album, Bootsy Collins pays tribute to the artists with whom he worked during his frantic career: from James Brown and Parliament-Funkadelic to Fatboy Slim. During this concert, recorded at the festival Jazz à Vienne, Bootsy maintains that same energy, giving a spectacular show.