Schedule

The UK based band Metronomy started out as a bedroom project by Joseph Mount, who during its early stages was the sole contributor to the band's repertoire. After the debut release, Mount started expanding the band's personnel: first by adding two members, and later increasing it by one more. Metronomy's critical acclaim comes from frenetically hybrid indie pop style knitted together with trademark electronic sounds inspired by Mount's favorite acts, namely Autechre and Funkstorung. Here Metronomy performs at Beck's Festival Bar, in Sydney, Australia, on January 15, 2009.

Amsterdam, February 6th, 2018 - The short documentary Rebirth in The Amsterdam Red Light District illustrates how brutal Richard Lems' life as an addict was and his struggle to unshackle himself from the shame. Filled with fierce, freighting, and sad moments, Richard relives his stabbing, stay in jail, drug test, and drug use. Richard expresses himself verbally but mainly relives the moments through drumming, which renders the documentary an intense and unique experience. Addiction doctor and musician Gerard Alderliefste: “If he dares to bottom out, he will see it was the drugs and not himself. Music can bring those emotions to the surface”.

Pierre Courbois has been one of Europe’s leading jazz musicians since the mid-sixties. This concert, recorded at the renowned Amsterdam jazz club Bimhuis, sees the drummer playing with his QWINTETT. On the occasion of his 75th birthday in 2015, Courbois hit the road for the Pierre Courbois 75 Years Anniversary Tour. The PC QWINTETT consists of several highly acclaimed Dutch jazz musicians with whom Courbois has worked before in his long and versatile career. Among them are pianist Nike Langenhuijsen, double bassist Egon Kracht, trumpeter Toon de Gouw, and trombonist Ilja Reijngoud. QWINTETT honours the Charles Mingus tradition of thematic and melodic ensemble jazz - but also with an unmistakable Courbois groove! Courbois, known for his own way of combining compositions with improvisations, melodically melts constructions with uneven breaks.

The MotorMusic Studios in Mechelen, Belgium, attract many great musicians to the city. A wide variety of visiting international jazz musicians share their art of making jazz music with us in the DJAZZ series ‘Belgium Sessions’. In these sessions, some of Europe’s finest musicians perform their own, original music. This episode is all about the Habanera Duo, which sprung from a meeting of minds between flutist Marc Grauwels and accordion player Christophe Delporte, around their shared passion for the Argentine tango and the music of Ástor Piazzolla. After hearing how well their instruments blended, these two musicians founded the Habanera Duo. The duo offers the audience an eclectic repertoire that is simultaneously refined and audacious. Expect a beautiful hodgepodge of classical music and jazz, inspired by composers ranging from Piazzolla to Gioacchino Rossini.

The Newport Jazz Festival, first established in the North-American town of Newport, Rhode Island in the summer of 1954, has now grown to become one of the largest multi-day celebrations of jazz worldwide. It has resulted in numerous famous live albums from top-rate jazz stars, and has spawned several worldwide tours, including editions of the Newport Jazz Festival in Rotterdam, The Netherlands. In October 1972, an outstanding lineup played shoulder-to-shoulder at the 7th Newport Jazz Festival held in Rotterdam's then-recently built concert venue De Doelen. These masterful groups consisted of pianist Dave Brubeck and his trio (Jack Six on bass, Alan Dawson on drums), with accompaniment from Paul Desmond on alto saxophone and Gerry Mulligan on baritone saxophone, and bassist Charles Mingus and his group (Joe Gardner on trumpet, Hamiet Bluiett on baritone saxophone, John Foster on piano, Roy Brooks on drums) with the great high-note trumpeter Cat Anderson as a guest, alongside Hammond organist Jimmy Smith and his band (featuring Art Farmer on flugelhorn, Illinois Jacquet on tenor saxophone, Kenny Burrell on guitar, Clark Terry on trumpet, and Roy Haynes on drums) at the Newport Jazz Festival in Rotterdam.

The Da Pá Virada Sessions series presents the best musicians of contemporary Brazilian jazz, and beyond. Filmed and curated in São Paulo by director and presenter Dani Gurgel and producer and engineer Thiago Rabello, each session offers a unique experience by giving a fresh look into Brazil's music scene. The artists for each session are selected in consultation with Stingray DJAZZ's music editor. Curated by its percussionist and leader, Guegué Medeiros, the collective Fuá Do Guegué aims to bring together professionals and artists who identify with and value the rhythms, characteristics, and art of Brazil’s Northeast. With a healthy disregard for preconceived notions and restraints, the collective combines music, film, and dance in their eclectic and highly energetic sets. Fuá Do Guegué consists of Guegué Medeiros (percussion); Salomão Soares (piano); Lau Trajano (bass); Danilo Moraes, Beibe, and Janayna Pereira (percussion and vocals); and Olivio Filho (accordion).

Jazz in Duketown is the largest free outdoor jazz festival in the Netherlands. It's a real gathering for jazz addicts, inviting internationally renowned artists. The talented American singer Michelle David performs pop and gospel music that feeds the heart and soothes the soul. Having grown up with the church, she started singing at the age of four. A year later she joined her first band, The Mission of Love. In 1980 she enrolled at Fiorello H. LaGuardia High School of Music & Art and Performing Arts in New York City, known from the film 'Fame'. During this time, she appeared as an extra in the legendary comedy film 'Ghostbusters'. Musicals and tours with the bands of Diana Ross and Michael Bolton followed.

Lex Jasper Trio: Happy Days Are Here Again - the title says is all… After an automobile accident and 15 years of revalidation, he is back! Together with his musical pals Edwin Corzilius (double bass) and Frits Landesbergen (drums), pianist and composer Lex Jasper celebrates his return to jazz club The Duke in the Dutch village of Nistelrode. Following his car accident, Lex nearly joined the leagues of Netherland's “forgotten” jazz heroes, though he is still considered one of the most important artists and composers of his generation and Dutch jazz history. Jasper played and recorded with all the greats, including Toots Thielemans, Clark Terry, Joe Pass, and Rita Reys.

'Münchner Klaviersommer' was an annual concerts series that took place from 1981 to 1998 in Munich, Germany. Although the festival's name suggests a strong focus on piano music, it featured countless famous musicians from jazz and classical music – not just pianists. The concerts were usually held in July at The Gasteig, home of the Munich Philharmonic. In 1995, vibraphonist Gary Burton and pianist Makoto Ozone, both great jazz players noted for their virtuoso technique and innovative style, came together to give a concert of improvised music. They delighted the audience with their fluid, poetic artistry, which was expressed in a performance of the highest order.

Under the Surface is an improvisational jazz band formed by drummer Joost Lijbaart, vocalist Sanne Rambags, and guitarist Bram Stadhouders. Sanne Rambags, the youngest artist of the trio, is one of the few vocalists of her generation who able to improvise effortlessly, be it by using her voice as an instrument blending with the sounds of the band, or by performing her own poetry. Joost Lijbaart, known from bands by Yuri Honing, is one of the top artists of the Dutch jazz scene. Guitarist Bram Stadhouders is one of the most renowned musicians of improvisational music in Europe. Together, the three Dutch musicians have developed their own “universal language” within the genre. Their performance at Bimhuis showcases their unique intergenerational chemistry and hypnotizing sound. Bimhuis Amsterdam provides a platform for pioneering national and international musicians by hosting over 300 concerts a year.

The final concert of the Münchner Klaviersommer 1992 was by Wynton Marsalis and his septet. The 31-years-young star trumpeter performed one of his own jazz suites to the sold-out Philharmonie, under the title of ‘In This House, On This Morning’. The concert covers every jazz style, in composition and improvisation, and in both small and grand forms. Marsalis’s Septet was made up of Wess Anderson (alto saxophone), Wycliffe Gordon (trombone), Reginald Veal (bass), Herlin Riley (drums), Todd Williams (tenor saxophone), and Eric Reed (piano).

Montreal's very own jazz group SHPIK offers a bold and impressionistic music, drawing its inspirations from jazz, nature, and film. Evoking the great outdoors, self-discovery, and navigating between the immense and the infinitely small, this first album offers an intricate musical journey that is both energetic and reflective. Consisting of pianist and composer Arnaud Spick-Saucier, bassist Etienne Dextraze, drummer Philippe Lussier-Baillargeon, and saxophonist/flutist Alex Dodier, SHPIK has performed at famous jazz events, including the Montreal International Jazz Festival. Do yourself a favour by not missing this extraordinary breath of fresh air.

Since 2005, the Morgenland Festival of Osnabrueck has dedicated itself to the fascinating music culture of the Near and Middle East. From traditional and classical music to avant-garde, jazz, and rock, the festival program also features art, such as visual arts, dance, and theatre of interdisciplinary projects. Enjoy the musical wealth of the All Star Band in this episode of Morgenland Festival. Featuring graduate of the Boston Conservatory and vocalist Dima Oshno, both songs “Dream” and “Mugam” are played by the All Star Band and express a range of moods that vary from peaceful quietude to outbursts of energy.

Since 1960, the legendary saxophonist Charles Lloyd has lent his adventurous, lyrical sound to collaborations with likes of Cannonball Adderley, Keith Jarrett and The Beach Boys. His early and highly successful experiments blending jazz and rock music charted a path that led to the electric fusion of Miles Davis and The Headhunters, while his exploration of spirituality and transcendental meditation added a new depth to his sound. Lloyd moves from hard swing to subtle ballads, blending gorgeous textures and Eastern influences. This 1966 recording features Lloyd’s quartet, accompanied by Keith Jarrett (piano), Cecil McBee (double bass) and Jack DeJohnette (drums), playing some of Lloyd’s own compositions.

American soul and jazz organist Rhoda Scott spent most of her career in France, where she earned recognition far greater than that accorded to her in the United States. There was never any doubt about what instrument she would play as a child. "It's really the most beautiful instrument in the world,” she once stated in an interview. “The first thing I did was take my shoes off and work the pedals.” This performance at the French Festival Jazz à Vienne is extra special. Not only because of the beautiful location, but also because she shares the stage with American gospel and blues singer La Velle. Together they give an intimate and beautiful show in the antique theatre of Vienne.